Previous Page
  Next Page
 
Evokation
 
 
Index
 

 

 

 

.

 

A

MAZE

IN

ZAZAZA ENTER AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

 

 

 

ABCDEFGHIJK L MN O PQRSTUVWXYZ

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLIED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
23
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
2+3
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

EVOLVE LOVE EVOLVE

LOVE SOLVES LOVE

EVOLVE LOVE EVOLVE

 

 

 

 

Y
=
3
-
3
YOU
61
16
7
A
=
1
-
3
ARE
24
15
6
G
=
7
-
5
GOING
52
34
7
O
=
6
-
2
ON
29
11
2
A
=
1
-
1
A
1
1
1
J
=
1
-
7
JOURNEY
108
36
9
A
=
1
-
1
A
1
1
1
V
=
4
-
4
VERY
70
25
7
S
=
1
-
7
SPECIAL
65
29
2
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
H
=
8
-
4
HAVE
36
18
9
A
=
1
-
1
A
1
1
1
P
=
7
-
8
PLEASANT
88
25
7
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
``-
-
55
-
54
First Total
790
304
79
-
-
5+5
-
5+4
Add to Reduce
7+9+0
3+0+4
7+9
-
-
10
-
9
Second Total
16
7
16
-
-
1+0
-
-
Reduce to Deduce
1+6
-
1+6
-
-
1
-
9
Essence of Number
7
7
7

 

 

3
THE
33
15
6
4
MIND
40
22
4
2
OF
21
12
3
6
MATTER
77
23
5
15
Add to Reduce
171
72
18
1+5
Reduce to Deduce
1+7+1
7+2
1+8
6
Essence of Number
9
9
9

 

 

HOLY BIBLE

REVELATION

C 13 V 16

13

I am Alpha and Omega, the beginning and the end, the first and the last.

16

I Jesus have sent mine angel to testify unto you these things in the churches.

I am the root and the offspring of David, and the bright and morning star.

 

 

HOLY BIBLE

REVELATION

C 13 V 16

I

AM ALPHA AND OMEGA THE BEGINNING AND THE END THE FIRST AND THE LAST

I

AM

THE ROOT AND OFF SPRING OF DAVID AND THE BRIGHT AND MORNING STAR

 

 

 

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Midway this way of life we're bound upon

I woke to find myself in a dark wood,

Where the right road was wholly lost and gone."

 

M
=
4
-
6
MIDWAY
75
30
3
T
=
2
-
4
THIS
56
20
2
W
=
5
-
3
WAY
49
13
4
O
=
6
-
2
OF
21
12
3
L
=
3
-
4
LIFE
32
23
5
W
=
5
-
4
WE'RE
51
24
6
B
=
2
-
5
BOUND
56
20
2
U
=
3
-
4
UPON
66
21
3
-
-
30
-
32
-
406
163
28
-
-
-
-
-
-
-
-
-
I
=
9
-
1
I
9
9
9
W
=
5
-
4
WOKE
54
18
9
T
=
2
-
2
TO
35
8
8
F
=
6
-
4
FIND
33
24
6
M
=
4
-
6
MYSELF
80
26
8
I
=
9
-
2
IN
23
14
5
A
=
1
-
1
A
1
1
1
D
=
4
-
4
DARK
34
16
7
W
=
5
-
4
WOOD
57
21
3
-
-
45
-
28
-
326
137
56
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WHERE
59
32
5
T
=
2
-
3
THE
33
15
6
R
=
9
-
5
RIGHT
62
35
8
R
=
9
-
4
ROAD
38
20
2
W
=
5
-
3
WAS
43
7
7
W
=
5
-
6
WHOLLY
95
32
5
L
=
3
-
4
LOST
66
12
3
A
=
1
-
3
AND
19
10
1
G
=
7
-
4
GONE
41
23
5
-
-
46
-
37
-
456
186
42
-
-
-
-
-
-
-
-
-
-
-
121
-
97
First Total
1188
486
126
-
-
1+2+1
-
9+7
Add to Reduce
1+1+8+8
4+8+6
1+2+6
Q
-
4
-
16
Second Total
18
18
9
-
-
-
-
1+6
Reduce to Deduce
1+8
1+8
-
-
-
4
-
7
Essence of Number
9
9
9

 

 

THE DIVINE COMEDY

OF

DANTE ALIGHIERI (1265-1321)

THE FLORENTINE

CANTICA I

HELL

(L'INFERNO)

INTRODUCTION

Page 9

"Power failed high fantasy here; yet, swift to move

Even as a wheel moves equal, free from jars,

Already my heart and will were wheeled by love,

The Love that moves the sun and other stars."

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
3
GOD
26
17
8
M
=
4
-
4
MIND
40
22
4
-
-
13
-
10
First Total
99
54
18
-
-
1+3
-
1+0
Add to Reduce
9+9
5+4
1+8
-
-
4
-
1
Second Total
18
9
9
-
-
-
-
-
Reduce to Deduce
1+8
-
-
-
-
4
-
1
Essence of Number
9
9
9

 

 

3
THE
33
15
6
6
DIVINE
63
36
9
9
DIMENSION
102
48
3
18
First Total
198
99
18
1+8
Add to Reduce
1+9+8
9+9
1+8
9
Second Total
18
18
9
-
Reduce to Deduce
1+8
1+8
-
9
Essence of Number
9
9
9

 

 

A
=
1
-
1
A
1
1
1
M
=
4
-
10
MYSTERIOUS
164
47
2
V
=
4
-
5
VOICE
54
27
9
I
=
I
-
2
IN
23
14
5
T
=
3
-
3
THE
33
15
6
N
=
5
-
5
NIGHT
58
31
4
-
-
18
-
26
-
333
135
27
-
-
1+8
-
2+6
-
3+3+3
1+3+5
2+7
-
-
9
-
8
-
9
9
9

 

 

-
-
-
-
-
THE HOLY NAME
-
-
-
T
=
2
-
3
THE
33
15
6
H
=
8
-
4
HOLY
60
24
6
N
=
5
-
4
NAME
33
15
6
-
-
15
-
11
THE HOLY NAME
126
54
18
-
-
1+5
-
1+1
-
1+2+6
5+4
1+8
-
-
6
-
2
THE HOLY NAME
9
9
9

 

 

10
NAMES OF GOD
99
45
9

 

 

-
LOGOI SPERMATIKOI
-
-
-
5
LOGOI
58
31
4
11
SPERMATIKOI
136
55
1
16
LOGOI SPERMATIKOI
194
86
5
1+6
-
1+9+4
8+6
-
7
LOGOI SPERMATIKOI
14
14
5
-
-
1+4
1+4
-
7
LOGOI SPERMATIKOI
5
5
5

 

 

CITY OF REVELATION

John Michell 1972

"The great alchemists, whose ultimate aspiration was to procure the birth of a divinity among men found it necessary first to invoke within themselves the spirit they wished to share with others. In the same tradition Plato wrote that the man who aquires the art of stereometry, the likening of unlike things which is function of the canon, sanctifies not only himself but also the city and the age in which he lives. The thought behind these various expressions was that the state of a society is determined by the individuals who comprise it; that the cosmic influences are manifest on earth through the medium of the human mind, and this is the instrument by which they may be controlled and held in balance. For the instument to be effective, it requires that the individual become aware of the current influences to which he is subject, and to this end the canon was devised; for by analogy with the dynamics of geometrical and numerological relationships, the world of phenomena is revealed as the product of archetyple forces, whose behaviour in any circumstances is predicatable once the nature is understood."

"the art of stereometry, the likening of unlike things"

 

THE ART OF STEREOMETRY

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
S
=
1
-
1
S
19
10
1
T
=
2
-
1
T
20
2
2
E
=
5
-
1
E
5
5
5
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
O
=
6
-
1
O
15
6
6
M
=
4
-
1
M
13
4
4
E
=
5
-
1
E
5
5
5
T
=
2
-
1
T
20
2
2
R
=
9
-
1
R
18
9
9
Y
=
7
-
1
Y
25
7
7
-
-
55
-
11
STEREOMETRY
163
64
55
-
-
5+5
-
1+1
-
1+6+3
6+4
5+5
-
-
10
-
2
STEREOMETRY
10
10
10
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
1
-
2
STEREOMETRY
1
1
1

 

 

THE ART OF STEREOMETRY

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
A
=
1
-
3
ART
39
12
3
O
=
6
-
2
OF
21
12
3
S
=
1
-
11
STEREOMETRY
163
55
1
-
-
10
-
19
Add to Reduce
256
94
13
-
-
1+0
-
1+9
First Total
2+5+6
9+4
1+3
-
-
1
-
10
Reduce to Deduce
13
13
4
-
-
-
-
1+0
Second Total
1+3
1+3
-
-
-
1
-
1
Essence of Number
4
4
4

 

 

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
L
=
3
-
8
LIKENING
81
45
9
O
=
6
-
2
OF
21
12
3
U
=
3
-
6
UNLIKE
72
27
9
T
=
2
-
6
THINGS
77
32
5
-
-
16
-
25
Add to Reduce
284
131
32
-
-
1+6
-
2+5
First Total
2+8+4
1+3+1
3+2
-
-
7
-
7
Reduce to Deduce
14
5
5
-
-
-
-
-
Second Total
1+4
-
-
-
-
7
-
7
Essence of Number
5
5
5

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
3
ART
39
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
-
-
5
-
-
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
2
9
4
5
12
7
8
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
-
-
1+2
-
-
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
2
9
4
5
3
7
8
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
3
5
6
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
A
=
1
-
3
ART
39
12
3
-
-
3
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
S
=
1
-
11
STEREOMETRY
163
55
1
-
1
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
5
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
9
5
12
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
1+2
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
9
5
3
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
-
-
-
-
STERO R METRY
-
-
-
R
=
9
-
3
RESTORE
100
37
1
M
=
4
-
2
ME
18
9
9
T
=
2
-
6
TRY
63
18
9
-
-
15
-
11
Add to Reduce
181
64
19
-
-
1+5
-
1+1
First Total
1+8+1
6+4
1+9
-
-
6
-
2
Reduce to Deduce
10
10
10
-
-
-
-
-
Second Total
1+0
1+0
1+0
-
-
6
-
2
Essence of Number
1
1
1

 

 

THE TUTANKHAMUN PROPHECIES

Maurice Cotterell

1
999

BEHIND THE WALL OF SILENCE

Page 190

The holy number of sun-worshippers is 9, the highest number that can be reached before becoming one (10) with the creator. This is why Tutankhamun was entombed in nine layers of coffin. This is why the pyramid skirts of the two statues, guarding the entrance to the Burial Chamber, were triangular (base 3), when the all-seeing eye-skirt of Mereruka contained a pyramid skirt with a base of four sides. The message concealed here is that the 3 should be squared, which equals 9"

"The message concealed here is that the 3 should be squared, which equals 9"

 

 

TUTANKHAMEN

Christiane Desroches-Noblecourt 1963

Page177

"The red oxen had been left behind; now the "Nine Friends" and the two viziers-of the North and South- drew the ropes attached to the bier behind which followed a last high dignitary of the royal procession."

Page158 (Chapter 7) 1343

The death of the king and preparations for immortality 

"Analysis of his mummy shows that Tutankhamen was between eighteen and twenty years old when he died. This allows one to set the approxi-mate date of his coronation in his ninth year, since there is no date mentioned in connexion with him after year 9 which appears on wine jars found in his tomb."

 

 

STEPHEN HAWKING

Quest for a theory of everything

Kitty Ferguson 1991

Page 103

"The square root of 9 is three. So we know that the third side.' (line ends)

There are 13 words and number 9 in the 33rd line down of page 103

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page 30

DIVINE RIGHT (5000-2175 BC

In total, Atum and his immediate descendants numbered nine deities, three times three expressing the the ancient Egyptian concept of completeness.

 

 

TRANSFORMATION THE BREAKTHROUGH

Whitley Strieber 1988

“nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three
“nine of them in three groups of three

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

"In total, Atum and his immediate descendants numbered nine deities, three times three expressing the the ancient Egyptian concept of completeness.

“nine deities, three times three”

 

 

STEPHEN HAWKING

Quest For A Theory Of Everything

Kitty Ferguson 1992

Page 103

"...The square root of 9 is 3. So we know that the third side”

This occurs on the 33rd line down of page 103

 

 

TRANSFORMATION THE BREAKTHROUGH

Whitley Strieber 1988

Page 128

"Dr Gliedman had given me his essay "Quantum Entanglements: On Atomic Physics and the Nature of Reality," and I had been reading it..."

"Page 129

"I returned to Dr. Gliedman's essay.

I read the following sentence: "The mind is not the playwright of reality."

At that moment there came a knocking on the side of the house. This was a substantial noise, very regular and sharp. The knocks were so exactly spaced that they sounded like they were being produced by a machine. Both cats were riveted with terror. They stared at the wall. The knocks went on, nine of them in three groups of three, followed by a tenth lighter double-knock that communicated an impression of finality.

These knocks were coming from just below the line of the roof, at a spot approximately eighteen feet above the gravel driveway. Below the point of origin of the knocks were two open windows. Had anybody been out on the driveway with a ladder I would certainly have heard their movements on the gravel.

In addition, to get a ladder to that point they would have activated the movement-sensitive lights. But it was dark beyond the windows.

It would be next to impossible to stand on the sharply angled roof that covers the living room of the cabin. While the angle of the roof above the upstairs bedroom is almost flat, this roof is extremely steep. What's more, I would certainly have heard anybody crawling around on the roof. There would have been creaks and groans from the boards, and there is no question but that I would have noticed the sounds, given the profound silence of the country night.

I am absolutely dead certain about the reality of the knocks. They were not made by the house settling. Nothing but an intentional act could have produced such loud, evenly spaced sounds. They were not a prank being played by neighbors. In the summer of 1986 I had not yet told my neighbors about the visitors. What's more, the prank explanation was hopelessly impractical.

To reach the place from which I heard the knocks..."

Page 131

cannot be put down to disease. Such a thing is not a symptom. My cats would not have reacted to something happening in my mind. I am reporting a true event. It was the first definite, physical indication I had while in a state of commpletely normal consciousness that the visitors were part of this world.

They were responding to my attempts to develop the relationship and accept my fear by making their physical reality more plain.

The stunning event of August 27, 1986, strengthened my wavering resolve to keep the matter where it belongs, which is in question. It is an awfully serious business, and it cannot be removed from question except as we learn more facts. Should we decide to believe something about this that is not true, we will ruin it for ourselves. We will form yet another mythology around the visitors, as I suspect we have been doing throughout our history.

The moment after the nine knocks I thought to go outside. I also thought, You're not ready yet. You just go up to bed.

The next morning I thought that was exactly what I had done. But there was something wrong. While the knocks were taking place I was unquestionably in a normal state of mind. As soon as I began to move from the chair, though, I feel that I may have entered another state.

Unfortunately, I did not remember that something may have happened after the knocks until weeks later. On the morning after, my immediate thought was that I had failed miserably. The visitors had come, had knocked-and I'd just sat there, too scared even to open the door!

I therefore don:t know whether I concocted the subsequent memories to make myself feel better, or if they were hidden by a more prosaic screen memory.

One day I glanced at the clock on our videotape machine and suddenly remembered seeing it when it said 2:18 A.M. An instant later I recalled that I'd seen it reading that time as I went upstairs on the night of the nine knocks.

Page 134 (omitted)

TWELVE

Fire of the Question

"In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds, each precisely as loud as the one previous. And then there had been a soft double-knock completely different in tone from the others. It had communicated a distinct sense of finality, and seemed by its lightness of tone not to be a part of the group. The nine knocks were a sort of communication. The tenth was punctuation..."

Page 135

"The nine knocks made me struggle even harder to understand. And I did not understand. But I had a few ideas

It was as if I had discovered an unknown world that has always been around us, that may be an even greater reality..."
"In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds,”

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page 30

DIVINE RIGHT (5000-2175 BC

In total, Atum and his immediate descendants numbered nine deities, three times three expressing the the ancient Egyptian concept of completeness.

 

 

TRANSFORMATION THE BREAKTHROUGH

Whitley Strieber 1988

Page 134

"In the days after I heard the nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three perfectly measured, exactly spaced sounds,”

“nine knocks” “three groups of three”

“nine deities, three times three”

 

 

STEPHEN HAWKING
Quest For A Theory Of Everything

Kitty Ferguson

Page 103

"...The square root of 9 is 3. So we know that the third side

This occurs on the 33rd line down of page 103

 

 

Toby Wilkinson 2010 Page 30 “In total, Atum and his immediate descendants numbered nine deities, three times three expressing the the ancient Egyptian concept of completeness.”

Whitley Strieber 1988 Page 134 “nine knocks I was shattered, overwhelmed. I remembered their eerie precision-three groups of three”
“nine of them in three groups of three”


Kitty Ferguson 1992 Page 103 "...The square root of 9 is 3. So we know that the third side”
This occurs on the 33rd line down of page 103

 

 

-
-
-
-
-
SOLAR DISK
-
-
-
S
=
1
-
5
SOLAR
65
20
2
D
=
4
-
4
DISK
43
16
7
-
-
5
-
9
SOLAR DISK
108
36
9
-
-
-
-
-
-
1+0+8
3+6
-
-
-
5
-
9
SOLAR DISK
9
9
9

 

 

URI

Andrija Puharich

Copyright 1974 By Lab Nine Ltd

Page 132

"This is how we remembered it at the time: Abraham was living near Hebron at Mamre. He was lying in his tent in the heat of the day when three men appeared before him. They seemed to be real men. Abraham treated them hospitably with food and drink as though they were real men. Then one of them predicted that Sarah, who was around ninety years old, would have a child. She, of course, laughed this off as blarney. The three men indicated that they were on a serious mission for the Lord."

 


MARIO AND THE MAGICIAN

AND OTHER STORIES

Thomas Mann 1875 - 1955


Page366

"You speak of Nature, but you strike her in the face with your demands, you want me to strike her in the face, by stifling the spring of pain with which she has miraculously blest my soul! What a sin that would be, what ingratitude, what disloyalty to her, to Nature, and what a denial of my faith in her beneficent omnipotence! You remember how Sarah sinned? She laughed to herself be-hind the door and said: "After I am waxed old shall I have pleasure, my lord being old also?" But the Lord God was angry and said: "Wherefore did Sarah laugh?" In my opinion, she laughed less on account of her own withered old age than be-cause her lord, Abraham, was likewise so old and stricken in years, already ninety-nine. And what woman could not but laugh at the thought of indulging in lust with a ninety-nine year-old man, for all that a man's love life is less strictly limited / Page367 than a woman's. But my lord is young, is youth itself, and how much more easily and temptingly must the thought come to me "

"Abraham, was likewise so old and stricken in years, already ninety-nine"

"...with a ninety-nine year-old man"

 

MINDOTHDREAMWHATDOTHMINMEAN

 

 

1 Corinthians 15:51

Behold, I shew you a mystery; We shall not all sleep, but we shall all be changed,

 

 

THE NEW BOOK OF REVELATION

INNER LIGHT PUBLICATIONS 1995

COMPILED BY TUELLA

THE

HOLY

999

Page 32

Part 6 "3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18) that the perversion of this number made entry, calculated and deliberate in its destructive intent. In the (four) references to this subject that follow, the number becomes a mark that is not My Seal. The few references that follow go on to expand the prized lie that it is the "mark of the beast" and even that it appears in the forehead as well as the hand. Once an awareness is born of these interferences and the motive, the entire proposal is clearly exposed.

4. The number 999 is identified as truly of My Kingdom. It represents a Divine number of the Creation of Life itself in this and other Universes. This is a widely known fact in other worlds. It is a code number within the consciousness of many who have come to Page 32 / this planet to serve the father, and who are actual extensions of myself. To disguise this number as a mark of the fallen ones has dia-bolically and thoroughly confused the souls of this planet, but it was easily accomplished by another source simply by inverting the number upside down."

Page 32

Part 6

"...3. You have finally located in your search the only passage or use of the number 666 in the entire written record. In vain did you search for another, for no other corresponding witness exists any- where. For it is here at this point in the record (Rev. 13:18)..."

4. The number 999 is identified as truly of My Kingdom. It represents a Divine number of the Creation of Life itself in this and other Universes."

"...but it was easily accomplished by another source simply by inverting the number upside down."

 

 

 

DICTIONARY OF SCIENCE

Siegfried Mandel

1969

Page number (omitted)

"Appendix 5. Symbols Atomic Numbers, and Atomic Weights of Elements (1947)

 Dysprosium . Symbol Dy . Atomic Number 66 . Atomic Weight of Elements 162.46

Einsteinium . Symbol Es . Atomic Weight 99 . Atomic Weight of Elements 253"

Alphabetical sequence as presented in book

 

CIRCLE = 5 5 = CIRCLE

 

 

LOVE DIVINE IS 99 99 IS LOVE DIVINE

ADD TO REDUCE REDUCE TO DEDUCE

ESSENCE OF NUMBER

 

 

THE NUMERICAL ROOT VALUE OF THE ENGLISH ALPHABET

ISISIS

9

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+10+11+12+13+13+15+16+17+18+10+20+21+22+23+24+25+26

First Total = 351 3+5+1 = 9

 

 

A+B+C+D+E+F+G+H+I+J+K+L+M+N+O+P+Q+R+S+T+U+V+W+X+Y+Z

1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8+9+1+2+3+4+5+6+7+8

Second Total 126 1+2+6 = 9

 

 

STORM ON THE SUN

HOW THE SUN AFFECTS LIFE ON EARTH

Joseph Goodavage

1979

Page 5

THE STAR

Chapter 1

"Eliminate the impossible. Whatever remains, however improbable must be true"

Sherlock Holmes

 

 

UNDERSTANDING THE PRESENT

Bryan Appleyard

1992
science and the soul of modern man

Page 152

"There was even something symbolically magical about the way Planck arrived at the number. He discovered it simply as a way of solving equations rather than via any route through the intuitively possible or the experimentally observable. This evokes the method of that fictional hero of the age of science, Sherlock Holmes, as he affirms it to the long-suffering Dr Watson in The Sign of Four in 1889. 'How often', he asks impatiently, 'have I said to you that when you have eliminated the impossible, what- ever remains, however improbable, must be the truth.'5
However improbable. . . anybody not shocked by quantum mechanics, Niels Bohr was later to say, has not understood it. Erwin Schrodinger was to describe the truths of the new physics as not quite as meaningless as a triangular circle, but much more so than a winged lion. The underlying message of both remarks was that quantum physics could not be made to accord with common sense or intuition. It was bizarre, absurd. Unfortunately it just had to be true, the numbers said so. Newton and Galileo had prepared us for this by showing that the truth lay in universal laws that lay far beyond the limits of our everyday perception. But their versions of those laws still lay well within the range of the intuitive. What was to emerge from quantum theory was to challenge our ability even to guess at the true nature of the world."
'How often', he asks impatiently, 'have I said to you that when you have eliminated the impossible, what- ever remains, however improbable, must be the truth.'

 

 

TELEGRAPH WEEKEND

CHESS

David Norwood

Saturday September 27, 2003

"Examines the evidence in the case of the chess playing sleuth"

TO QUOTE SHERLOCK

"WHEN YOU HAVE ELIMINATED THE IMPOSSIBLE WHAT REMAINS, HOWEVER IMPROBABLE, MUST BE THE TRUTH."

 

 

DAILY MAIL

WEEKEND

Saturday 15 July 2006

Your Week Ahead

Jonathan Cainer

Page 85 (number omitted)

"TAURUS Apr 21 - May 21: 'When you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.' Sir Arthur Conan Doyle gave these words to Sherlock Holmes. You don't, though, have to be a great detective in order to see their relevance in your life this week. Something seemingly far-fetched is taking place. The more you try to understand it, the more confused you become. Surely, something can't really be happening or someone has got hold of the wrong end of the stick. Really, though;you had best believe the evidence of your own eyes. What's happening may be very strange but it is very positive."



The Seven Secrets of How toThink Like a Rocket Scientist
As Sherlock Holmes told Dr. Watson, “When you eliminate the impossible—whatever remains—however improbable, must be true.” I submit that it would be ...
www.scribd.com/.../The-Seven-Secrets-of-How-toThink-Like-a-Rocket-Scientist - Cached - Similar



Adherents.com - Religious Groups in Literature
The Sherlock Holmes maxim: Eliminate the impossible; whatever remains, however improbable, must be true. " literature - Sherlock Holmes, galaxy, 2365 ... www.adherents.com/lit/Na/Na_301.html - Cached - Similar

 

 

Daily Mail, Friday, May 23, 2014

Page 51

COFFEE BREAK

ODD STREAK

(CARTOON STRIP)

”LITTLE KNOWN FACTS:

Sherlock Holmes did quite well as a part time GEOLOGIST...

SEDIMENTARY MY DEAR WATSON. . .

SEDIMENTARY."

 


MEETINGS WITH REMARKABLE MEN

G.I Gurdjieff 1877-1949

Page 210

" 'Did they not have map or compass?' every reader will doubt-less ask .How not? We had them and even more than necessary, but in fact, it would be fortunate for travellers if these so-called maps of uninhabited regions did not exist..."

"A map,'as my friend Yelov used to say, is called in a certain language by the word khormanoupka, which means 'wisdom', and 'wisdom' in that language is characterized as follows: 'Mental proof that. twice two makes seven and a half, minus three and a little bit of something'..."



HOLY BIBLE

SCOFIELD REFERENCES

ZECHARIAH

Page 968

Chapter 4. B.C.519

Verse 10

"For who hath despised the day of small things? for they shall rejoice, and shall see the plummet in the hand of Zerubbabel with those seven; they are the eyes of the LORD, which run to and fro through the whole earth."

 

 

THE CONCISE OXFORD DICTIONARY OF QUOTATIONS 1964

Page 74

16. On the Rampage. Pip. and off the Rampage. Pip; such is Life! [Joe Gargery.] Great Expectations, ch. 15

Page 75

27 " 'Yes, I have a pair of eyes,' replied Sam, 'and that's just it, If they wos a pair o' patent double million magnifyin' gas microscopes of hextra power, p'raps I might be able to see through a flight o' stairs and a deal door; but bein' only eyes, you see my wision's limited,' "

Charles Dickens 1812-1870

 

10
LOVE + EVOLVE
-
-
-
-
LOVE
-
-
-
-
L+O
27
9
9
-
V+E
27
9
9
-
EVOLVE
-
E+V
27
9
9
-
O+L
27
9
9
-
V+E
27
9
9
-
LOVE EVOLVE
-
-
-
-
-
-
-
-
-
-
-
-
-
10
LOVE + EVOLVE
135
45
9

 

99 NAMES OF GOD GOD OF NAMES 99

THEN SINGS MY SOUL MY SAVIOUR GOD TO THEE

HOW GREAT THOU ART HOW GREAT THOU ART

 

 

"THE WORD FIRST USED FOR MAN IS LULLU"

"THE WORD FIRST USED FOR MAN IS 33333"

"THE WORD FIRST USED FOR MAN IS LULLU"

 

 

ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-


The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...

I hereby name it Babylon, home of the great gods.

The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
Then he decides to create man, to serve the gods with offerings, so that they can be at leisure. The word used for man is lullu , meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found guilty of the war between the gods, his blood is used to create mankind. Here, it is unclear if Marduk or Ea creates mankind. Later in the text, Ea is specified as the creator of man. Finally, the gods praise Marduk, and give him fifty names that represent different aspects of his powers and sovereignty.
The text ends with instructions on how it should be passed on from generation to generation, and the command to worship Marduk, king of the gods.

 

ENUMA ELISH
The Babylonian Creation Myth

"The word used for man is lullu"

LULLU 33333 LULLU

"The word used for man is lullu"

 

-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
6
6

 

 

-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
1
-
-
--
-
-
--
-
-
1
ONE
1
-
-
-
-
-
2
-
-
--
-
-
--
-
-
2
TWO
2
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
4
-
-
--
-
-
--
-
-
4
FOUR
4
-
-
-
-
-
5
-
-
--
-
-
--
-
-
5
FIVE
5
-
-
-
-
-
6
-
-
--
-
-
--
-
-
6
SIX
6
-
-
-
-
-
7
-
-
--
-
-
--
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
--
-
-
--
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
--
-
-
--
-
-
9
NINE
9
-
-
-
-
-
42
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
4+2
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
6
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6

 

 

5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
12
21
12
12
21
+
=
78
7+8
=
15
1+5
6
=
6
-
3
3
3
3
3
+
=
15
1+5
=
6
=
6
=
6
5
L
U
L
L
U
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
-
-
3
occurs
x
5
=
15
1+5
6
5
L
U
L
L
U
-
-
3
-
-
5
-
15
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
1+5
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6
-
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
5
L
U
L
L
U
-
-
3
-
-
5
-
6
-
6

 

ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-


The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ...

 

-
-
-
-
-
LULLU
-
-
-
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
L
3
L
-
1
L
12
3
3
L
3
L
-
1
L
12
3
3
U
3
U
-
1
U
21
3
3
-
15
-
-
6
LULLU
78
15
15
-
1+5
-
-
-
-
7+8
1+5
1+5
-
6
-
-
6
LULLU
15
6
6
-
-
-
-
-
-
1+5
-
-
-
6
-
-
6
LULLU
6
6
6

 

 

B
=
2
-
-
BABYLONIA
-
-
-
-
-
-
-
2
B+A
3
3
3
-
-
-
-
2
B+Y
27
9
9
-
-
-
-
1
L
12
3
3
-
-
-
-
4
O+N+I+A
39
21
3
B
=
2
Q
9
BABYLONIA
81
36
18
-
-
-
-
-
-
8+1
2+3
1+8
B
=
2
Q
9
BABYLONIA
9
9
9

 

 

Tho' much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

Ulysses

www.victorianweb.org/authors/tennyson/ulyssestext.html

 

 

THE

FIELD

THE QUEST FOR THE SECRET FORCE OF THE UNIVERSE

Lynne McTaggart 2001

LIGHT IN THE DARKNESS

Page III

"Physics may be about to face a revolution similar to that which occurred just a century ago. . .

Arthur C. Clarke, 'When Will the Real Space Age Begin?'

If an angel was to tell us about his philosophy. . .

many of his statements might well sound like 2x2 = 13"

Georg Christophe Lichtenburg, Aphorisms

 

Page 13 "Subatomic particles had no meaning as isolated entities but could only be understood in their realationships. The world at its most basic, existed as a complex web of interdependant relationships, forever indivisible"

 

 

8
CALCULUS
-
-
-
1
C
3
3
3
1
A
1
1
1
1
L
12
3
3
1
C
3
3
3
1
U
21
3
3
1
L
12
3
3
1
U
21
3
3
1
S
19
10
1
8
CALCULUS
92
29
20
-
-
9+2
2+9
2+0
8
CALCULUS
11
11
2
-
-
1+1
1+1
-
5
CALCULUS
2
2
2

 

 

10
CALCULATES
97
34
7
7
NUMBERS
92
38
2
17
First Total
189
72
9
1+7
Add to Reduce
1+8=9
7+2
-
8
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
8
Essence of Number
9
9
9

 

 

-
-
-
-
-
NUMEROLOGY
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
1
L
21
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
-
-
55
-
10
NUMEROLOGY
145
55
55
-
1
2
6
4
10
12
14
8
9
-
-
5+5
-
1+0
-
1+4+5
5+5
5+5
-
-
-
-
-
1+0
1+2
1+4
-
-
-
-
10
-
1
NUMEROLOGY
10
10
10
-
1
2
6
4
1
3
5
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
NUMEROLOGY
1
1
1
-
1
2
6
4
1
3
5
8
9

 

 

-
-
-
-
-
NUMEROLOGY
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
1
N
14
5
5
-
1
2
-
-
5
-
-
8
-
U
=
3
-
1
U
21
3
3
-
1
2
3
-
-
-
-
8
-
M
=
4
-
1
M
13
4
4
-
1
2
-
4
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
-
8
-
R
=
9
-
1
R
18
9
9
-
1
2
-
-
-
-
-
8
9
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
-
8
-
L
=
3
-
1
L
21
12
3
-
1
2
3
-
-
-
-
8
-
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
-
8
-
G
=
7
-
1
G
7
7
7
-
1
2
-
-
-
-
7
8
-
Y
=
7
-
1
Y
25
7
7
-
1
2
-
-
-
-
7
8
-
-
-
55
-
10
NUMEROLOGY
145
55
55
-
1
2
6
4
10
12
14
8
9
-
-
5+5
-
1+0
-
1+4+5
5+5
5+5
-
-
-
-
-
1+0
1+2
1+4
-
-
-
-
10
-
1
NUMEROLOGY
10
10
10
-
1
2
6
4
1
3
5
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
NUMEROLOGY
1
1
1
-
1
2
6
4
1
3
5
8
9

 

LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER

 

-
-
-
-
-
NUMEROLOGY
-
-
-
-
1
2
3
4
5
6
7
8
9
U
=
3
-
1
U
21
3
3
-
1
2
3
-
-
-
-
8
-
L
=
3
-
1
L
21
12
3
-
1
2
3
-
-
-
-
8
-
M
=
4
-
1
M
13
4
4
-
1
2
-
4
-
-
-
8
-
N
=
5
-
1
N
14
5
5
-
1
2
-
-
5
-
-
8
-
E
=
5
-
1
E
5
5
5
-
1
2
-
-
5
-
-
8
-
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
-
8
-
O
=
6
-
1
O
15
6
6
-
1
2
-
-
-
6
-
8
-
G
=
7
-
1
G
7
7
7
-
1
2
-
-
-
-
7
8
-
Y
=
7
-
1
Y
25
7
7
-
1
2
-
-
-
-
7
8
-
R
=
9
-
1
R
18
9
9
-
1
2
-
-
-
-
-
8
9
-
-
55
-
10
NUMEROLOGY
145
55
55
-
1
2
6
4
10
12
14
8
9
-
-
5+5
-
1+0
-
1+4+5
5+5
5+5
-
-
-
-
-
1+0
1+2
1+4
-
-
-
-
10
-
1
NUMEROLOGY
10
10
10
-
1
2
6
4
1
3
5
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
1
NUMEROLOGY
1
1
1
-
1
2
6
4
1
3
5
8
9

 

 

-
-
-
-
-
NUMEROLOGY
-
-
-
-
3
4
5
6
7
9
U
=
3
-
1
U
21
3
3
-
3
-
-
-
-
-
L
=
3
-
1
L
21
12
3
-
3
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
4
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
-
5
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
5
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
7
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
7
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
9
-
-
55
-
10
NUMEROLOGY
145
55
55
-
6
4
10
12
14
9
-
-
5+5
-
1+0
-
1+4+5
5+5
5+5
-
-
-
1+0
1+2
1+4
-
-
-
10
-
1
NUMEROLOGY
10
10
10
-
6
4
1
3
5
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
1
-
1
NUMEROLOGY
1
1
1
-
6
4
1
3
5
9

 

 

-
10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
6
-
6
-
-
+
=
17
1+7
=
8
=
8
=
8
-
-
14
-
-
-
-
15
-
15
-
-
+
=
44
4+4
=
8
=
8
=
8
-
10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
3
-
7
7
+
=
38
3+8
=
11
1+1
2
=
2
-
-
-
21
13
5
18
-
12
-
7
7
+
=
101
1+0+1
=
2
=
2
=
2
-
10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
-
-
14
21
13
5
18
15
12
15
7
7
+
=
145
1+4+5
=
10
1+0
1
=
1
-
-
5
3
4
5
9
6
3
6
7
7
+
=
55
5+5
=
10
1+0
1
=
1
-
10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
-
-
-
3
-
-
-
-
3
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
5
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
6
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
-
7
7
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
11
10
N
U
M
E
R
O
L
O
G
Y
-
-
34
-
-
10
-
55
-
28
1+1
1+0
-
-
-
-
9
-
-
-
-
-
-
-
3+4
-
-
1+0
-
5+5
-
2+8
2
1
N
U
M
E
R
O
L
O
G
Y
-
-
7
-
-
1
-
10
-
10
-
-
5
3
4
5
9
6
3
6
7
7
-
-
-
-
-
-
-
1+0
-
1+0
2
1
N
U
M
E
R
O
L
O
G
Y
-
-
7
-
-
1
-
1
-
1

 

 

10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
6
-
6
-
-
+
=
17
1+7
=
8
=
8
=
8
-
14
-
-
-
-
15
-
15
-
-
+
=
44
4+4
=
8
=
8
=
8
10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
-
-
3
4
5
9
-
3
-
7
7
+
=
38
3+8
=
11
1+1
2
=
2
-
-
21
13
5
18
-
12
-
7
7
+
=
101
1+0+1
=
2
=
2
=
2
10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
-
14
21
13
5
18
15
12
15
7
7
+
=
145
1+4+5
=
10
1+0
1
=
1
-
5
3
4
5
9
6
3
6
7
7
+
=
55
5+5
=
10
1+0
1
=
1
10
N
U
M
E
R
O
L
O
G
Y
-
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
3
-
-
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
4
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
5
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
6
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
-
-
-
-
-
-
-
-
-
7
7
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
10
N
U
M
E
R
O
L
O
G
Y
-
-
34
-
-
10
-
55
-
28
1+0
-
-
-
-
9
-
-
-
-
-
-
-
3+4
-
-
1+0
-
5+5
-
2+8
1
N
U
M
E
R
O
L
O
G
Y
-
-
7
-
-
1
-
10
-
10
-
5
3
4
5
9
6
3
6
7
7
-
-
-
-
-
-
-
1+0
-
1+0
1
N
U
M
E
R
O
L
O
G
Y
-
-
7
-
-
1
-
1
-
1

 

 

========================================

NUMEROLOGY

Numerology - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Numerology

Numerology is any belief in divine, mystical relationship between a number ... See Numerology and the Church Fathers for early Christian beliefs on the subject.
Numerology

Not to be confused with number theory.

Numerology is any belief in divine, mystical relationship between a number and one or more coinciding events.[1] Numerology is regarded as pseudomathematics or pseudoscience by modern scientists.[2][1] It is often associated with the paranormal, alongside astrology and similar divinatory arts.[3]

Despite the long history of numerological ideas, the word "numerology" is not recorded in English before c.1907.[4]

The term numerologist is used for those who place faith in numerical patterns (and draw pseudo-scientific inferences from them), even if those people do not practice traditional numerology. For example, in his 1997 book Numerology: Or What Pythagoras Wrought, mathematician Underwood Dudley uses the term to discuss practitioners of the Elliott wave principle of stock market analysis.

Contents [hide]
1 History
2 Methods 2.1 Alphabetic systems
2.2 Abjad system

3 Chinese numerology 3.1 Chinese number definitions

4 Other fields 4.1 Numerology and alchemy
4.2 Numerology in science
4.3 Numerology in gaming

5 Skepticism
6 In popular culture
7 See also
8 Notes
9 References
10 External links

History[edit]

Pythagoras and other philosophers of the time believed that because mathematical concepts were more "practical" (easier to regulate and classify) than physical ones, they had greater actuality. St. Augustine of Hippo (A.D. 354–430) wrote "Numbers are the Universal language offered by the deity to humans as confirmation of the truth." Similar to Pythagoras, he too believed that everything had numerical relationships and it was up to the mind to seek and investigate the secrets of these relationships or have them revealed by divine grace. See Numerology and the Church Fathers for early Christian beliefs on the subject.

In 325 AD, following the First Council of Nicaea, departures from the beliefs of the state church were classified as civil violations within the Roman Empire. Numerology had not found favor with the Christian authority of the day and was assigned to the field of unapproved beliefs along with astrology and other forms of divination and "magic".[citation needed] Despite this religious purging, the spiritual significance assigned to the heretofore "sacred" numbers had not disappeared; several numbers, such as the "Jesus number" have been commented and analyzed by Dorotheus of Gaza and numerology still is used at least in conservative Greek Orthodox circles.[5][6] Numerology is prominent in Sir Thomas Browne's 1658 literary Discourse The Garden of Cyrus. Throughout its pages the author attempts to demonstrate that the number five and the related Quincunx pattern can be found throughout the arts, in design, and in nature – particularly botany.

Modern numerology has various antecedents. Ruth A. Drayer's book, Numerology, The Power in Numbers (Square One Publishers) says that around the turn of the century (from 1800 to 1900 A.D.) Mrs. L. Dow Balliett combined Pythagoras' work with Biblical reference. Then on Oct 23, 1972, Balliett's student, Dr. Juno Jordan, changed Numerology further and helped it to become the system known today under the title "Pythagorean", although Pythagoras himself had nothing to do with the system. Dr. Jordan's work "The Romance in Your Name" provided a system for identifying what he called key numerological influences in one's name and birth date and remains used today. Subsequent 'numerologists' including Florence Campbell (1931),[7] Lynn Buess (1978), Mark Gruner (1979), Kathleen Roquemore (1985) expanded on the use of numerology for assessing personality or events. These different schools of numerology give various, and sometimes conflicting, definitions for the meaning of specific digits.

Australian philosopher David Stove pointed out different pseudoscientific beliefs, for example numerology and astrology, may be pathological in different ways. When critiquing such pseudoscientific beliefs, philosophers and scientists should take into account that the fallacies that give rise to the "particular awfulness" of one pseudoscientific belief may not be applicable to another.[8]

Methods[edit]

Alphabetic systems[edit]

There are many numerology systems which assign numerical value to the letters of an alphabet. Examples include the Abjad numerals in Arabic, the Hebrew numerals, Armenian numerals, and Greek numerals. The practice within Jewish tradition of assigning mystical meaning to words based on their numerical values, and on connections between words of equal value, is known as gematria.

For example, numbers are assigned to letters as follows:
1 = a, j, s
2 = b, k, t,
3 = c, l, u,
4 = d, m, v,
5 = e, n, w,
6 = f, o, x,
7 = g, p, y,
8 = h, q, z,
9 = i, r,

.....and then summed. Examples:
3,489 → 3 + 4 + 8 + 9 = 24 → 2 + 4 = 6
Hello → 8 + 5 + 3 + 3 + 6 = 25 → 2 + 5 = 7

A quicker way to arrive at a single-digit summation (the digital root) is simply to take the value modulo 9, substituting a 0 result with 9 itself.

Different methods of calculation exist, including Chaldean, Pythagorean, Hebraic, Helyn Hitchcock's method, Phonetic, Japanese, Arabic and Indian.

The examples above are calculated using decimal (base 10) arithmetic. Other number systems exist, such as binary, octal, hexadecimal and vigesimal; summing digits in these bases yields different results. The first example, shown above, appears thus when rendered in octal (base 8):
3,48910 = 66418 → 6 + 6 + 4 + 1 = 218 → 2 + 1 = 38 = 310

Abjad system[edit]

The Arabic system of numerology is known as Abjad notation or Abjad numerals. In this system each letter of Arabic alphabet has a numerical value. This system is mother of ilm-ul-cipher (Science of Cipher), and ilm-ul-huroof (Science of Alphabet Letters)...as shown below : ( أبجدهوز حطي كلمن سعف صقر شتث خذضظغ)

أ=1
ب=2
ج=3
د=4
ه=5
و=6
ز=7
ح=8
ط=9
ي=10
ك=20
ل=30
م=40
ن=50
س=60
ع=70
ف=80
ص=90
ق=100
ر=200
ش=300
ت=400
ث=500
خ=600
ذ=700
ض=800
ظ=900
غ=1000

Chinese numerology[edit]

Main article: Numbers in Chinese culture

Some Chinese assign a different set of meanings to the numbers and certain number combinations are considered luckier than others. In general, even numbers are considered lucky, since it is believed that good luck comes in pairs.

Traditional Chinese Medicine (TCM), and its associated fields such as acupuncture, base their system on mystical numerical associations, such as the “12 vessels circulating blood and air corresponding to the 12 rivers flowing toward the Central Kingdom; and 365 parts of the body, one for each day of the year” being the basis of locating acupuncture points.[9]

Chinese number definitions[edit]

Cantonese frequently associate numbers with the following connotations (based on its sound), which may differ in other Chinese languages:
1.一 [jɐ́t] – sure
2.二 [ji̭ː] – easy 易 [ji̭ː]
3.三 [sáːm] – live 生 [sáːŋ] but it can also be seen as a halved eight when using Arabic numerals (3) (8) and so considered unlucky.
4.四 [sēi] – considered unlucky since 4 is a homophone with the word for death or suffering 死 [sěi], yet in the Shanghainese, it is a homophone of water (水)and is considered lucky since water is associated with money.
5.五 [ŋ̬] – the self, me, myself 吾 [ŋ̭], nothing, never 唔 [ŋ, m][need tone] in the Shanghainese, it is a homophone of fish (鱼)
6.六 [lùːk] – easy and smooth, all the way
7.七 [tsʰɐ́t] – a slang/vulgar word in Cantonese.
8.八 [pāːt] – sudden fortune, prosperity 發 [fāːt]
9.九 [kɐ̌u] – long in time 久 [kɐ̌u], enough 夠 [kɐ̄u] or a slang/vulgar word derived from dog 狗 [kɐ̌u] in Cantonese

Some "lucky number" combinations include:
99 – doubly long in time, hence eternal; used in the name of a popular Chinese American supermarket chain, 99 Ranch Market.
168 – many premium-pay telephone numbers in China begin with this number, which is considered lucky. It is also the name of a motel chain in China (Motel 168).
888 – Three times the prosperity, means "wealthy wealthy wealthy".

Other fields[edit]

Numerology and alchemy[edit]

Some alchemical theories were closely related to numerology. Iranian alchemist Jabir ibn Hayyan framed his experiments in an elaborate numerology based on the names of substances in the Arabic language.

Numerology in science[edit]

Scientific theories are sometimes labeled "numerology" if their primary inspiration appears to be a set of patterns rather than scientific observations. This colloquial use of the term is quite common within the scientific community and it is mostly used to dismiss a theory as questionable science.

The best known example of "numerology" in science involves the coincidental resemblance of certain large numbers that intrigued such eminent men as mathematical physicist Paul Dirac, mathematician Hermann Weyl and astronomer Arthur Stanley Eddington. These numerical coincidences refer to such quantities as the ratio of the age of the universe to the atomic unit of time, the number of electrons in the universe, and the difference in strengths between gravity and the electric force for the electron and proton. ("Is the Universe Fine Tuned for Us?", Stenger, V.J., page 3[10]).

The discovery of atomic triads (dealing with elements primarily in the same group or column of the periodic table) was considered a form of numerology, and yet ultimately led to the construction of the periodic table. Here the atomic weight of the lightest element and the heaviest are summed, and averaged, and the average is found to be very close to that of the intermediate weight element. This didn't work with every triplet in the same group, but worked often enough to allow later workers to create generalizations. See Döbereiner's triads

Large number co-incidences continue to fascinate many mathematical physicists. For instance, James G. Gilson has constructed a "Quantum Theory of Gravity" based loosely on Dirac's large number hypothesis.[11]

Wolfgang Pauli was also fascinated by the appearance of certain numbers, including 137, in physics.[12] British mathematician I. J. Good wrote:

There have been a few examples of numerology that have led to theories that transformed society: see the mention of Kirchhoff and Balmer in Good (1962, p. 316) ... and one can well include Kepler on account of his third law. It would be fair enough to say that numerology was the origin of the theories of electromagnetism, quantum mechanics, gravitation.... So I intend no disparagement when I describe a formula as numerological.

When a numerological formula is proposed, then we may ask whether it is correct. ... I think an appropriate definition of correctness is that the formula has a good explanation, in a Platonic sense, that is, the explanation could be based on a good theory that is not yet known but ‘exists’ in the universe of possible reasonable ideas.

—I. J. Good[13]

Numerology in gaming[edit]

Some players apply methods that are sometimes called numerological in games which involve numbers but no skill, such as bingo, roulette, keno, or lotteries. Although no strategy can be applied to increase odds in such games, players may employ "lucky numbers" to find what they think will help them. There is no evidence that any such "numerological strategy" yields a better outcome than pure chance, but the methods are sometimes encouraged, e.g. by casino owners.[14]

Skepticism[edit]

[icon] This section requires expansion. (May 2013)

Skeptics argue that numbers have no occult significance and cannot by themselves influence a person's life. Skeptics therefore regard numerology as a superstition and a pseudoscience that uses numbers to give the subject a veneer of scientific authority.[1] For example, there is no evidence that all people born on the same date have the same future, contrary to the claims of numerologists.[2]

Two studies have been done investigating numerological claims, both producing negative results. One in the UK in 1993[15] and one in 2012 in Israel. The experiment in Israel involved a professional numerologist and 200 participants. The experiment was repeated twice and still produced negative results.[16]

In popular culture[edit]

Numerology is a popular plot device in fiction. Sometimes it is a casual element used for comic effect, such as in an episode titled "The Séance" of the 1950s TV sitcom I Love Lucy, where Lucy dabbles in numerology. Sometimes it is a central motif of the storyline, such as the movie π, in which the protagonist meets a numerologist searching for hidden numerical patterns in the Torah; the TV show Touch which focuses almost entirely on the role of numerology in the events and coincidences of any person's life; and the movie The Number 23 was based on claimed mysteries of the number 23.

See also[edit]

Abjad
Al-Jafr (book)
Al-Jamia (scroll)
Biblical numerology
List of topics characterized as pseudoscience
Number of the Beast
Numbers in Chinese culture
Numbers in Egyptian mythology
Numbers in Norse mythology
Significance of numbers in Judaism

Notes[edit]

1.^ Jump up to: a b c "The Skeptic's Dictionary: numerology". Skepdic.com. Retrieved 2012-08-31.
2.^ Jump up to: a b Webb, John (2001). "Feminist Numerology". Science in Africa. Retrieved 27 May 2013.
3.Jump up ^ Lynne Kelly (2004). The Skeptic's Guide To The Paranormal. Allen & Unwin. ISBN 1-74114-059-5.
4.Jump up ^ "numerology, n.". OED Online. September 2012. Oxford University Press. http://oed.com/view/Entry/129129?redirectedFrom=numerology& (accessed November 23, 2012).
5.Jump up ^ Η Ελληνική γλώσσα, ο Πλάτων, ο Αριστοτέλης και η Ορθοδοξία (in Greek). Acrobase.gr. Retrieved 2012-08-31.
6.Jump up ^ Αγαπητέ Πέτρο, Χρόνια Πολλά και ευλογημένα από Τον Κύριο Ημών Ιησού Χριστό (in Greek). Users.otenet.gr. Retrieved 2012-08-31.
7.Jump up ^ Campbell, Florence (1931). Your Days Are Numbered: A Manual of Numerology for Everybody. DeVorss & Company. ISBN 0-87-516422-6.
8.Jump up ^ "It is the same story even beyond the pale. For example, no one actually knows, even, what is wrong with numerology. Philosophers, of course, use numerology as a stock example of thought gone hopelessly wrong, and they are right to do so; still, they cannot tell you what it is that is wrong with it. If you ask a philosopher this, the best he will be able to come up with is a bit of Positivism about unverifiability, or a bit of Popperism about unfalsifiability: answers which the philosopher himself will know to be unsatisfactory on various grounds, but which have in addition this defect, that they put numerology in the same boat as, for example, astrology. But numerology is actually quite as different from astrology as astrology is from astronomy. Philosophers do not know this, because, while they often look at the astrological parts of newspapers for fun, they never read a book of numerology. If they did, they would soon find out that the peculiar awfulness of numerology, while clearly quite different from that of astrology, is utterly elusive in itself." David Stove, "What Is Wrong With Our Thoughts?", chapter 7 of Stove's The Plato Cult and Other Philosophical Follies (Blackwell, 1991).
9.Jump up ^ ”Seeing the Body: The Divergence of Ancient Chinese and Western Medical Illustration”, Camillia Matuk, Northwestern University, [1]
10.Jump up ^ "Colorado University" (PDF). Retrieved 2012-08-31.
11.Jump up ^ "fine-structure-constant.org". fine-structure-constant.org. Retrieved 2012-08-31.
12.Jump up ^ Cosmic numbers: Pauli and Jung's love of numerology, by Dan Falk, Magazine issue 2705, 24 April 2009 – New Scientist
13.Jump up ^ I. J. Good (1990). "A Quantal Hypothesis for Hadrons and the Judging of Physical Numerology." in G. R. Grimmett (Editor), D. J. A. Welsh (Editor). Disorder in Physical Systems. Oxford University Press. p. 141. ISBN 978-0198532156.
14.Jump up ^ "Number Symbolism – Myth or Reality?". CasinoObserver.com. Retrieved 2013-03-06.
15.Jump up ^ http://www.assap.ac.uk/newsite/articles/Numerology.html

References[edit]
Schimmel, Annemarie (1993). The Mystery of Numbers. New York, USA: Oxford University Press. p. 314. ISBN 0-87-516422-6.; a scholarly compendium of the connotations and associations of numbers in historical cultures
Pandey, Aaadietya. (2006). Numerology: The number game
Pochat Wilfrid & Pirmaïer Michel, (2011). The Unveiled Numerology – vol. 1 – You do not necessarily carry the name you think
Dudley, U. (1997). Numerology: Or, What Pythagoras Wrought. Mathematical Association of America. – a skeptical survey of the field through history
Nagy, Andras M. (2007). The Secret of Pythagoras (DVD). ASIN B000VPTFT6
E. W. Bullinger (1921). Number in Scripture. Eyre & Spottiswoode (Bible Warehouse) Ltd.
Drayer, R.A. (2002) Numerology, The Power in Numbers, A Right & Left Brain Approach. ISBN 0-9640321-3-9
Book of the Masters of the Secret House
Campbell, Florence (1931). Your Days Are Numbered: A Manual of Numerology for Everybody. DeVorss & Company. ISBN 0-87-516422-6.

External links[edit]

Look up numerology in Wiktionary, the free dictionary.

Wikimedia Commons has media related to Numerology.
Number symbolism on Encyclopædia Britannica

Methods of divination

Categories: Numerology
Pseudoscience
Esoteric Christianity

This page was last modified on 23 May 2015, at 15:26

 

 

I

AM 95 59 AM

I

 

 

http://www.noeticsciences.co.uk/

Chaldean Numerology - Examiner.com

www.examiner.com/.../chaldean-numerology-a-how-to-guide-to-finding..

22 Mar 2011 - The Chaldean numerology systems are the said to be the oldest numerology systems known. The Chaldeans were said to be an ancient ...Numerology is one of many mystical or esoteric relationships that occur between numbers and physical objects or living things. Specifically, the Chaldean Numerology system is one of the oldest forms of numerical divination relating to astrological interpretations. Today, numerology is often associated with the paranormal, alongside astrology and similar divinatory practices.

The Chaldean numerology systems are the said to be the oldest numerology systems known. The Chaldeans were said to be an ancient civilization that were blessed by "I AM", with the wisdom of Numerology. In Christian theology, “I AM” is the title given to God. God is said to be the great “I AM.” The implications of this assertion gives way to many assumptions that signify the types of divinatory arts that God actually allows from His people. If God allows divinatory arts, by blessing the Chaldeans with Numerology, then certain assertions in the Bible are false, but that is for another discussion.

“Chaldean numerology is different from Western numerology in that it does not assign the mystical number 9 to any letter of the alphabet, because 9 always disappear. The numerical vibrations assigned to the letters are not determined by the alphabetical order, but by the energy vibration of each individual letter. This is a very mystical and spiritual approach to numbers using them in combination with Astrology, Name Power, Music Vibrations, and Colors.” (http://www.angelfire.com/biz3/danielkudra/Numerology.html)

Here are the vibratory numbers that are assigned to each letter of the alphabet and the meaning of each vibration:

Value

L e t t e rs

1

A, I, J, Q, Y

2

B, K, R

3

C, G, L, S

4

D, L, M, T

5

E, H, N, X

6

U, V, W

7

O, Z

8

F, P

0 - ZERO

“Zero is the "X" factor. Depending upon its placement, it illustrates the paradox of representing nothing and everything. While the zero is cipher denoting nothing, actually everything is contained in utero within the circle. It symbolizes potential not realized. In standard Tarot Zero is The Fool

1 - ONE

(Vibrations: Leader, Original Thinker, and Independence)

“One represents the male principle, the yang. One is the real "IAM" of humanity, the unity of all, the unit of vibrational measuring. It is self-consciousness. It is original, independent, aggressive, individualistic, creative, dominate; the first in a series, the leader. In standard Tarot One is the Magician or Magus - Divine Purpose.

2 - TWO

( Vibrations: Co-operative, Partner, Diplomat)

“Two is the pair, the duo, Representing the feminine principle of receptivity, the yin, which seeks a union of two distinct entities, thus the development of choice began between good and evil, true and false, and positive and negative. It is adaptable, tactful, understanding, gentle, cautious; a follower rather than a leader. In standard Tarot Two is The High Priestess - Divine Feminine.

3 - THREE

(Vibrations: Creative, Manifests Ideas. Entrepreneur, Entertainer.)

“Three is manifestation and expansion. It is the performer who possesses an innate appreciation of pleasure, romance, art, and beauty. Its creative imagination allows all things to be possible. It is expansive, sociable, dramatic, communicative, diversified, and creative. In standard Tarot it is The Empress - Divine Activity.

4 - FOUR

(Vibrations: Build, Detailed, Dependable, Constructs.)

“Four is square consciousness, representing the 4 seasons. The symbol of law, system and order. It is firmness, security, stability and consortiums. Four is nature and relates to the earth, therefore develops a practical nature, and through self-discipline, binds itself to a conventional routine excretes of its energy. It is form, work order, practicality, construction, stability, endurance, and discipline. In standard Tarot it is The Emperor - Divine Overcoming.

5 – FIVE

(Vibrations: Communicator, Travel, Writer, Freedom, Lover, and Versatile)

“Five represents vital force. Five is freedom, change and adventure. Five attracts the opposite sex because of the irresistible magnetism, and this attraction set the stage for the domestic responsibilities. It is versatility, resourcefulness, adaptability, change, activity, travel, adventure, promotion, and speculation. In standard Tarot it is The Hierophant - Divine Voice.

6 - SIX

(Vibrations: Healer, Teacher, Lover, and Counselor)

“On the sixth day, GOD made human beings. " In the image of GOD created He him, male and female created He them," (Genesis 1:27) Six is conscientious; it desires to bring harmony, truth, justice and a sense of balance into it's environment. Love and compassion are uppermost in its mind, and it can therefore be an effective teacher, counselor or healer. Others are drawn to it because of the understanding, which emanates from it. It is family and social responsibility, service, love, compassion, counseling, healing, and creativity. In standard Tarot it is The Lovers - Divine Path.

7 - SEVEN

(Vibrations: Metaphysical, Spiritual, Mediator, Investigator, and Seeker)

“Seven seeks answers. It tries to establish a philosophy by which to live and attempts to penetrate the mystery behind its existence, which it never questioned to this point. Because solitude is necessary for analysis, the seven feels the need to spend time alone, away from the crowds, in touch with nature. It looks for friendship with those of an elevated consciousness that can match its own. It is quiet, introspective, intuitive, analytical, inspirational, reclusive, philosophical, and mystical. In standard Tarot it is The Chariot - Divine Victory.

8 - EIGHT

(Vibrations: Money, Power, Manager, and Supervisor)

“Eight is infinity - that of eternal and continuous spiral motions, which is constant throughout the universe. Eight will always assume power, for it has achieved control and responsibility in its chosen field. Recognition and financial rewards are bestowed and expansion and growth in the business world take place. Eight is power, responsibility, financial rewards, good judgment, and recognition. In standard Tarot it is Justice - Divine Balance

9 - NINE

(Vibrations: Humanitarian, Siblings, and People Person)

“Nine contains the forces of all the other numbers. It stands for complete cycle of growth. Nine is Selflessness and Compassion. Encompassing a love for all, it desires to apply its energy to universal service. Nine is love, compassion, patience, universality, tolerance, selfless service, and endings. In standard Tarot it is The Hermit - Divine Light

THE MASTER NUMBERS

“Beyond the spectrum of normal man is the Master Numbers 11, 22, 33. These numbers deal with genius, mysticism, spirituality, psychic and superior accomplishments. The Master Vibrations of the Universe and of Nature. All master numbers (purpose) did not necessarily have to reincarnate.

11 - ELEVEN

(Vibrations: Psychic, Channel, Ambassador, Master, Alien Encounters, National work including Television and radio.)

“The Number of Light. It represents the hidden "Knower." Eleven stands for the self and the Christ-self, and the Higher Self as a polarity within as ONE through embodied in the flesh. Eleven is associated with wisdom, and is existence on the highest plane of intellect and spirituality. Eleven is altruism, community, inspirational, self-understanding, sensitivity, receptivity, artistic, inventive genius, androgynous in attitude, visionary, idealism. In standard Tarot it is Strength - Divine Strength.

22 - TWENTY-TWO

(Vibrations: Founder, Master Builder, International acclaim and work, Structure, Foundation.)

“The Master Builder. It stands for redemption and the new order. These letters were held sacred and meaningful, as each one denotes a certain degree of illumination, leading toward the awakening of the Divine Love within. Twenty-two are practical idealism combining the vision of eleven with the added ability to put ideals into practice. It is practical genius, philanthropy, service to mankind, method, routine, systematic, ecology, and love of nature and the earth, visionary.

33 - THIRTY-THREE

(Vibrations: Mysticism, Intergalactic Teacher of Love & Truth, Extraterrestrial, Universal Truths.)

“The Teacher of Teachers. Thirty-three are one who is willing to sacrifice self for others even to the point of becoming a martyr to the ideal. 33 reduced is 6, which brings healing with the wisdom from above, this vibration is your "Christ like" vibration, showing and sharing ultimate love, spirituality, and service to mankind. It is mysticism, the psychic, intuition, compassion, counseling, healing, Illumination understanding.” (http://www.angelfire.com/biz3/danielkudra/Numerology.html)

There are different aspects in figuring out the vibration of a person’s name and date of birth. When figuring out the Heart’s Desire, use only the vowels of the person’s name as they are known by family and friends. Next is the Personality, in which all of the letters of the person’s name are used. In figuring the Destiny number, use the person’s date of birth and add all the numbers together. The Purpose is figured by using the Heart’s Desire and the Personality. Finally, the Goal is figured by the Purpose and Destiny. It is interesting to find out how the numerical values of each aspect turn out and correspond to the meaning of the vibratory numbers. This is a valuable tool in learning about a person’s path in life. Hopefully, this will prove to be a useful tool to each individual who utilizes it.

Namaste,
Staci L. Kehl

I

AM 95 59 AM

I

 

 

Daily Mail

Thursday, June 11 2009

Page 37

Web 2.0 - the one millionth English word

ALMOST 1,500 years after it was first recorded, the English language has its one millionth word.

At 10.22am yesterday Web 2.0 - describing the next generation of internet services entered the dictionary.

To be accepted a word must be used at least 25,000 times across national boundaries and outside specialisms.

U.S-based Global Language Monitor surveys print publications, online news sites, blogs and social media for useage.

Jai Ho!, a Hindi phrase signifying the joy of victory became the 999,999th word thanks to the Oscar-Winning film Slumdog millionaire.

At 1,000,001 is Financial Tsunami - a sudden financial restructuring.

 

 

"JAI HO! A HINDI PHRASE SIGNIFYING THE JOY OF VICTORY BECAME THE 999,999TH WORD..."

 

We be of one blood, ye and I ! Rudyard Kipling. 1865 - 1936 ... If you can dream - and not make dreams your master; If you can think - and not make thoughts ... vivovoco.rsl.ru/VV/E_LESSON/KIPLING.HTM

 

 

THE MAN WHO LOVED ONLY NUMBERS

Paul Hoffman

1

999

Page 217

"Mathematicians in India in the sixth century had developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after it, or 10, is a very different number from a 1 alone. Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero, but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).

In the seventh century, Hindu scholars introduced Islam to the Indian number scene, and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202, he wrote Liber abaci (Book of the Abacus), which, despite the title had little to do with the Abacus and a lot to do with liberating computations from the yoke of Roman numerals. The book seems quaint from the vantage point of the twentieth century, because it explains what we take for granted.

"The nine Indian figures are: 9 8 7 6 5 4 3 2 1 , and with the sign Zero. . . any number can be written."

 

 

OUT OF ZERO COMETH ONE

ZERO = 1 = ZERO

OUT OF ZERO COMETH ONE

 

 

A BRIEF HISTORY OF INFINITY

"The Quest to Think the Unthinkable

Brian Clegg 2003

Page 66

"When dealing with such ratios, they would know that there was a clear relationship in terms of a full unit - so, for instance, in the famous right angled triangle of Pythagoras' theorem, they would think of of the longest side being 5 units long when the other side were 3 and 4..."

 

 

Pythagorean Triangles and Triples Jump to The 3-4-5 Triangle‎: 3 4 5 on graph paper But all Pythagorean triangles are even easier to draw on squared paper because all their sides are ... www.mcs.surrey.ac.uk/Personal/R.Knott/Pythag/pythag.html - Cached - Similar

 

-3:4:5 triangle definition - Math Open Reference - Sep 23
You could of course use any dimensions you like, and then use Pythagoras' theorem to see if it is a right triangle. But the numbers 3,4,5 are easy to ...
www.mathopenref.com/triangle345.html - Cached - Similar

 

-The Pythagorean Theorem and the Maya Long Count Various ancient cultures based some of their artwork on the 3-4-5 right triangle, frequently referred to by geometrists as a perfect triangle. Pythagoras is ... www.earthmatrix.com/pythagoras.html - Cached - Similar

 

-Our Ancient Friend and Brother, the Great Pythagoras The evidence that the particular triangle alluded to in the Monitor is the 3,4,5 right triangle can be derived from the odd comments about Pythagoras' ... www.sricf-ca.org/paper1.htm - Similar

 

-The 3-4-5 Rule is the Pythagorean Theorem: Set Control Lines for ... The Pythagorean theorem is the basis for the 3-4-5 rule. This simple math equation is a carpenter's tool used to find or verify the squareness of a room or ...
homerenorepair.suite101.com/.../the_345_rule_is_the_pythagorean_theorem - Cached - Similar

 

-pythagoras For integers m and n, {n2-m2, 2mn, n2+m2}is a pythagorean triangle. For m=1, n=2, you'll get {3, 4, 5}. I'll add a diagram so that this isn't completely ... www.mathpuzzle.com/pythagoras.html - Cached - Similar

 

-The Pythagorean Theorem First described by the Greek mathematician Pythagoras 2500 years ago, the Pythagorean ... For example: 3,4,5 or 6,8,10 or 9,12,15 or 12,16,20 ... etc ... www.worsleyschool.net/.../pythagoras/pythagoreantheorem.html - Cached - Similar

 

-pythagoras Pythagoras the 3-4-5 fallacy. ... Traditionally the example used to illustrate the Pythagorean theorem is the 3-4-5 diagram. This is a fallacy, ... www.marques.co.za/duke/pythagoras.htm - Cached - Similar -

 

The Theorem of Pythagoras 25 Nov 2001 ... Brief description and proof of the Pythagorean theorem by dissection, ... Ancient Egyptian builders may have known the (3,4,5) triangle and ... arc.iki.rssi.ru/mirrors/stern/stargaze/Spyth.htm - Cached - Similar -

 

 

I

ME

NUMBERS

EGYPTPYTHAGORAS EGYPT

THREE FOUR FIVE - FIVE FOUR THREE

PYTHAGORAS OUROBOROS PYTHAGORAS

 

Pythagoras theorem states that

“In a right-angled triangle, the square of the hypotenuse side is equal to the sum of squares of the other two sides“.

 

THE GROWTH OF SCIENCE

A.P.Rossiter 1939

Page 15

"The Egyptians,…" "…made good observations on the stars and were able to say when the sun or moon would become dark in an eclipse (a most surprising event even in our times), and when the land would be covered by the waters of the Nile: they were expert at building and made some discoveries about the relations of lines and angles - among them one very old rule for getting a right-angle by stretching out knotted cords with 5, 4 And 3 units between the knots."

 

"...among them one very old rule for getting a right-angle by stretching out knotted cords with

5, 4 And 3 units between the knots."

 

 

CIVILIZATION, SCIENCE AND RELIGION

A. D. RITCHIE 1945

THE ART OF THINKING

Page 39

"The Egyptians could set out a right-angle on the ground,

for building or for land surveying,

by means of a cord knotted at intervals of

3, 4 and 5 units of length."

 

 

3
-
5
THREE
56
29
2
4
-
4
FOUR
60
24
6
5
-
4
FIVE
42
24
6
12
-
13
First Total
158
77
9
1+2
-
1+3
Add to Reduce
1+5+8
7+7
2+3
3
-
4
Second Total
14
14
5
-
-
-
Reduce to Deduce
1+4
1+4
--
3
-
4
Essence of Number
5
5
5

 

 

3
-
T
=
2
-
5
THREE
56
29
2
4
-
F
=
6
-
4
FOUR
60
24
6
5
-
F
=
6
-
4
FIVE
42
24
6
12
-
-
-
14
-
13
First Total
158
77
9
1+2
-
-
-
1+4
-
1+3
Add to Reduce
1+5+8
7+7
2+3
12
-
-
-
5
-
4
Second Total
14
14
5
-
-
-
-
-
-
-
Reduce to Deduce
1+4
1+4
--
3
-
-
-
5
-
4
Essence of Number
5
5
5

 

 

CIVILIZATION, SCIENCE AND RELIGION

A. D. RITCHIE 1945

THE ART OF THINKING

Page 38

"In the sphere of the natural sciences and of mathematics there have been endless disputes as to how much the Greeks borrowed from their neighbours, and the disputes are likely to continue, for the evidence is scanty and unreliable. It is safe to assume that the Greeks (noted then as now for commercial enterprise) took all they could get. Their own writers say as much, for they attribute the origin of very many useful inventions to other peoples. But this one thing, the scientific outlook and method, was not there to take; they had to invent it themselves. It is well to be clear on this point, for European civilization rests on three legs. They are Greek science, Jewish religion and Roman law. / Page 39 / Roman law may well be considered the Roman development of Greek scientific method. I will therefore deal with two examples in some little detail. These are taken from the sphere of mathematics and astronomy, for it was in these two sciences that the Greeks had their most outstanding success, doing about as much as could possibly be done under the conditions of their day and laying the foundations on which all subsequent work has been based.

The Egyptians knew of many useful methods of -geo- metrical calculation, for finding the area of a field, the volume of a barrel and so on. The Babylonians and earlier Mesopotamians had made accurate observations of sun, moon and stars over long periods and developed ingenious methods for calculating their future positions in the sky. In these arts of calculation these people had nothing to learn from the Greeks; it was the other way about. But there is no evidence that they ever dreamt of turning the art of calculation into the science of mathematics. Solving particular problems, however ingeniously, is not necessarily science any more than is playing chess (though all chess problems are geometrical) or keeping accounts (though all money reckoning is arithmetical). Mathematical science in the proper sense of the word attains its end by two means : (1) generalizing as far as is possible all problems and their solutions, so that one solution solves any number of particular cases; (2) finding proofs that solutions are correct as opposed to finding solutions which might be right by chance, not by necessity. The method used is the method of discussion in its specifically mathematical form.

The Egyptians could set out a right-angle on the ground, for building or for land surveying, by means of a cord knotted at intervals of 3, 4 and 5 units of length. They adjusted three pegs to make a triangle with the knots at the pegs when the cord was stretched tight round them. The Greeks, seeing this trick, generalized the problem and looked for a proof of the solution. The final result, after two centuries of effort, is the First Book of Euclid's Elements, leading up to Proposition 47that the square on the hypotenuse of a right-angled triangle equals the sum of / Page 40 / the squares on the other sides, and that this must be so, granted the assumptions made at the beginning. (The proposition is further generalized in, Euclid VI, 31.) In this way a technical dodge of the land surveyor, depending upon the fact that 32+42= 52, was turned into science.

Page 38 Notes

1 Thucydides IV, 104—V, 26.
2 Hippocrates, Vol. ii, pp. 138 seq. Loeb Classical Library.

 

 

-
-
-
-
-
PYTHAGORAS
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
49
-
10
PYTHAGORAS
130
58
49
-
3
2
3
4
5
6
21
8
9
-
-
4+9
-
1+0
-
1+3+0
5+8
4+9
-
-
-
-
-
-
-
2+1
-
-
-
-
13
-
1
PYTHAGORAS
4
13
13
-
3
2
3
4
5
6
3
8
9
-
-
1+3
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
4
-
1
PYTHAGORAS
4
4
4
-
3
2
3
4
5
6
3
8
9

 

-pythagoras Pythagoras the 3-4-5 fallacy. ... Traditionally the example used to illustrate the Pythagorean theorem is the 3-4-5 diagram. This is a fallacy, ... www.marques.co.za/duke/pythagoras.htm - Cached - Similar -

 

The Theorem of Pythagoras 25 Nov 2001 ... Brief description and proof of the Pythagorean theorem by dissection, ... Ancient Egyptian builders may have known the (3,4,5) triangle and ... arc.iki.rssi.ru/mirrors/stern/stargaze/Spyth.htm - Cached - Similar -

3:4:5 triangle definition - Math Open Reference - Sep 23
You could of course use any dimensions you like, and then use Pythagoras' theorem to see if it is a right triangle. But the numbers 3,4,5 are easy to ...
www.mathopenref.com/triangle345.html - Cached - Similar

 

-
-
-
-
-
PYTHAGORAS
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
3
4
5
-
7
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
3
4
5
-
7
-
-
T
=
2
-
1
T
20
2
2
-
-
2
3
4
5
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
3
4
5
-
-
8
-
A
=
1
-
1
A
1
1
1
-
1
-
3
4
5
-
-
-
-
G
=
7
-
1
G
7
7
7
-
-
-
3
4
5
-
7
-
-
O
=
6
-
1
O
15
6
6
-
-
-
3
4
5
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
3
4
5
-
-
-
9
A
=
1
-
1
A
1
1
1
-
1
-
3
4
5
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
3
4
5
-
-
-
-
-
-
49
-
10
PYTHAGORAS
130
58
49
-
3
2
3
4
5
6
21
8
9
-
-
4+9
-
1+0
-
1+3+0
5+8
4+9
-
-
-
-
-
-
-
2+1
-
-
-
-
13
-
1
PYTHAGORAS
4
13
13
-
3
2
3
4
5
6
3
8
9
-
-
1+3
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
4
-
1
PYTHAGORAS
4
4
4
-
3
2
3
4
5
6
3
8
9

 

PYTHAGORAS

7728176911

THE MISSING NUMBERS

3 - 4 - 5

 

-
-
-
-
-
PYTHAGORAS
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
3
4
5
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
3
4
5
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
3
4
5
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
3
4
5
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
3
4
5
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
3
4
5
-
7
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
3
4
5
-
7
-
-
G
=
7
-
1
G
7
7
7
-
-
-
3
4
5
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
3
4
5
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
3
4
5
-
-
-
9
-
-
49
-
10
PYTHAGORAS
130
58
49
-
3
2
3
4
5
6
21
8
9
-
-
4+9
-
1+0
-
1+3+0
5+8
4+9
-
-
-
-
-
-
-
2+1
-
-
-
-
13
-
1
PYTHAGORAS
4
13
13
-
3
2
3
4
5
6
3
8
9
-
-
1+3
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
-
-
-
4
-
1
PYTHAGORAS
4
4
4
-
3
2
3
4
5
6
3
8
9

 

LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER

 

3 AND 4 AND 5

 

-
-
-
-
-
PYTHAGORAS
-
-
-
-
1
2
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
7
-
-
Y
=
7
-
1
Y
25
7
7
-
-
-
-
7
-
-
G
=
7
-
1
G
7
7
7
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
8
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
9
-
-
49
-
10
PYTHAGORAS
130
58
49
-
3
2
6
21
8
9
-
-
4+9
-
1+0
-
1+3+0
5+8
4+9
-
-
-
-
2+1
-
-
-
-
13
-
1
PYTHAGORAS
4
13
13
-
3
2
6
3
8
9
-
-
1+3
-
-
-
-
1+3
1+3
-
-
-
-
-
-
-
-
-
4
-
1
PYTHAGORAS
4
4
4
-
3
2
6
3
8
9

 

 

OURABORUS

OUROBOROS OUROBOROS

ANOTHER

SERPENT I PRESENT

 

 

9
OURABORUS
130
31
4
9
OUROBOROS
138
48
3

 

 

Ouroboros - Wikipedia, the free encyclopedia - 8:55am
The Ouroboros often represents self-reflexivity or cyclicality, especially in the sense of something constantly re-creating itself, the eternal return, ...

Historical representations - See also - References - External links
en.wikipedia.org/wiki/Ouroboros - Cached - Similar

 

-Ouroboros - Crystalinks Ouroboros is an ancient alchemy symbol depicting a snake or dragon [DNA] swallowing its own tail, constantly creating itself and forming a circle. ...
www.crystalinks.com/ouroboros.html - Cached - Similar

 

-Ouroboros From there it moved to the Phonecians and then to the Greeks, who called it the Ouroboros, which means devouring its tail. ...
www.dragon.org/chris/ouroboros.html - Cached - Similar -

 

Search ResultsResults include your SearchWiki notes for PYTHAGORAS OUROBOROS. Share these notes
Copy and paste this link into an email or IM:

See a preview of the shared page
Spira Solaris and the Universal Ouroboros. Spira Solaris Archytas ... - 2 visits - 9:04am
"Ouroboros was and is the name for the Great World Serpent, ...... Pythagoras is often mentioned in Arabic philosophy and in gnomic literature. ...
www.spirasolaris.ca/sbb4f.html - Cached - Similar

 

-The Egyptian Ouroboros and the Enigma of - Stephen Linsteadt Studio alchemy, ouroboros, stephen linsteadt. Image by: sashkin. Scientists have seen Pythagoras and Euclid's view, that the universe operates according to ...
www.stephenlinsteadtstudio.com/articles/ouroboros.html - Cached - Similar

 

-The Ouroboros Collective on MySpace Music - Free Streaming MP3s ... Download The Ouroboros Collective Experimental / / music singles, ... nudity, various instruments being set ablaze/sacrificed to Pythagoras, paint slinging, ...
www.myspace.com/ouroboroscollective - Cached - Similar

 

-Ouroboros Press Catalogue - Alchemy: The Royal Art - tribe.net 20 Feb 2009 ... From Pythagoras to the Thrice-Greatest ... ouroboros@bookarts.org] We wrap our packages securely for safe shipping. ...
alchemical.tribe.net/.../31214a99-3baa-451f-bf40-51cde8df81de - Cached - Similar -Tetraktys inside Ouroboros - Vox 10 Nov 2008 ... The ten pointed tetraktys is an ancient Pythagorean symbol of Kosmic unity. The ouroboros herein emphasizes Oneness. ...
kyotoobserver.vox.com/.../tetraktys-inside-ouroboros.html - Cached - Similar

 

-Ouroboros Press' Journal 14 Aug 2007 ... From Pythagoras to the Thrice-Greatest Hermes, ... This Limited Edition produced by Ouroboros Press continues the tradition of fine ...
community.livejournal.com/ouroboros_press/ - Cached - Similar

 

-statemaster - Encyclopedia: Ouroboros The Ouroboros, also spelled Ourorboros, Oroborus, Uroboros or Uroborus (IPA: .... from ancient Egypt and developed in the teachings of Pythagoras. ...
www.statemaster.com/encyclopedia/Ouroboros - Cached - Similar

 

-thelastdayprophet Calendar of Human Sacrifices The Occult Calendar ... ... Orwelliian, New Age, Occult, Satanism, Nazi, Guillotines, Ouroboros, Theosophy. ... Pythagoras who was an initiate in the Eleusinian Mysteries, ...
www.geocities.com/.../CalendarOfHumanSacrifices.html - Cached - Similar

 

-Kyr Ouroboros - "I am DEEPLY GRATEFUL for My Being!" - My Care2 Kyr Ouroboros: "...finally freed from the tyrannous bondage of his own mind ... including Edison, Einstein, Gandhi, Kafka, Pythagoras, da Vinci, Tesla, ...
www.care2.com/c2c/people/profile.html?pid=415192164 - Cached - Similar

 

-PENTACLE HEALER'S Ring - S Silver Ouroboros SNAKE RING - ebay ... ebay: Find PENTACLE HEALER'S Ring - S Silver Ouroboros SNAKE RING in the Jewelry ... The Greek philosopher, Pythagoras, thought the symbol represented the ...
cgi.ebay.com/PENTACLE-HEALER'S-Ring----S-Silver-Ouroboros-SNAKE-RING_W0QQitemZ380159594516QQcmdZViewItemQQim... - Cached - Similar

 

 

-
OUROBOROS
-
-
-
2
O+U
36
9
9
1
R
18
9
9
3
O+B+O
32
14
5
1
R
18
9
9
2
O+S
34
7
7
9
OUROBOROS
138
48
30
-
-
1+3+8
4+8
3+0
9
OUROBOROS
12
12
3
-
1+2
1+2
-
9
OUROBOROS
3
3
3

 

 

-
-
-
-
-
OUROBOROS
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
48
-
9
OUROBOROS
138
57
48
-
1
2
3
4
5
24
7
8
18
-
-
4+8
-
-
-
1+3+8
5+7
4+8
-
-
-
-
-
-
2+4
-
-
1+8
-
-
12
-
9
OUROBOROS
12
12
12
-
1
2
3
4
5
6
7
8
9
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
OUROBOROS
3
3
3
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
OUROBOROS
-
-
-
-
1
2
3
6
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
9
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
48
-
9
OUROBOROS
138
57
48
-
1
2
3
24
18
-
-
4+8
-
-
-
1+3+8
5+7
4+8
-
-
-
-
2+4
1+8
-
-
12
-
9
OUROBOROS
12
12
12
-
1
2
3
6
9
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
-
3
-
9
OUROBOROS
3
3
3
-
1
2
3
6
9

 

 

-
-
-
-
-
OUROBOROS
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
48
-
9
OUROBOROS
138
57
48
-
1
2
3
4
5
24
7
8
18
-
-
4+8
-
-
-
1+3+8
5+7
4+8
-
-
-
-
-
-
2+4
-
-
1+8
-
-
12
-
9
OUROBOROS
12
12
12
-
1
2
3
4
5
6
7
8
9
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
OUROBOROS
3
3
3
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
OUROBOROS
-
-
-
-
1
2
3
6
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
U
=
3
-
1
U
21
3
3
-
-
-
3
-
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
O
=
6
-
1
O
15
6
6
-
-
-
-
6
-
R
=
9
-
1
R
18
9
9
-
-
-
-
-
9
R
=
9
-
1
R
18
9
9
-
-
-
-
-
9
-
-
48
-
9
OUROBOROS
138
57
48
-
1
2
3
24
18
-
-
4+8
-
-
-
1+3+8
5+7
4+8
-
-
-
-
2+4
1+8
-
-
12
-
9
OUROBOROS
12
12
12
-
1
2
3
6
9
-
-
1+2
-
-
-
1+2
1+2
1+2
-
-
-
-
-
-
-
-
3
-
9
OUROBOROS
3
3
3
-
1
2
3
6
9

 

 

THE

OUROBOROS

THAT

SERPENT I PRESENT

 

 

3
THE
33
15
6
-
OUROBOROS
-
-
-
2
O+U
36
9
9
1
R
18
9
9
3
O+B+O
32
14
5
1
R
18
9
9
2
O+S
34
7
7
-
OUROBOROS
-
-
-
12
First Total
171
63
45
1+2
Add to Reduce
1+7+1
6+3
4+5
3
Second Total
9
9
9
-
Reduce to Deduce
-
-
-
3
Essence of Number
9
9
9

 

 

Spira Solaris and the Universal Ouroboros. Spira Solaris Archytas ... - 8:52am
"Ouroboros was and is the name for the Great World Serpent, ...... Pythagoras is often mentioned in Arabic philosophy and in gnomic literature. ... www.spirasolaris.ca/sbb4f.html - Cached - Similar

PART VI. SPIRA SOLARIS AND THE UNIVERSAL OUROBOROS

--------------------------------------------------------------------------------

A. THE OUROBOROS
In general, if not universal terms, the Ouroboros may be defined as a self-sustaining, tail-eating snake, but it is clear that there is far more to the matter than this, for the concept is almost global in its distribution and evidently has far deeper meanings in many cultures. In researching the ouroborus it soon became apparent that a number of people had not only concerned themselves with the topic, they had also placed their understanding of it on the Internet. The graphical representations and insights below are all from this rapidly expanding resource.

Fom left to right, the first Ouroboros is one of the better known examples, which according to the source (Chris McCoy) was from: "The Chrysopoeia ('Gold-Making') of Cleopatra during the Alexandrian Period. The enclosed words mean ' the all is one.'" The same source also explains that: "In the above drawing, from a book by an early Alchemist, Cleopatra, the black half symbolizes the Night, Earth, and the destructive force of nature, yin. the light half represents Day, Heaven, the generative, creative force, yang. Alchemically, the ouroboros is also used as a purifying glyph ...The 'tail-devourer' is the symbolization of concepts such as completion, perfection and totality, the endless round of existence, etc. It is usually represented as a worm or serpent with its tail in its mouth."
The second example and the following expansion on the topic is by Chris Aynesworth (The World Tree) "Of The Androgyne: The Serpent Ouroboros."

"Ouroboros was and is the name for the Great World Serpent, encircling the earth. The word 'Ouroboros' is really a term that describes a similar symbol which has been cross-pollinated from many different cultures. From "Ouroboros," there is the serpent or dragon gnawing at its own tail. The symbolic connotation from this owes to the returning cyclical nature of the seasons; the oscillations of the night sky; self-fecundation; disintegration and re-integration; truth and cognition complete; the Androgyne (see below); the primaeval waters; the potential before the spark of creation; the undifferentiated; the Totality; primordial unity; self-sufficiency, and the idea of the beginning and the end as being a continuous unending principle. It represents the conflict of life as well in that life comes out of life and death. 'My end is my beginning.' In a sense life feeds off itself, thus there are good and bad connotations which can be drawn. It is a single image with the entire actions of a life cycle - it begets, weds, impregnates, and slays itself, but in a cyclical sense, rather than linear. Thus, it fashions our lives to a totality more towards what it may REALLY be - a series of movements which repeat. "As Above, So Below" - we are born from nature, and we mirror it, because it is what man wholly is a part of.
Born from this symbolic notion, there are many different cultures which share this great dragon-serpent symbol (the serpent Jormungandr, from the myth of Yggdrasil, is just one). There are some cultures that see the image as not being beneficial, but evil - like Satan. These more specific re-interpretations will be spoken of later.
It is of interest to mention that a symbol such as that of the Ouroboros is something which Carl Jung refers to as an archetype; it seems to makes its way into our conscious mind time and time again in varying forms. The 19th century German chemist named Kekule dreamed of a snake with its tail in its mouth one day after dosing off. He had been researching the molecular structure of benzene, and was at a stop point in his work until after waking up he interpreted the dream to mean that the structure was a closed carbon ring. This was the breakthrough he needed.
There is another mention of the Ouroboros laying at the edge of "the sea which surrounds the world," called Pontus. The Ouroboros encircles the Universe; everything known and unknown is encompassed in its embracing coils, supporting and maintaining the earthly balance. It injects life into death and death into budding life. Its form suggests immobility with its locked jaws upon itself, yet at the same time it pushes the insistent message of perpetual movement through its twined coils. The first clues to this symbol go back as far as 1600-1700 BC in Egypt. Through the years the serpent moved on to the Phoenicians and the Greeks-who were what gave it the name "Ouroboros." The Greek translation means, "tail eater."
It has a strong relation to what is known as the Androgyne. The androgyne is the united male and female principles together. This is the prime primordial end to human endeavor, the reunion which births totality and creation. It is not unlike the idea of androgyny, which is a duality complete. "A return to wholeness."

"A return to wholeness."

 

A
=
1
-
1
A
1
1
1
R
=
9
-
6
RETURN
96
24
6
T
=
2
-
2
TO
35
8
8
W
=
5
-
9
WHOLENESS
102
39
3
-
-
17
-
18
Add to Reduce
234
72
18
-
-
1+7
-
1+8
Reduce to Deduce
2+3+4
7+2
1+8
-
-
8
-
9
Essence of Number
9
9
9


The third is apparently an Aztec Ouroboros (with proportions that even Hermes would have found pleasing) originally from: Project Ouroboros at the University of Minnesota, which has a large and diverse selection of these impressive archtypes. The following commentary from this source links with what has already been said and also adds further points of interest:
This symbol appears principally among the Gnostics and is depicted as a dragon, snake or serpent biting its own tail. In the broadest sense, it is symbolic of time and the continuity of life. It sometimes bears the caption Hen to pan - 'The One, the All', as in the Codex Marcianus, for instance, of the 2nd century A.D. It has also been explained as the union between the chthonian principle as represented by the serpent and the celestial principal as signified by the bird (a synthesis which can also be applied to the dragon). Ruland contends this proves that it is a variant of the symbol for Mercury - the duplex god. In some versions of the Ouroboros, the body is half light and half dark, alluding in this way to the successive counterbalancing of opposing principls as illustrated in the Chinese Yin-Yang symbol for instance. Evola asserts that it represents the dissolution of the body, or the universal serpent which (to quote the Gnostic saying) 'passes through all things'. Poison, the viper and the universal solvent are all symbols of the undifferentiated-of the 'unchanging law' which moves through all things, linking them by a common bond. Both the dragon and the bull are symbolic antagonists of the solar hero. The Ouroboros biting its own tail is symbolic of self-fecundation, or the primitive idea of a self-sufficient Nature - a Nature, that is which, à la Nietzsche, continually returns, within a cyclic pattern, to its own beginning. There is a Venetian manuscript on alchemy which depicts the Ouroboros with its body half-black (symbolizing earth and night) and half-white (denoting heaven and light).
Continuing in the same locale and context, Solar Architect Dennis Holloway more than twenty years ago defined the Ouroboros as: ".. the ancient Greek mythical serpent that survived by devouring itself." He also linked the Ouroboros with the following quotation from Plato's Timæus:
"It had no need of eyes, for there was nothing outside it to be seen; nor of ears, for there was nothing outside to be heard. There was no surrounding air to be breathed, nor was it in need of any organ by which to supply itself with food or to get rid of it when digested. Nothing went out from or came into it anywhere, for there was nothing. Of design it was made thus, its own waste providing its own food, acting and being acted upon entirely with and by itself, because its designer considered that a being which was sufficient unto itself would be far more excellent than one which depended upon anything." from Timaeus, (33 -The Construction of the World)
The fourth ouroboros is from Alciato's Book of Emblems and the Memorial Web Library at Memorial University of Newfoundland. The latter source also provided the fifth example (Emblem 2.40) and the following amplification:
Emblem 2.40 from George Wither's A Collection of Emblemes, Ancient and Moderne (London, 1635), page 102. A demanding poem to read on a screen. The plate was engraved by Crispin de Passe and son, and was first used in Gabriel Rollenhagen's Nucleus emblematum selectissimorum, quae Itali vulgo impresas vocant ... (Arnhem and Utrecht, 1611-13). The Greek running around the picture (aionion kai proskairon) means something like "timeless, and timely." In a later emblem (3.23) Wither explains further the snake swallowing its tail (ouroboros):
Old Sages by the Figure of the Snake
Encircled thus) did oft expression make
Of Annual-Revolutions; and of things,
Which wheele about in everlasting-rings;
There ending, where they first of all begun ..
... These Roundells, help to shew the Mystery
of that immense and blest Eternitie,
From whence the CREATURE sprung, and into whom
It shall again, with full perfection come ...
The sixth, a more ornate dragon-like example, is one of twelve emblems discussed in detail by Adam Mclean in terms of psychological and alchemical symbolism. (A Threefold Alchemical Journey Through the Book of Lambspring). As Mclean leads up to the latter example, he explains that:
The first layer of five emblems deal with the different facets of polarities in our inner world.
The second emblem shows a different aspect to polarities in the fight between the inner dragon and an armed knight (a St George figure) in the Forest of the Soul. In this emblem there is a sense that the polarities must struggle to overcome each other.
Next in Emblem 3 we have the beautiful picture of the meeting in a clearing in the forest of a magnificent Stag and a graceful Unicorn. The Stag as a symbol is often associated with the Sun and the Unicorn is usually linked with the Moon. These polarities are to be coupled together through the alchemist's work.
Next, in Emblem 4, the polarities are seen in their manifestation as masculine and feminine, pictured here in the meeting of Lion and Lioness. We note how they raise their opposite paws (Lion - right, Lioness - left) mirroring the posture of the Stag and Unicorn in the previous emblem.
The fifth emblem, which completes this part of the sequence shows the wild Wolf and the tamed Dog fighting for supremacy. These polarities are further linked in the verse with the directions West (Dog) and East (Wolf). Thus we can see that the first five emblems show us different ways in which the polarities appear in our inner world. The dynamically opposed though balanced way of the two fishes, the battling of the Dragon and Knight elements, or Wolf and Dog, and the meeting and relationship indicated in the Stag-Unicorn and Lion-Lioness emblems.
The next five emblems seem to indicate different ways in which we must inwardly work to unite these polarities in our beings.
Emblem 6 is a clear statement of the Ouroborus, the serpent dragon that siezes its own tail and unites these polarities in forming its circle in the Soul.
The next example (7 and 8) and following description:
"The symbol Ouroboros, a snake or dragon biting its own tail, engraved on a bronze receptacle from the Chou dynasty, China about 1200 B.C. The Ouroboros symbolizes the continuity of life, and intimates that each ending in a perpetual renewal corresponds to a new beginning. A suitable symbol for the life cycle philosophy"
were made available on the Internet by the Swedish Engineering concern ivf/ep (The Symbol Ouroboros.) while another representation of the ouroborus serves as the logo of the J.R. Ritman Library (Bibliotheca Philosophica Hermetica Site) in the Netherlands.
These are but a few representations of the Ouroboros; there are many others, some more ornate, some less, and many in more complex configurations, especially in the alchemical context. Moreover, as Jack Lindsay explains in The Origins of Alchemy in Græco-Roman Egypt, (1970, pp.267-268):1

Ideas about the Ouroboros found their way into the literary world, e.g., in Artemidoros and Acrobius. The former, in his dream-book, remarks that 'the dragon also signifies Time because it is long and undulant.' The latter declares the two-headed Roman god Janus is the world:
'that is, the heavens, and his name Janus comes from eundo [by going] since the world always goes rolling on itself in its globe-form ... So the Phoenicians have represented it in their temples as a dragon curled in a circle and devouring its tail, to denote the way in which the world feeds on itself and returns on itself ...

"It is also clear that it's the Sun honoured under the name of Mercurius [Hermes] according to the cadeuceus that the Egyptians have consecrated to the god in the figure of the Two Serpents, male and female, interlaced. Their upper extremities bend round together, and, embracing one another, form a circle, while the tails, after forming a knot, come together at the haft of the caduceus and are provided with wings that start off at this point.
Even more interesting is the passage that ends the second book of Claudian's poem, On the Consulship of Stilicho. Claudian came from Egypt and his imagery shows the Egyptian idea of the night-journey of the sun through the cave or tunnel in the earth. But the introduction of the Ouroboros in association with Natura (Physis), the various metals, and the Aged Seer strongly suggests one of the alchemic visions of revelation or initiation:

Far off, unknown, beyond the range of thought,
scarce reached by gods, the years' rough haggard mother,
stands a primeval Cave in whose vast breast,
is Time's cradle and womb. A Serpent encloses,
the Cave, consuming all things with slow power,
and green scales always glinting. Its mouth devours,
the backbent tail as with mute motion it traces,
its beginning. At the entrance Nature sits,
the threshold-guardian, aged and yet lovely,
and round her gather and flit on every side
Spirits. A Venerable Man writes down
immutable laws. He fixes the number of stars
in every constellation, makes some of them move and others hang at rest.
So all things live or die by predetermined laws...
When the Sun rested on the cave's wide threshold,
Nature ran in her might to meet him; the Old Man bent
grey hairs to the proud rays. Of its own accord
the admantine door swung open, revealing
the huge interior, displaying the House
the Secrets of Time. Here in appointed places
the Ages dwell, with varying Metals marking
their aspect. Those of brass are there upheaped,
there stiff the iron, there the silver gleaming;
shy of earth-contacts, in a distinguished section,
is set the flock of golden years."
From the above descriptions and the widespread occurrence of this Jungian archtype in both time and place it is also apparent that the Ouroboros embraces cyclic regeneration, rebirth, and the very foundations of life itself.

--------------------------------------------------------------------------------

B. SPIRA SOLARIS, ALCHEMY, AND EGYPT
The antiquity, complexity, and the wider presence of the Ouroboros in mythological contexts is discussed further in the following passage (Towards a Taxonomy of the Pure Ones Parallels within Gnosticism, Graeco-Roman Mythology and Hermeticism by Frater IAM, Magister Templi of the Ordo Rosae Crucis, 1994):
The next aeon, usually called the Aeon of Jupiter or Zeus, was created from Chronos and rebelled against it. The Greek Myth tells us that Chronos feared that his children would one day rebel as he had rebelled against his father, so he ate them. This could correspond to a will to stop the descent into matter by closing himself into an Ouroboros, the snake biting its own tail and incidentally also a symbol for the death/rebirth so intimately linked with Time. But this was broken by the stone Abadir (also called Baetylus) given to him by Rhea (who could in fact have been Ialdabaoth!), which he devoured instead of his son, who eventually defeated him. It is interesting to speculate if this stone is not the original archetype of the Holy Grail (which has been alternately described as a cup, a stonelight by different mystics) or the Philosophers Stone, which has the ability to open up the Ouroboros or close it". [emphasis supplied]

Here the speculation concerning the Ouroboros extends to embrace the philosopher's Stone, with the intriguing suggestion that the two are in a special relationship, one that points again to the subject of Alchemy.

 

 

HAMLET'S MILL

AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE

AND ITS TRANSMISSION THROUGH MYTH

Giorgio De Santillana and Hertha Von Dechend 1969

Intoduction

Page 1 (number omitted)

" The unbreakable fetters which bound down the Great Wolf Fenrir had been cunningly forged by Loki from these: the footfall of a cat, the roots of a rock, the beard of a woman, the breath of a fish, the spittle of a bird. The Edda

Toute vue des choses qui n'est pas estrange est fausse. VALERY


THIS IS meant to be only an essay. It is a first reconnaissance of a realm well-nigh unexplored and uncharted. From whichever way onc enters it, one is caught in the same bewildering circular complexity, as in a labyrinth, for it has no deductive order in the abstract sense, but instead resembles an organism tightly closed in itself, or even better, a monumental "Art of the Fugue."

The figure of Hamlet as a favorable starting point came by chance. Many other avenues offered themselves, rich in strange symbols and beckoning with great images, but the choice went to Hamlet because he led the mind on a truly inductive quest through a familiar landscape-and one which has the merit of its literary setting. Here is a character deeply present to our awareness, in whom ambiguities and uncertainties, tormented self-questioning and dispassionate insight give a presentiment of the modern mind. His personal drama was that he had to be a hero, but still try to avoid the role Destiny assigned him. His lucid intellect remained above the conflict of motives-in other words, his was and is a truly con­/ Page 2 / temporary consciousness. And yet this character whom the poet made one of us, the first unhappy intellectual, concealed a past as a legendary being, his features predetermined, preshaped by long­standing myth. There was a numinous aura around him, and many clues led up to him. But it was a surprise to find behind the mask an ancient and all-embracing cosmic power-the original master of the dreamed-of first age of the world.
Yet in all his guises he remained strangely himself. The original Amlodhi, * as his name was in Icelandic legend, shows the same characteristics of melancholy and high intellect. He, too, is a son dedicated to avenge his father, a speaker of cryptic but inescapable truths, an elusive carrier of Fate who must yield once his mission is accomplished and sink once more into concealment in the depths of time to which he belongs: Lord of the Golden Age, the Once and Future King.

This essay will follow the figure farther and farther afield, from the Northland to Rome, from there to Finland, Iran, and India; he will appear again unmistakably in Polynesian legend. Many other Dominations and Powers will materialize to frame him within the proper order.

Amlodhi was identified, in the crude and vivid imagery of the Norse, by the ownership of a fabled mill which, in his own time, ground out peace and plenty. Later, in decaying times, it ground out salt; and now finally, having landed at the bottom of the sea, it is grinding rock and sand, creating a vast whirlpool, the Maelstrom (i.e., the grinding stream, from the verb mala, "to grind"), which is supposed to be a way to the land of the dead. This imagery stands, as the evidence develops, for an astronomical process, the secular shifting of the sun through the signs of the zodiac which determines world-ages, each numbering thousands of years. Each age brings a World Era, a Twilight of the Gods. Great structures collapse; pillars topple which supported the great fabric; floods and cataclysms herald the shaping of a new world.
The image of the mill and its owner yielded elsewhere to more / Page 3 / sophisticated ones, more adherent to celestial events. In Plato's powerful mind, the figure stood out as the Craftsman God, the Demiurge, who shaped the heavens; but even Plato did not escape the idea he had inherited, of catastrophes and the periodic rebuilding of the world.

Tradition will show that the measures of a new world had to be procured from the depths of the celestial ocean and tuned with the measures from above, dictated by the "Seven Sages," as they are often cryptically mentioned in India and elsewhere. They turn out to be the Seven Stars of Ursa, which are normative in all cosmological alignments on the starry sphere. These dominant stars of the Far North are peculiarly but systematically linked with those which are considered the operative powers of the cosmos, that is, the planets as they move in different placements and configurations along the zodiac. The ancient Pythagoreans, in their conventional language, called the two Bears the Hands of Rhea (the Lady of Turning Heaven), and called the planets the Hounds of Persephone, Queen of the Underworld. Far away to the south, the mysterious ship Argo with its Pilot star held the depths of the past; and the Galaxy was the Bridge out of Time. These notions appear to have been common doctrine in the age before history-all over the belt of high civilizations around our globe. They also seem to have been born of the great intellectual and technological revolution of the late Neolithic period.

The intensity and richness, the coincidence of details, in this cumulative thought have led to the conclusion that it all had its origin in the Near East. It is evident that this indicates a diffusion of ideas to an extent hardly countenanced by current anthropology. But this science, although it has dug up a marvelous wealth of details, has been led by its modern evolutionary and psychological bent to forget about the main source of myth, which was astronomy -the Royal Science. This obliviousness is itself a recent turn of events-barely a century old. Today expert philologists tell us that Saturn and Jupiter are names of vague deities, subterranean or atmospheric, superimposed on the planets at a "late" period; they neatly sort out folk origins and "late" derivations, all unaware that planetary periods, sidereal and synodic, were known and rehearsed / Page 4 / in numerous ways by celebrations already traditional in archaic times. If a scholar has never known those periods even from elementary science, he is not in the best position to recognize them when they come up in his material.

Ancient historians would have been aghast had they been told that obvious things were to become unnoticeable. Aristotle was proud to state it as known that the gods were originally stars, even if popular fantasy had later obscured this truth. Little as he believed in progress, he felt this much had been secured for the future. He could not guess that W. D. Ross, his modern editor, would condescendingly annotate: "This is historically untrue." Yet we know that Saturday and Sabbath had to do with Saturn, just as Wednesday and Mercredi had to do with Mercury. Such names are as old as time; as old, certainly, as the planetary heptagram of the Harranians. They go back far before Professor Ross' Greek philology. The inquiries of great and meticulous scholars such as Ideler, Lep­sius, Chwolson, BoIl and, to go farther back, of Athanasius Kircher and Petavius, had they only been read carefully, and noted, would have taught several relevant lessons to the historians of culture, but interest shifted to other goals, as can be seen from current anthro­pology, which has built up its own idea of the "primitive" and what came after.

One still reads in that most unscientific of records, the Bible, that God disposed all things by number, weight and measure; ancient Chinese texts say that "the calendar and the pitch pipes have such a close fit, that you could not slip a hair between them." People read it, and think nothing of it. Yet such hints might reveal a world of vast and firmly established complexity, infinitely different from ours. But the experts now are benighted by the current folk fantasy, which is the belief that they are beyond all this-critics without nonsense and extremely wise.

In 1959 I wrote:
The dust of centuries had settled upon the remains of this great world-wide archaic construction when the Greeks came upon the scene. Yet something of it survived in traditional rites, in myths and fairy tales no longer understood. Taken verbally, it matured the / Page 5 / bloody cults intended to procure fertility, based on the belief in a dark universal force of an ambivalent nature, which seems now to monopolize our interest. Yet its original themes could flash out again, preserved almost intact, in the later thought of the Pythagoreans and of Plato.

But they are tantalizing fragments of a lost whole. They make one think of those "mist landscapes" of which Chinese painters are masters, which show here a rock, here a gable, there the tip of a tree, and leave the rest to imagination. Even when the code shall have yielded, when the techniques shall be known, we cannot expect to gauge the thought of those remote ancestors of ours, wrapped as it is in its symbols.

Their words are no more heard again Through lapse of many ages. . .

We think we have now broken part of that code. The thought behind these constructions of the high and far-off times is also lofty, even if its forms are strange. The theory about "how the world began" seems to involve the breaking asunder of a harmony, a kind of cosmogonic "original sin" whereby the circle of the ecliptic (with the zodiac) was tilted up at an angle with respect to the equator, and the cycles of change came into being.

This is not to suggest that this archaic cosmology will show any great physical discoveries, although it required prodigious feats of concentration and computing. What it did was to mark out the unity of the universe, and of man's mind, reaching out to its farthest limits. Truly, man is doing the same today.

Einstein said: "What is inconceivable about the universe, is that it should be at all conceivable." Man is not giving up. When he discovers remote galaxies by the million, and then those quasi-stellar radio sources billions of light-years away which confound his speculation, he is happy that he can reach out to those depths. But he pays a terrible price for his achievement. The science of astro­physics reaches out on a grander and grander scale without losing its footing. Man as man cannot do this. In the depths of space he loses himself and all notion of his significance. He is unable to fit himself into the concepts of today's astrophysics short of schizophrenia. Modern man is facing the nonconceivable. Archaic man, however, kept a firm grip on the conceivable by framing within his cosmos / Page 6 / an order of time and an eschatology that made sense to him and reserved a fate for his soul. Yet it was a prodigiously vast theory, with no concessions to merely human sentiments. It, too, dilated the mind beyond the bearable, although without destroying man's role in the cosmos. It was a ruthless metaphysics.

Not a forgiving universe, not a world of mercy. That surely not. Inexorable as the stars in their courses, miserationis parcissimae, the Romans used to say. Yet it was a world somehow not unmindful of man, one in which there was an accepted place for everything, rightfully and not only statistically, where no sparrow could fall unnoted, and where even what was rejected through its own error would not go down to eternal perdition; for the order of Number and Time was a total order preserving all, of which all were members, gods and men and animals, trees and crystals and even absurd errant stars, all subject to law and measure.

This is what Plato knew, who could still speak the language of archaic myth. He made myth consonant with his thought, as he built the first modern philosophy. We have trusted his clues as landmarks even on occasions when he professes to speak "not quite seriously." He gave us a first rule of thumb; he knew what he was talking about.

Behind Plato there stands the imposing body of doctrine attributed to Pythagoras, some of its formulation uncouth, but rich with the prodigious content of early mathematics, pregnant with a sci­ence and a metaphysics that were to flower in Plato's time. From it come such words as "theorem," "theory," and "philosophy." This in its turn rests on what might be called a proto-Pythagorean phase, spread all over the East but with a focus in Susa. And then there was something else again, the stark numerical computing of BabyIon. From it all came that strange principle: "Things are numbers."

Once having grasped a thread going back in time, then the test of later doctrines with their own historical developments lies in their congruence with tradition preserved intact even if half under­stood. For there are seeds which propagate themselves along the jetstream of time.

Page 7

And universality is in itself a test when coupled with a firm design. When something found, say, in China turns up also in Babylonian astrological texts, then it must be assumed to be relevant, for it reveals a complex of uncommon images which nobody could claim had risen independently by spontaneous generation.

Take the origin of music. Orpheusand his harrowing death may be a poetic creation born in more than one instance in diverse places. But when characters who do not play the lyre but blow pipes get themselves flayed alive for various absurd reasons, and their identical end is rehearsed on several continents, then we feel we have got hold of something, for such stories cannot be linked by internal sequence. And when the Pied Piper turns up both in the medieval German myth of Hamelin and in Mexico long before Columbus, and is linked in both places with certain attributes like the color red, it can hardly be a coincidence. Generally, there is little that finds its way into music by chance.

Again, when one finds numbers like 108, or 9 x 13, reappearing under several multiples in the Vedas, in the temples of Angkor, in Babylon, in Heraclitus' dark utterances, and also in the Norse Valhalla, it is not accident.

There is one way of checking signals thus scattered in early data, in lore, fables and sacred texts. What we have used for sources may seem strange and disparate, but the sifting was considered, and it had its reasons. Those reasons will be given later in the chapter on method. I might call it comparative morphology. The reservoir of myth and fable is great, but there are morphological "markers" for what is not mere storytelling of the kind that comes naturally. There is also wonderfully preserved archaic material in "secondary" primitives, like American Indians and West Africans. Then there are courtly stories and annals of dynasties which look like novels: the Feng Shen Yen I, the Japanese Nihongi, the Hawaiian Kumulipo. These are not merely fantasy-ridden fables.

In hard and perilous ages, what information should a well-born man entrust to his eldest son? Lines of descent surely, but what else? The memory of an ancient nobility is the means of preserving the / Page 8 / arcana imperii, the arcana legis and the arcana mundi, just as it was in ancient Rome. This is the wisdom of a ruling class. The Polynesian chants taught in the severely restricted Whare-wananga were mostly astronomy. That is what a liberal education meant then.

Sacred texts are another great source. In our age of print one is tempted to dismiss these as religious excursions into homiletics, but originally they represented a great concentration of attention on material which had been distilled for relevancy through a long period of time and which was considered worthy of being committed to memory generation after generation. The tradition of Celtic Druidism was delivered not only in songs, but also in tree-lore which was much like a code. And in the East, out of complicated games based on astronomy, there developed a kind of shorthand which became the alphabet.

As we follow the clues-stars, numbers, colors, plants, forms, verse, music, structres-a huge framework of connections is re­vealed at many levels. One is inside an echoing manifold where everything responds and everything has a place and a time assigned to it. This is a true edifice, something like a mathematical matrix, a World-Image that fits the many levels, and all of it kept in order by strict measure. It is measure that provides the countercheck, for there is much that can be identified and redisposed from rules like the old Chinese saying about the pitch pipes and the calendar. When we speak of measures, it is always some form of Time that provides them, starting from two basic ones, the solar year and the octave, and going down from there in many periods and intervals, to actual weights and sizes. What modern man attempted in the merely conventional metric systemhas archaic precedents of great complexity. Down the centuries there comes an echo of Al-Biruni's wondering a thousand years ago, when that prince of scientists discovered that the Indians, by then miserable astronomers, calculated aspects and events by means of stars-and were not able to show him anyone star that he asked for. Stars had become items for them, as they were to become again for Leverrier and Adams, who never troubled to look at Neptune in their life although they had computed and discovered it in 1847. The Mayas and the Aztecsin their / Page 9 / unending calculations seem to have had similar attitudes. The connections were what counted. Ultimately so it was in the archaic universe, where all things were signs and signatures of each other, inscribed in the hologram, to be divined subtly. And Number dominated them all (appendix # I ).

This ancient world moves a little closer if one recalls two great transitional figures who were simultaneously archaic and modern in their habits of thought. The first is Johannes Kepler, who was of the old order in his unremitting calculations and his passionate devotion to the dream of rediscovering the "Harmony of the Spheres." But he was a man of his own time, and also of ours, when this dream began to prefigure the polyphony that led up to Bach. In somewhat the same way, our strictly scientific world view has its counterpart in what John Hollander, the historian of music, has described as "The Untuning of the Sky." The second transitional figure is no less a man than Sir Isaac Newton, the very inceptor of the rigorously scientific view. There is no real paradox in mentioning Newton in this connection. John Maynard Keynes, who knew Newton as well as many of our time, said of him:

Newton was not the first of the Age of Reason. He was the last of the magicians, the last of the Babylonians and Sumerians, the last great mind which looked out on the visible and intellectual world with the same eyes as those who began to build our intellectual world rather less than 10,000 years ago. . . Why do I call him a magician? Because he looked on the whole universe and all that is in it as a riddle, as a secret which could be read by applying pure thought to certain evidence, certain mystic clues which God had laid about the world to allow a sort of philosopher's treasure hunt to the esoteric brother­hood. He believed that these clues were to be found partly in the evidence of the heavens and in the constitution of elements (and that is what gives the false suggestion of his being an experimental natural philosopher), but also partly in certain papers and traditions handed down by the brethren in an unbroken chain back to the original cryptic revelation in Babylonia. He regarded the universe as a cryptogram set by the Almighty-just as he himself wrapt the discovery of the calculus in a cryptogram when he communicated with Leibniz. By pure thought, by concentration of mind, the riddle, he believed, would be revealed to the initiate.1

Page 10

Lord Keynes' appraisal, written ca. 1942, remains both unconventional and profound. He knew, we all know, that Newtonfailed. Newton was led astray by his dour sectarian preconceptions. But his undertaking was truly in the archaic spirit, as it begins to appear now after two centuries of scholarly search into many cul­tures of which he could have had no idea. To the few clues he found with rigorous method, a vast number have been added. Still, the wonder remains, the same that was expressed by his great predecessor Galileo:

But of all other stupendous inventions, what sublimity of mind must have been his who conccived how to communicate his most secret thoughts to any othcr person, though very far distant either in time or place, speaking with those who are in the In dies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years) And with no greater difficulty than the various arrangement of two dozcn little signs upon paper? Let this be the seal of all the admirable inventions of man.

'Way back in the 6th century A.D., Gregoire de Tours was writing: "The mind has lost its cutting edge, we hardly understand the Ancients." So much more today, despite our wallowing in mathematics for the million and in sophisticated technology.
It is undeniable that, notwithstanding our Classics Departments' labors, the wilting away of classical studies, the abandonment of any living familiarity with Greek and Latin has cut the ompha­loessa, the umbilical cord which connected our cultUre-at least at its top level-with Greece, in the same manner in which men of the Pythagorean and Orphic tradition were tied up through Plato and a few others with the most ancient Near East. It is beginning to appear that this destruction is leading into a very up-to-date Middle Ages, much worse than the first. People will sneer: "Stop the World, I want to get off." It cannot be changed, however; this is the way it goes when someone or other tampers with the reserved knowledge that science is, and was meant to represent.
But, as Goethe said at the very onset of the Progressive Age, "Noch ist es Tag, da ruhre sich der Mann! Die Nacht tritt ein, wo niemand wirken kann." ("It is still day, let men get up and / Page 11 / going-the night creeps in, when there is nothing doing.") There might come once more some kind of "Renaissance" out of the hopelessly condemned and trampled past, when certain ideas come to life again, and we should not deprive our grandchildren of a last chance at the heritage of the highest and farthest-off times. And if, as looks infinitely probable, even that last chance is passed up in the turmoil of progress, why then one can still think with Poliziano, who was himself a master humanist, that there will be men whose minds find a refuge in poetry and art and the holy tradition "which alone make men free from death and turn them to eternity, so long as the stars will go on, still shining over a world made for­ever silent." Right now, there is still left some daylight in which to undertake this first quick reconnaissance. It will necessarily leave out great and significant areas of material, but even so, it will in­vestigate many unexpected byways and crannies of the past."

Page 2 Note *. The indulgence of specialists is asked for the form of certain transliterations throughout the text; for example, Amlodhi instead of Amlodi, Grotte instead of Grotti, etc. (Ed.)

Page 9 Note 1 1 "Newton the Man," in The Royal Society. Newton Tercentenary Celebrations (1947), p. 29.

 

 

-
CODE
-
-
-
2
CO
18
9
9
2
DE
9
9
9
4
CODE
27
18
18
-
-
2+7
1+8
1+8
4
CODE
9
9
9

 

 

HAMLET'S MILL

AN ESSAY INVESTIGATING THE ORIGINS OF HUMAN KNOWLEDGE

AND ITS TRANSMISSION THROUGH MYTH

Giorgio De Santillana and Hertha Von Dechend 1969

Page 162

"Finally, there is one remarkable and disturbing coincidence from the same direction. It is known that in the final battle of the gods, the massed legions on the side of "order" are the dead warriors, the "Einherier" who once fell in combat on earth and who have been transferred by the Valkyries to reside with Odin in Valhalla-a theme much rehearsed in heroic poetry. On the last day, they issue forth to battle in martial array. Says the Grimnismal (23): "Five hundred gates and fortymore-are in the mighty building of Wal­halla-eight hundred 'Einherier' come out of each one gate-on the time they go out on defence against the Wolf."
That makes 432,000 in all, a number of significance from of old.
This number must have had a very ancient meaning, for it is also the number of syllables in the Rigveda. But it goes back to the basic figure 10,800, the number of stanzas in the Rigveda (40 syllables to a stanza) which, together with 108, occurs insistently in Indian tradition. 10,800 is also the number which has been given by Heraclitus for the duration of the Aion, according to Censorinus (De die natali 18), whereas Berossos made the Babylonian Great Year to last 432,000 years. Again, 10,800 is the number of bricks of the Indian fire-altar (Agnicayana). 32
"To quibble away such a coincidence," remarks Schroder, "or to ascribe it to chance, is in my opinion to drive skepticism beyond its limits."33 Shall one add Angkor to the list? It has five gates, and to each of them leads a road, bridging over that water ditch which surrounds the whole place. Each of these roads is bordered by a row of huge stone figures, 108per avenue, 54 on each side, altogether 540 statues of Deva and Asura, and each row carries a huge Naga / Page 163 / serpent with nine heads. Only, they do not "carry" that serpent, they are shown to "pull" it, which indicates that these 540 statues are churning the Milky Ocean, represented (poorly, indeed) by the water ditch,34 using Mount Mandara as a churning staff, and Vasuki, the prince of the Nagas, as their drilling rope. (Just to prevent misunderstanding: Vasuki had been asked before, and had agreeably consented, and so had Vishnu's tortoise avatar, who was going to serve as the fixed base for that "incomparably mighty churn," and even the Milky Ocean itself had made it clear that it was willing to be churned.) The whole of Angkorthus turns out to be a colossal model set up for "alternative motion" with true Hindu fantasy and incongruousness to counter the idea of a continuous one-way Precession from west to east."

 

 

CITY OF REVELATION

John Michell 1972

Page 77

CHAPTER SEVEN

3168, The Perimeter of the Temple

"If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined.
Of all the canonical numbers the most notable is 3168. The New Jerusalem measures 48,000 furlongs or 31,680,000 feet round the perimeter of its four sides; the mean perimeter of the Stonehenge sarsen circle is 316.8 feet; the perimeter of the square 12 hides of Glastonbury is 31,680 feet; the significance of 31,680 in the canon of cosmology is illustrated in Fig.11, and we shall also find this number set round the border of Plato's mystical city, described in Laws.
Obviously the number 3168 had an important symbolic meaning, the Christian interpretation of which is provided in New Testament
gematria. The most sacred name of Christianity is (Greek text omitted);
(Greek text omitted), Lord Jesus Christ, and the number of these three words together is 3168. (Greek text omitted) is an astrological term meaning the ruler or dominant influence.
Another sacred phrase from the New Testament, (Greek text omitted) the Power of Christ (2 Corinthians 12.9) has the value 3168 if the alternative spelling of Christos, (Greek text omitted) is adopted.

Page 78

The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God.

As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for
31,680 inches = half a mile

31,680 ft. = 6 miles.

31,680 furlongs = 3960 miles = radius of the earth.

31,680 miles = perimeter of square containing the terrestrial sphere.

31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles)

Other cosmological correspondences of 3168 are given on page 109.

The Stonehenge sarsen circle with circumference of 316.8 feet
contains an area of 888 square yards, 888 being the number of Jesus, which is equal to 1080 square MY. The circle contained within a square of perimeter 316.8 feet, corresponding to the bluestone circle at Stonehenge, has an area of 666 square MY. Thus the two stone circles at Stonehenge have areas of 1080 and 666 square MY, these two numbers representing the opposite poles of lunar and solar or negative and positive energy.
The number 144 or 122 is characteristic of the New Jerusalem scheme, and 3168 demonstrates the value of (pi symbol 22/7 omitted) in terms of this number, for 144 x 7 = 1008 and 144 x 22 = 3168.

3168 in Plato's city
A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040. This is the ideal numberof citizens in the state and serves other purposes in con­/ Page 79 / nection with the framing of laws and standards. The reason why it is most suitable for all matters of division is that for its size it has the greatest number of divisors, 60 in all, including the entire decad, the numbers 1 - 10. Another property of the number 5040 is that it is the radius of a circle with circumference 31,680. Further examina­tion of the numerical foundations of Plato's state shows that the scheme to which he refers is the ancient plan of the cosmic temple.
The lawgivers in Plato's state are reminded that the perfect human society would be one in which all possessions, wives, children, land and chattels were held in common, where all the citizens were of one mind and acted together so harmoniously that it were as if eyes, ears and hands were also common property. To keep this ideal alive is the function of the prophet. Human nature and conditioning, however, demand a more practical alternative, 'very near to the first in immortality and second to it in merit'. This is provided in Laws V.
Plato's state is arranged in a manner that can scarcely be under­stood literally, and is obviously intended, like the New Jerusalem, as a geometer's allegory. The land is all divided into twelve parts, each dedicated to one of the twelve gods and populated by one of the twelve tribes of the 5040 households. The city is similarly divided, forming a microcosm of the state as a whole. In the centre of the city is the acropolis and 'from this centre he must divide up the city itself and the whole country into twelve parts. The twelve parts must be equalised by making those of good land small and those of inferior land greater. He must mark off 5040 allotments, and each of these he must cut in two and join two pieces to form the allotments, so that each contains a near piece and a distant piece - joining the piece next to the city with the piece furthest off, the second nearest with the second furthest, and so on with the rest.'
The only way in which this division can be represented is by a circle of radius 5040, a hundred times larger than that of Stonehenge measured in feet; the perimeter of this circle is 31 ,680. In Fig. 24 (Figure 24 omitted) the radius of the circle should be divided equally into 5040 parts to produce 5040 concentric circles. These are bisected into 10,080 semi­circles by the diameter and positioned out in Plato's manner into 5040 double allotments, each of equal area.
In this scheme 31,680 is not only the circumferenceof the circular state, but also the area of each of its 2520 pairs of rings, proving Plato's assertion that linear and area pleasurements can be made / Page 80 / (Figure 24 omitted) commensurable by number. The entire circle is divided into two halves, each containing 39,916,800 square units of land. These numbers, which are inherent in the New Jerusalem scheme, have the following significance:
31,680 is divisible by all the numbers1-12 with the exception of 7

5040 = 1 x 2 x 3 x 4 x 5 x 6 x 7

39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11

5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus.

FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.

 

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
2
OUR
54
18
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

FIFTY FOUR = 126-54-9-54- 126-FIFTY FOUR

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
2
OU
36
9
9
1
R
18
9
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

 

 THE NEW VIEW OVER ATLANTIS

John Michell 1986

Page 151

"That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area."

 

THAT THIS SMALL GOLD PYRAMIDION WAS AN INTEGRAL PART OF THE PYRAMID'S DESIGN IS EVIDENT FROM THE FIGURES. WITHOUT IT THE DIMENSIONS ARE NOT QUITE COMPLETE, FOR IF IT WERE REMOVED, THE AREA OF THE PYRAMID'S SIDE WOULD BE

99999.99

 

 

SOLOMON IS SOL MOON IS IS MOON SOL IS SOLOMON

 

THE KEY OF SOLOMON

3
THE
33
15
6
3
KEY
41
14
5
2
OF
21
12
3
7
SOLOMON
103
31
4
15
-
198
72
18
1+5
-
1+9+8
7+2
1+8
6
-
18
9
9
-
-
1+8
-
-
6
-
9
9
9

THE KEY OF SOLOMON

 

 

7
KING SOLOMON
144
54
9
9
KING DAVID
81
45
9
16
First Total
225
99
18
1+6
Add to Reduce
2+2+5
9+9
1+8
7
Second Total
9
18
9
-
Reduce to Deduce
-
1+8
-
7
Essence of Number
9
9
9

 

 

7
SOLOMON
103
40
4
9
JERUSALEM
104
32
5
16
Add to Reduce
207
72
9
1+6
Reduce to Deduce
2+0+7
7+2
-
7
Essence of Number
9
9
9

 

 

-
JERUSALEM
-
-
-
2
JERUS
73
19
1
4
ALEM
31
13
4
9
JERUSALEM
104
32
32
-
-
1+0+4
3+2
-
9
JERUSALEM
5
5
9

 

 

JERUSALEM JESU R MALE JERUSALEM

JERUSALEM JESU R MALE JERUSALEM

JERUSALEM JERU SALEM JERU SALEM

R 18-9 9-18 R

S 19-10-11-19-10

JESUMALES MALESJESU

JESUS MALE MALE JESUS

MALE JESUS MALE

MALE RE IS IS RE MALE

MALE 95 IS IS 95 MALE

 

 

9
JERUSALEM
-
-
-
-
R
18
9
9
-
S
19
10
1
9
JESUSMALE
-
-
-

 

 

9
JERUS-ALEM
-
-
-
-
R
18
9
9
-
S
19
10
1
9
JESUS-MALE
-
-
-

 

 

9
J
E
R
U
S
A
L
E
M
-
-
-
-
-
-
-
-
-
-
-
-
10
5
-
21
19
13
1
12
5
+
=
86
8+6
=
14
1+4
=
5
FIVE
5
-
1
5
-
3
1
4
1
3
5
+
=
23
2+3
=
5
-
-
5
FIVE
5
9
J
E
R
U
S
A
L
E
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
J
E
S
U
S
M
A
L
E
-
-
-
-
-
-
-
-
-
-
-
-
10
5
-
21
19
13
1
12
5
+
=
86
8+6
=
14
1+4
=
5
FIVE
5
-
1
5
-
3
1
4
1
3
5
+
=
23
2+3
=
5
-
-
5
FIVE
5
9
J
E
S
U
S
A
L
E
M
-
-
-
-
-
-
-
-
-
-
-
9
J
E
R
U
S
A
L
E
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
18
-
-
-
-
-
-
+
=
18
1+8
=
9
-
-
9
NINE
9
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
9
-
-
9
NINE
9
-
-
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
19
-
-
-
-
-
-
+
=
10
1+0
=
1
-
-
1
ONE
1
9
J
E
S
U
S
M
A
L
E
-
-
-
-
-
-
-
-
-
-
-
-
10
5
19
21
19
13
1
12
5
+
=
105
1+0+5
=
6
-
-
6
SIX
6
-
1
5
1
3
1
4
1
3
5
+
=
24
2+4
=
6
-
-
6
SIX
6
9
J
E
S
U
S
M
A
L
E
-
-
-
-
-
-
-
-
-
-
-

 

JERUSALEM JESUSALEM

 

-
JERUSALEM
-
-
-
-
-
-
-
-
-
-
-
-
-
5
JERUS
73
19
1
5
JESUS
74
38
2
10
First Total
147
57
3
1+0
Add to Reduce
1+4+7
5+7
-
1
Second Total
12
12
3
-
Reduce to Deduce
1+2
1+2
-
1
Essence of Number
3
3
3

 

JERU S ALEM

JESU S ALEM

 

-
JERUSALEM
-
-
-
-
-
-
-
-
-
-
-
-
-
4
JERU
54
18
9
4
JESU
55
10
1
8
First Total
109
28
10
-
Add to Reduce
1+0+9
2+8
1+0
8
Second Total
10
10
1
-
Reduce to Deduce
1+0
1+0
-
8
Essence of Number
1
1
1

 

JERU-SALEM JESU-MALE JERU-SALEM

 

-
JERUSALEM
-
-
-
-
-
-
-
-
-
-
-
-
-
5
SALEM
50
14
5
5
MALES
50
14
5
10
First Total
100
28
10
1+0
Add to Reduce
1+0+0
2+8
1+0
1
Second Total
10
10
1
-
Reduce to Deduce
1+0
1+0
-
1
Essence of Number
1
1
-
-
-
-
-
-
-
-
-
-
-
10
ISIS OSIRIS
1
1
1

 

 

-
JERUSALEM
-
-
-
-
-
-
-
-
-
-
-
-
-
4
ALEM
31
13
4
4
MALE
31
13
4
8
Add to Reduce
62
26
8
-
Reduce to Deduce
6+2
2+6
-
8
Essence of Number
8
8
8

 

 

JERUSALEM JE RU MALES JERUSALEM

JESU MALE R R MALE JESU

JERUSALEM JE RU MALES JERUSALEM

 

11
JESUS CHRIST
151
43
7
13
JUDAS ISCARIOT
149
50
5
24
F
300
93
12
2+4
-
3+0+0
9+3
1+2
6
3
12
3
-
-
-
1+2
-
6
-
3
3
3

 

JESUS IS CHRIST
JUDAS IS CARIOT

JESUS CHRIST’
JUDAS HIS CHARIOT

JESUS 74-11-2
CHRIST 77-32-5

JESUSCHRIST + JUDASISCARIOT = 300-93-12-3


1ESU13HRIS2 + JUDA1I13ARIOT

1+1+3+2 = 7 + 1+1+3 = 5

7+5 = 12 1+2 = 3

11 JESUS CHRIST 151-43-7
13 JUDAS ISCARIOT 149-50-5

JUDAS 55-10-1
ISCARIOT 94-40-4

JUDASISCARIOT
1341191319962
1111123346999
11112338 99
15131389912
JESUSCHRIST

J--U SAD IS C A RIOT

J USE S

1 USE I

C H-R- IS T--

SEE HERE IS THE CHRISTOS

C HRIS T

SEE THE RISH THIS C SEE THE RISH

SEE THE 999 THIS C SEE THE 999

OSIRIS SO IRIS IRI SOS IRIS SO OSIRIS

SO IR IS SO 99 IS IS 99 SO IS IR SO

OSIRIS ISIS SIRIUS

OS999S 9S9S S999US

OSIRIS ISIS SIRIUS

 

 

3
ONE
34
16
7
2
OF
21
12
3
3
YOU
61
16
7
5
SHALL
52
16
7
6
BETRAY
71
26
8
2
ME
18
9
9
21
F
257
95
41
2+1
-
2+5+7
9+5
4+1
3
14
14
5
-
-
1+4
1+4
-
3
-
5
5
5

 

 

 

3
THE
33
15
6
4
LAST
52
7
7
6
SUPPER
95
32
5
13
Add to Reduce
180
54
18
1+3
Reduce to Deduce
1+8+0
5+4
1+8
4
Essence of Number
9
9
9

 

 

 

 

EARTH HEART THERA TERAH

 

E
=
5
-
5
EARTH
52
25
7
E
=
5
-
5
HEART
52
25
7
E
=
5
-
5
TERAH
52
25
7
E
=
5
-
5
THERA
52
25
7

 

 

-
-
-
-
-
HEART
-
-
-
-
-
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
A
=
1
-
1
A
1
1
1
R
=
9
-
1
R
18
9
9
T
=
2
-
1
T
20
2
2
H
=
8
-
1
H
8
8
8
-
-
25
-
5
HEART
52
25
25
-
-
2+5
-
-
-
5+2
2+5
2+5
-
-
7
-
5
HEART
7
7
7

 

 

-
-
-
-
-
EARTH
-
-
-
-
-
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
E
=
5
-
1
E
5
5
5
A
=
1
-
1
A
1
1
1
R
=
9
-
1
R
18
9
9
T
=
2
-
1
T
20
2
2
-
-
25
-
5
EARTH
52
25
25
-
-
2+5
-
-
-
5+2
2+5
2+5
-
-
7
-
5
EARTH
7
7
7

 

 

WORLD L WORD L WORLD

 

-
-
-
-
-
WORLD
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
-
1
L
3
3
3
-
-
-
-
-
-
-
-
-
W
=
5
-
1
W
23
5
5
O
=
6
-
1
O
15
6
6
R
=
9
-
1
R
18
9
9
D
=
4
-
1
D
4
4
4
-
-
27
-
5
WORLD
72
27
10
-
-
2+7
-
-
-
7+2
2+7
1+0
-
-
9
-
5
WORLD
9
9
9

 

 

WORLD L WORD L WORLD

SEVEN IS EVENS IS EVENS IS SEVEN

HEAVEN 55 HEAVEN

 

 

6 6 6 AZIN 6 6 6

IS

SIX SIX SIX AND SIX SIX SIX

IS

777

 

RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7

 

 

6
JOSEPH
73
28
1
5
JESUS
74
11
2
4
MARY
57
21
3

 

 

J
=
1
-
6
JOSEPH
73
28
1
J
=
1
-
5
JESUS
74
11
2
M
=
4
-
4
MARY
57
21
3
-
-
6
-
15
-
204
60
6
-
-
-
-
1+5
-
2+0+4
6+0
-
-
-
6
-
6
-
6
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
JOSEPH
1
6+1
7
-
-
-
-
5
JESUS
2
5+2
7
-
-
-
-
4
MARY
3
4+3
7

 

SEVENS EVENS SEVEN

 

-
EGYPT
-
-
-
-
-
-
1
E
5
5
5
--
-
5
1
G
7
7
7
-
7
-
1
Y
25
7
7
-
7
-
1
P
16
7
7
-
7
-
1
T
20
2
2
--
-
2
5
EGYPT
73
28
28
-
21
7
-
-
7+3
2+8
2+8
-
2+1
-
5
EGYPT
10
10
10
--
3
7
-
-
1+0
1+0
1+0
-
-
-
5
EGYPT
1
1
1
--
3
7

 

 

-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
3
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
6
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
-
7
7
7
-
-
-
7
occurs
x
3
=
21
2+1
3
8
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
31
5
E
G
Y
P
T
-
-
14
-
-
5
-
28
-
10
3+1
-
-
7
7
7
-
-
-
1+4
-
-
-
-
2+8
-
1+0
4
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
-
5
-
+
-
2
=
7
-
-
-
-
-
1+0
-
-
4
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
-
5
7
7
7
2
-
-
-
-
-
-
-
1+0
-
-
4
5
E
G
Y
P
T
-
-
5
-
-
5
-
1
-
1

 

 

5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
5
7
25
16
20
+
=
73
7+3
=
10
1+0
1
=
1
-
5
7
7
7
2
+
=
28
2+8
=
10
1+0
1
=
1
5
E
G
Y
P
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
-
2
occurs
x
1
=
2
=
2
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
7
7
7
-
-
-
7
occurs
x
3
=
21
2+1
3
5
E
G
Y
P
T
-
-
14
-
-
5
-
28
-
10
-
-
7
7
7
-
-
-
1+4
-
-
-
-
2+8
-
1+0
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
5
-
+
-
2
=
7
-
-
-
-
-
1+0
-
-
5
E
G
Y
P
T
-
-
5
-
-
5
-
10
-
1
-
5
7
7
7
2
-
-
-
-
-
-
-
1+0
-
-
5
E
G
Y
P
T
-
-
5
-
-
5
-
1
-
1

 

OUT OF EGYPT I HAVE CALLED MY SON

 

 

DAILY MAIL

Friday, January 20, 2006

David Wilkes and Andrew Levy

Page 20

"90 years on love letters of soldier's sweetheart have a happy ending"

 

 

DAILY MAIL

Friday, January 20, 2006

By Steve Doughty Social Affairs Correspondent

Page 13

"Nine in ten career women would put family before work"

"More than nine out of ten career woman would rather spend more time with their families than be promoted

 

"Nine in ten"

"More than nine out of ten. . ."

 

 

DIAGNOSIS OF MAN

Kenneth Walker 1943

Page 139

"Karma-yoga is the form of yoga that, if it were available, would be most applicable to European and American conditions of life. The principles that it inculcates would not only eliminate that state of fear and anxiety in which nine out of ten of us live, but actually increase the efficiency of the active life to which we are inevitably committed."

"nine out of ten"

 

 

DAILY MAIL

Monday, May 1, 2006

Ian Drury

"Injured man dies after six-hour 999 delay in sending ambulance "

"A MAN died after police and ambulance crews took six hours to respond to 999 calls that he was lying unconscious in a street"

"He dialled 999 and told Staffordshire Ambulance Service..."

"It is not clear why the ambulance service did not send paradamedics after the first 999 call."

 

 

THE FOUNTAINS OF PARADISE

Arthur C. Clarke 1979

Page 90

" 'And dont forget the Pyramids.' "

"... 'What did you call them? The best investmant in the history of mankind?

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
5
GREAT
51
24
6
P
=
7
-
7
PYRAMID
86
41
5
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GIZA
43
25
7
-
-
29
-
21
First Total
234
117
27
-
-
2+9
-
2+1
Add to Reduce
2+3+4
1+1+7
2+7
-
-
11
-
3
Second Total
9
9
9
-
-
1+1
-
-
Reduce to Deduce
-
-
-
-
-
2
-
3
Essence of Number
9
9
9

 

 

THE LOST WORLDS OF 2001

Arthur C. Clarke 1972

Page 99

With Open Hands

"In countless subtle ways, that silent pyramid was leaving its mark upon the world. It had long been predicted that only an external threat could really unite mankind; this prediction now. appeared to be coming true. Behind the scenes, statesmen were already at work, trying to end the national rivalries that had been in existence so long, and of which few could remember the origin. There was even a chance that the concept of world government, that battered dream of the idealists, would soon become reali­ty, though for reasons that were hardly idealistic.
And as far as the mission was concerned, one vital matter of policy had already been decided-even though there were some who considered that it was taking good manners beyond the point of common sense.
The human race, until it knew what it was up against, would be well behaved. Whatever preparations might be made back on Earth, no weapons of any kind would be carried to Jupiter.
Man's emissaries would go into the unknown with open hands."

 

-
JUPITER
-
-
-
3
JUP
47
11
2
1
I
9
9
9
2
TE
25
7
7
1
R
18
9
9
7
JUPITER
99
36
27
-
-
9+9
3+6
2+7
5
JUPITER
18
9
9
-
-
1+8
1+0
-
5
JUPITER
9
9
9

 

 

JUPITER

WHEN STOOD IN LINE WEIGHS IN AT NUMBER

99

 

 

REACH FOR TOMORROW

Arthurc C. Clarke 1956

Introduction

"Unlike authors of so-called mainstream fiction, the. writer of science fiction has the responsibility (often an embarrassing one) of confronting his readers every decade or so, to report on how his ideas have stood the test of time. This, of course, is one excellent reason for setting stories in the very distant future. Then there's no need to explain - or to apologize.
In the case of this volume, much of which was conceived, if not written, almost half a century ago, I'm happy to find relatively few embarrassments. However, I have made some interesting discoveries; for instance, on the very first page of the very first story, I see the number 9000. I've no idea why I selected it again for HAL's serial number, twenty years later. . .

Page 90

THE AWAKENING

"Twenty miles away to the west, rainbow-hued in the sunlight, the upper peaks of the artificial mountain that was City Nine floated above the clouds."

 

 

THE LOST WORLDS OF 2001

Arthur C. Clarke 1972

THE DAWN OF MAN

"During November 1950 I wrote a short story about a meeting in the remote past between visitors from space and a primitive ape-man. An editor at Ballantine Books gave it the ingenious title "Expedition to Earth" when it was published in the book of that name,. but I prefer "Encounter in the Dawn." However, when Harcourt, Brace and World brought out my own selection of favorites, The Nine Billion Names of God, it was mysteriously changed to "Encounter at Dawn."

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

THE NINE BILLION NAMES OF GOD

Page 15 (Number omitted)

This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as 1 know, it's the first time anyone's been asked to supply a Tibetan monasterf with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using for currency conversions. 'Your Mark V Computer can carry out.any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand...'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so 1 hope you will listen with an open mind while 1 explain it
'Naturally:
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God
'I beg your pardon?'

Page 16

'We have reason to believe/ continued the lama imper­turbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three"centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God,
Jehova, Allah: and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God? By systematic per­mutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and work­ing up to ZZZZZZZZ . . .'

 

 

INTO THE COMET

Page 68

"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several ndependent calculations could be carried out simultaneously."

 

 

RAMAH II

Arthur C. Clarke & Gentry Lee 1989

Page 9

"Again humanity looked outward, toward the stars, and the deep philosophical questions raised by the first Rama were again debated by the populace on Earth. As the new visitor drew nearer and its physical characteristics were more carefully resolved by the host of sensors aimed in its direction, it was confirmed that this alien spacecraft, at least from the outside, was identical to its predecessor. Rama had returned. Mankind had a second appointment with destiny."

Page 178 (number omitted)

"Cosmonaut Wakefield is remarkably well adjusted"

"Wakefield knew more than any member of the faculty..."

"Wakefield exhibits none of the anti social behaviour..."

"...Wakefield and rubbed her eyes."

 

Page179

"the Wakefield dossier"

"and Wakefield"

"Wakefield"

Page 180

"Wakefield's intelligence rating..."

"So what about Wakefield ? she asked herself "

"She resolved to talk to Wakefield."

Enlisting Wakefield for support"

Page 182

" '"It is time to sleep in Rama,' she intoned. She looked up and around her. The lights in this amazing world came on unexpectedly about nine hours ago, showing us in more detail the elaborate handiwork of our intelligent cousins from across the stars.' "

Page

"Did God make the colours?."

" "You know,' he said at length to Cosmonauts Wakefield and. . . "

Page 184

"Wakefield was engrossed"

"But all nine sections are not absolutely the same

"...Wakefield, standing up with a satisfied smile"

 

Page 433

The Voice of Michael

"Under the word 'Rama', the general found a host of different references in the concordance. The one that he was looking for was the only one marked in a bold font. That specific reference was the saint's famous 'Rama sermon' , delivered in camp to a group of five thousand of Michael's neophytes three weeks before the holocaust in Rome. O'Toole began to read.
'As the topic for my talk to you today, I am going to address an issue raised by Sister Judy in our council, namely, what is the basis for my statement that the extraterrestrial spacecraft called Rama might well have been the first announcement of the second coming of Christ. Understand that at this point I have had no clear revelation one way or the other; God has, however, suggested to me that the heralds of Christ's next coming will have to be extraordinary or the people on Earth will not notice. A simple angel or two blowing trumpets in the heavens won't suffice. The heralds must do things that are truly spectacular to engage attention.
'There is a precedent, established in the old testament prophecies foretelling the coming of Jesus, of prophetic announcements originating in the heavens. Elijah's chariot was the Rama of its time. It was, technologically speaking, as much beyond the understanding of its observers as Rama is today. In that sense there is a certain conforming pattern, a symmetry that' is not inconsistent with God's order.
'But what I think is most hopeful about the arrival of the first Rama spacecraft eight years ago - and I say 'first' because I am certain there will be others - is that it forces hurnanity to think of itself in an extraterrestrial perspective. Too often we limit our concept of God and, by implication, our own spirituality . We belong to the universe. We are its children. It's just pure chance that our atoms have risen to consciousness here on this particular planet.
'Rama forces us to think of ourselves, and God, as beings of the universe. It is a tribute to His intelligence / Page 434 / that He has sent such a herald at this moment. For as I have told you many times, we are overdue for our final evolution, our recognition that the entire human race is but a single organism. The appearance of Rama is another signal that it is time for us to change our ways and begin that final evolution. '
General O'Toole put down the template and rubbed his eyes. He had read the sermon before, just before his meeting with the pope in Rome in fact, but somehow it had not seemed as significant then as it did now. So which are you, Rama? he thought. A threat to Courtney Bothwell or a herald of Christ's second coming?
During the hour before breakfast General O'Toole was still vacillating. He genuinely did not know what his decision would be. Weighing heavily upon him was the fact that he had been given an explicit order by his commanding officer. O'Toole was well aware that he had sworn, when he had received his commission, not only to follow orders, but also to protect the Courtney Bothwells of the planet. Did he have any evidence that this particular order was so immoral that he should violate his oath?
As long as he thought of Rama only as a machine, it was not too difficult for General O'Toole to countenance its destruction. His action would not, after all, kill any Ramans. But what was it that Wakefield had said? That the Raman spaceship was probably more intelligent than any living creature on Earth, including human beings? And shouldn't superior machine intelligence have a special place among God's creations, perhaps even above lower life forms?
Eventually General O'Toole succumbed to fatigue. He simply had no energy left to deal with the unending stream of questions without answers. He reluctantly decided to cease his internal debate and prepared to implement his orders.
His first action was again to memorise his RQ code, a specific string of SO integers between 0 and 9 that was known only by him and the processors inside the nuclear / Page 435 / weapons. O'Toole had personally entered his code and checked that it had been properly stored in each of the weapons before the Newton mission had been launched from Earth. The string of digits was long to minimise the probability of its being duplicated by a repetitive, electronic search routine. Each of the Newton military officers had been counselled to derive a sequence that met two criteria: the code should be almost impossible to forget and should not be something straightforward, like all the phone numbers in the family, that an outside party might work out easily from the personnel files.
For sentimental reasons, O'Toole had wanted nine of the numbers in his code to be his birthdate, 3-29-42, and the birthdate of his wife, 2-7-46. He knew that any decryption specialist would immediately look for such obvious selections, so the general resolved to hide the birthdates in the fifty digits. But what about the other forty-one? That particular number, forty-one, had intrigued O'Toole ever since a beer and pizza party during his sophomore year at MIT. One of his associates then, a brilliant young number theorist whose name he had long since forgonen, had told O'Toole in the middle of a drunken discussion that 41 was a 'very special number, the initial integer in the longest continuous string of quadratic primes' .
O'Toole never fully comprehended what exactly was meant by the expression 'quadratic prime'. However, he did understand, and was fascinated by, the fact that the string 41, 43, 47, 53, 61, 71, 83, 97, where each successive number was computed by increasing the difference from the previous number by two, resulted in exactly forty consecutive prime numbers. The sequence of primes ended only when the forty-first number in the string turned out to be a non-prime, namely 41 x 41 + 1681. O'Toole had shared this little-known piece of information only once in his life, with his wife Kathleen on her forty-first birthday, and he had received such a lacklustre response that he had never told anybody about it again.
But it was perfect for his secret code, particularly if he / Page 436 / disguised it properly. To build his fifty-digit number, General O'Toole first constructed a sequence of forty-one digits, each coming from the sum of the first two digits in the corresponding term in the special quadratic prime sequence beginning with 41. Thus '5' was the initial digit, representing 41, followed by '7' for 43, '1' for 47 (4 + 7 + 11 and then truncate), '8' for 53, etc. O'Toole next scattered the numbers of the two birthdates using an inverse Fibonacci sequence (34,21, 13,8, 5, 3,2, 1, 1) to define the locations of the nine birthday integers in the original forty-one digit string.
It was not easy to commit the sequence to memory, but the general did not want to write it down and carry it with him to the activation process. If his code was written down, then anyone could use it, with or without his permission, and his option to change his mind again would be precluded. Once he had memorised the sequence, O'Toole destroyed all his computations and went to the dining room to have breakfast with the rest of the cosmonauts."

 

 

-
ALL IS NUMBER
-
-
-
3
ALL
25
7
7
2
IS
28
10
1
6
NUMBER
73
28
1
11
ALL IS NUMBER
126
45
9
1+1
-
1+2+6
4+5
-
2
ALL IS NUMBER
9
9
9

 

EUREKAAKERUE

 

10
PRIME NUMBERS
-
-
-
5
P+R+I+M+E
61
34
7
7
N+U+M+B+E+R+S
92
38
2
12
PRIME NUMBERS
153
72
9
1+2
-
1+5+3
7+2
-
3
PRIME NUMBERS
9
9
9

 

 

12
PRIME NUMBERS
153
72
9
3
ZERO
64
28
1

 

ATEN

A

TEN

 

12
PRIME NUMBERS
153
72
9
3
ZERO
64
28
1
15
Add to Reduce
217
100
10
1+5
Reduce to Deduce
2+1+7
1+0+0
1+0
6
Essence of Number
TEN
1
1

 

 

5
PRIME
61
34
7
6
NUMBER
73
28
1
11
-
134
62
8
1+1
-
1+3+4
6+2
-
2
-
8
8
8

 

 

6
EUCLID
54
27
9
5
PROOF
70
34
7

 

 

5
PRIME
61
34
7
7
NUMBERS
92
38
2
12
F
153
72
9
1+2
-
1+5+3
7+2
-
3
-
9
9
9

 

 

5
PRIME
-
-
-
-
P
16
7
7
-
R
18
9
9
-
I
9
9
9
-
M+E
18
9
9
5
PRIME
61
34
7
-
-
6+1
3+4
-
5
PRIME
7
7
7

 

 

12
PRIME NUMBERS
153
72
9
4
ZERO
64
28
1
16
First Total
217
100
10
1+6
Add to Reduce
2+1+7-
1+0+0-
1+0
7
Second Total
10
1
1
-
Reduce to Deduce
1+0
-
-
7
Essence of Number
1
1
1

 

4
ZERO
64
28
1
6
NUMBER
73
28
1

 

 

4
ZERO
64
28
1
7
NUMBERS
92
38
2

 

 

11
NOTHINGNESS
144
54
9
4
ZERO
64
28
1

 

 

8
CALCULUS
-
-
-
1
C
3
3
3
1
A
1
1
1
1
L
12
3
3
1
C
3
3
3
1
U
21
3
3
1
L
12
3
3
1
U
21
3
3
1
S
19
10
1
8
CALCULUS
92
29
20
-
-
9+2
2+9
2+0
8
CALCULUS
11
11
2
-
-
1+1
1+1
-
5
CALCULUS
2
2
2

 

 

10
CALCULATES
97
34
7
7
NUMBERS
92
38
2
17
First Total
189
72
9
1+7
Add to Reduce
1+8=9
7+2
 
8
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
8
Essence of Number
9
9
9

 

 

The Death of Forever

Darryl Reanney (1991)

Page 26

"A deeper understanding revealed the quixotic fact that a particle like an electron has only a certain mathematical probability of being found in any one spot.This probability has a ripple or wave-like form, but it is more like a 'crime wave'- a statistical distribution - than a physical undulation.
" The basis of matter , then , when examined intimately, dissolves into a ghostlike intangibility ; the quantum wave is a mathematical wraith , a ripple of possibilities."
"The quantum wave only has this wraithlike character when it is not being looked at. When an observer intrudes, when a scientist for example, tries to measure the properties of an electron the, the ghostly wave function collapses.The particle becomes real it can now be specifically assigned a fixed location, with a probability of 1, i.e. a certainty
This is a staggering conclusion .It means that consciousness is not an observer in the dynamics of the universe; it is an active participant. Consciousness , literally and factually, creates reality , by summoning forth material particles,
definable certainties, from the elusive quantum wave. Objective 'reality' in this perspective falters on the brink of a profound ambiguity. Subject and object; mind and matter are not separate; they interact and interlock."

 

 

Gifts of Unknown Things

Lyall Watson 1976

The Spirit Moves

Page 216

"In 1714 the German mathematician Leibniz proposed the existence of nonspatial, indestructible, indivisible entities he called monads. He saw them as wholly psychic in nature -

/ Page 217 /

made up entirely of the qualities of mind. They were dismissed at the time as hypothetical nonesense, but today they no longer look quite so ridiculous. For his dominant monad, the one in ultimate control, read collective consciousness or universal mind, and situate it somewhere beyond the bounds of space-time in superspace. On the next level of this cosmic hierarchy' in normal space-time comes the matter raising monad we call consciousness or mind. Put this in charge of unfolding physical systems with their infinite numbers of states, make it amenable to some form of democracy or consensus that governs lawful and orderly operation - and you have the makings of a workable system.
The attractive feature of such a model is that it allows any-thing to happen. If Bohm is right about matter's appearing to move through space by constantly being destroyed and re-created, then it should be no more difficult for the mind monad to bend a spoon than it is for it to bend a finger. If you can think of a bent spoon you can have a bent spoon. If all forms of matter are merely thoughts in the mind monad, then their positions and properties are readily interchangeable. Mate-rialization, dematerialization, teleportation, and levitation be-come simple matters of a change of mind. If consciousness can drop at will out of normal space-time into superspace, where there is no such thing as time and thought travels faster than light, then instant thought transference, precogni-tion, retrocognition, and clairvoyance are all easy. And if con-sciousness can return to space-time at any location, past present, or future and experience these locations, then we have time travel, space travel, and travel out of the body. With such free movement of consciousness, it is of course possible to know every detail of the life of everyone who ever lived, and that takes care of reincarnation.
So it goes. It is all very easy when you can just juggle / Page 218 / around with ideas like this; anyone can play that kind of academic game. But the wonderful thing about this is that it is strongly supported by much recent scientific theory."

Page 37

There seem always to have been two ways of looking at the world. One is the everyday way in which objects and events, although they may be related causally and influence each other, are seen to be separate. And the other is a rather special way in which everything is considered to be part of a much greater pattern.

Page 38

...There has never been any question of having to choose between the two. They merely represent the extremes of a spectrum of possible response. At one end is a scientist who sees everything in isolation, and at the other a mystic who experiences only a featureless flow. Both views are restricted and misleading, but there can be a meeting in the middle. When both physicists and mystics are asked for their description of how the world works,they give the same answers. It is almost impossible to distinguish between the two groups of quotations. All agree that are two viable metaphysical systems, and that the truth lies in a reconciliation between them.
There is nothing new in this notion that all are parts of the whole and that the whole is embodied in all its parts. What is new is that our physical sciences are catching up with us and beginning to reinforce some very old and very basic biological perceptions. / Page 39 / Insight is beginning to substantiate intuition. In traditional physics, the world is thought to be made up of points If you put a lens in front of an object, it will form an image of that object, and there will be a point-to-point correspondence between the two. This kind of relationship has encouraged us to assume that the whole of reality can be analyzed in terms of points, each with a separate existence. But certainty about this kind of concept has been shaken by quantum mechanics and by a new system of recording reality without the use of lenses. By the invention of the hologram.
If you drop a pebble into a pond, it will produce a series of regular waves that travel outward in concentric circles."

 

 

Fingerprints Of The Gods

Graham Hancock 1995

Page 490

"The novelist Arthur Koestler, who had a great interest in synchronicity, coined the term 'library angel' to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead to exactly the right information being placed in their hands at exactly the right moment."

( Page 354"...Acting on impulse, I climbed into the granite coffer and lay down, face upwards, my feet pointed towards the south and my head to the north."
"...I folded my hands across my chest and gave voice to a sustained low-pitched tone -
something I had tried out several times before at other points in the King's Chamber. On these occasions, in the centre of the floor, I had noticed that the walls and ceiling seemed to collect the sound, to gather and to amplify it and project it back at me so that I could sense the returning vibrations through my feet and scalp and skin.
Now in the sarcophagus I was aware of very much the same effect, although seemingly amplified and concentrated many times over. It was like being in the sound-box of some giant, resonant musical instrument designed to emit for ever just one reverberating note. The sound was intense and quite disturbing. I imagined it rising out of the coffer and bouncing off the red granite walls and ceiling of the King's Chamber, shooting up through the northern and southern 'ventilation' shafts and spreading across the Giza plateau like a sonic mushroom cloud.
With this ambitious vision in my mind, and with the sound of my low-pitched note echoing in my ears and causing the sarcophagus to vibrate around me, I closed my eyes."

 

 

Gifts of Unknown Things
Lyall Watson 1976

Page 38

continued

" Drop two identical pebbles into the pond at different points and you will get two sets of similar waves that move towards each other. Where the waves meet, they will interfere. If the crest of one hits the crest of the other, they will work together and produce a reinforced wave of twice the normal height. If the crest of one coincides with the trough of the other, they will cancel each other out and produce an isolated patch of calm water. In fact, all possible combinations of the two occur, and the final result is a complex arrangement of ripples known as an interference pattern.
Light waves behave in exactly the same way. The purest kind of light available to us is that produced by a laser, which sends out a beam in which all the waves are of one frequency, like those made by an ideal pebble in a perfect pond. When two laser beams touch they produce an interference pattern of light and dark ripples that can be recorded on a photo-graphic plate. And if one of the beams, instead of comind directly from the laser, is reflected first off an object such as a human face, the resulting pattern will be very complex indeed, but it can still be recorded. The record will be a hologram of the face.

/ Page 39 /

When the place is developed and fixed, it will look like a totally meaningless jumble of very fine light and dark lines, but these can be unraveled. Simply take the plate into a dark room and illuminate it with the same laser. When you do this you cancel out interference and what you get is the original pattern of light from the reflected source. Peering through the plate, you find yourself face to face. You get a very realistic view which is a great deal more than a two-dimensional por-trait. Hologram means "whole record," so what you get is more than face value. You get all the information that light can provide about that face, The plate becomes a window. If you move your head to the side, you see the face in profile. Stand up and you get a view of the hairstyle."
This three-dimensionality is fascinating, but there is more. If you illuminate only a small part of the plate with a very narrow laser beam, you can still peer through this spot like a keyhole and see the whole face. No matter which part of the plate you choose to use, the view is still the same. This is the momentous thing about a hologram - every part contains the whole.
Any part of a hologram is a point in space, and yet it contains information about things at other points. Actually the hologram plate is merely a convenient way of recording what is happening in that region of space. What happens is that there is a movement of light there, and it seems that embraced in that movement is a mass of information about events taking place in other spaces. Cameras have always told us that, but what the hologram says is that any old point in space will do they all embrace everything happening everywhere."

 

 

deoxy.wiki : Tulpa
... we may feel in the other strange accomplishments with which Tibetan adepts of the secret lore are credited, the creation of thought forms seems by far the ...deoxy.org/wiki/Tulpa - Cached

Tulpa
Home · Recent · Index · View · Talk? · δεοχψ
Visitors—Changes—all—minor—major
A possible origin of the western occult practice of creating thought-forms(servitors) is the 'Tulpa'. A Tulpa is a concept from Tibetan Mysticism.

—from the wikipedia:

A tulpa is, in Tibetan mysticism, a being or object which is created through sheer willpower alone. In other words, it is a materialized thought that has taken physical form (a thoughtform).
The concept was brought to the West in the 19th century by Alexandra David-Neel, who claimed to have created a tulpa in the image of a jolly, Friar Tuck-like monk which later developed a life of its own and had to be destroyed. Many authors and artists have since used tulpas in their works, both in the context of fiction and in writing about mysticism. Horror author Clive Barker, for example, envisioned his famous "Candy Man" killer to be nothing more than a myth gone terribly awry in his original story. Additionally, there was a legend that talked about a Mexican shaman by the name of Don Juan Matus, who had taught his student Carlos Castaneda about the true nature of the physical universe and how intense concentration can summon, apport, and even materialize objects out of thin air. It was said that Carlos Castaneda was able to materialize a living squirrel on the palm of Don Juan's hand based on the latter's instruction.

In the Western mystery tradition this is called an "egregore".

The following is quoted from David-Neel's book:

On the Creation of Tulpas

However interested we may feel in the other strange accomplishments with which Tibetan adepts of the secret lore are credited, the creation of thought forms seems by far the most puzzling.
...
Phantoms, as Tibetans describe them, and those that I have myself seen do not resemble the apparitions, which are said to occur during spiritualist séances.

As I have said, some apparitions are created on purpose either by a lengthy process resembling that described in the former chapter on the visualization of Ydam or, in the case of proficient adepts, instantaneously or almost instantaneously. In other cases, apparently the author of the phenomenon generates it unconsciously, and is not even in the least aware of the apparition being seen by others.

However, the practice is considered as fraught with danger for every one who has not reached a high mental and spiritual degree of enlightenment and is not fully aware of the nature of the psychic forces at work in the process.

Once the tulpa is endowed with enough vitality to be capable of playing the part of a real being, it tends to free itself from its maker¹s control. This, say Tibetan occultists, happens nearly mechanically, just as the child, when his body is completed and able to live apart, leaves its mother¹s womb. Sometimes the phantom becomes a rebellious son and one hears of uncanny struggles that have taken place between magicians and their creatures, the former being severely hurt or even killed by the latter.

Tibetan magicians also relate cases in which the tulpa is sent to fulfill a mission, but does not come back and pursues its peregrinations as a half-conscious, dangerously mischievous puppet. The same thing, it is said, may happen when the maker of the tulpa dies before having dissolved it. Yet as a rule the phantom either disappears suddenly at the death of the magician or gradually vanishes like a body that perishes for want of food. On the other hand, some tulpas are expressly intended to survive their creator and are specially formed for that purpose.
...
Must we credit these strange accounts of rebellious "materializations", phantoms which have become real beings, or must we reject them all as mere fantastic tales and wild products of imagination?

Perhaps the latter course is the wisest. I affirm nothing. I only relate what I have heard from people whom, in other circumstances, I had found trustworthy, but they may have deluded themselves in all sincerity.

Nevertheless, allowing for a great deal of exaggeration and sensational addition, I could hardly deny the possibility of visualizing and animating a tulpa. Besides having had few opportunities of seeing thought-forms, my habitual incredulity led me to make experiments for myself, and my efforts were attended with some success. In order to avoid being influenced by the forms of the lamaist deities, which I saw daily around me in paintings and images, I chose for my experiment a most insignificant character: a Monk, short and fat, of an innocent and jolly type.

I shut myself in tsams and proceeded to perform the prescribed concentration of thought and other rites. After a few months the phantom Monk was formed. His form grew gradually fixed and lifelike looking. He became a kind of guest, living in my apartment. I then broke my seclusion and started for a tour, with my servants and tents.

The Monk included himself in the party. Though I lived in the open, riding on horseback for miles each day, the illusion persisted. I saw the fat tulpa; now and then it was not necessary for me to think of him to make him appear. The phantom performed various actions of the kind that are natural to travelers and that I had not commanded. For instance, he walked, stopped, looked around him. The illusion was mostly visual, but sometimes I felt as if a robe was lightly rubbing against me, and once a hand seemed to touch my shoulder.

The features which I had imagined, when building my phantom, gradually underwent a change. The fat, chubby-cheeked fellow grew leaner, his face assumed a vaguely mocking, sly, malignant look. He became more troublesome and bold. In brief, he escaped my control. Once, a herdsman who brought me a present of butter saw the tulpa in my tent and took it for a living lama.

I ought to have let the phenomenon follow its course, but the presence of that unwanted companion began to prove trying to my nerves; it turned into a "day-nightmare". Moreover, I was beginning to plan my journey to Lhasa and needed a quiet brain devoid of other preoccupations, so I decided to dissolve the phantom. I succeeded, but only after six months of hard struggle. My mind-creature was tenacious of life.

There is nothing strange in the fact that I may have created my own hallucination. The interesting point is that in these cases of materialization, others see the thought-forms that have been created.

Alexandra David-Neel, Magic and Mystery in Tibet, University Books Inc., 1965

search resultsThoughtforms and phantasms
... we may feel in the other strange accomplishments with which Tibetan adepts ... This is not the opinion of advanced adepts in Tibetan secret lore. ...www.geocities.com/franzbardon/neel.html - Cached

The creation of thoughtforms and phantasms
by Alexandra David-Neel
from: Magic and Mystery in Tibet, 1967;
© University Books Inc. 1965

However interested we may feel in the other strange accomplishments with which Tibetan adepts of the secret lore are credited, the creation of thought forms seems by far the most puzzling....

Phantoms, as Tibetans describe them, and those that I have myself seen do not resemble the apparitions which are said to occur during spiritualist seances.

As I have said, some apparitions are created on purpose either by a lengthy process resembling that described in the former chapter on the visualization of Ydam or, in the case of proficient adepts, instantaneously or almost instantaneously. In other cases, apparently the author of the phenomenon generates it unconsciously, and is not even in the least aware of the apparition being seen by others.

However, the practice is considered as fraught with danger for every one who has not reached a high mental and spiritual degree of enlightenment and is not fully aware of the nature of the psychic forces at work in the process.

Once the tulpa is endowed with enough vitality to be capable of playing the part of a real being, it tends to free itself from its maker's control. This, say Tibetan occultists, happens nearly mechanically, just as the child, when his body is completed and able to live apart, leaves its mother's womb. Sometimes the phantom becomes a rebellious son and one hears of uncanny struggles that have taken place between magicians and their creatures, the former being severely hurt or even killed by the latter.

Tibetan magicians also relate cases in which the tulpa is sent to fulfil a mission, but does not come back and pursues its peregrinations as a half-conscious, dangerously mischievous puppet. The same thing, it is said, may happen when the maker of the tulpa dies before having dissolved it. Yet as a rule the phantom either disappears suddenly at the death of the magician or gradually vanishes like a body that perishes for want of food. On the other hand, some tulpas are expressly intended to survive their creator and are specially formed for that purpose....

Must we credit these strange accounts of rebellious "materializations", phantoms which have become real beings, or must we reject them all as mere fantastic tales and wild products of imagination? -

Perhaps the latter course is the wisest. I affirm nothing. I only relate what I have heard from people whom, in other circumstances, I had found trustworthy, but they may have deluded themselves in all sincerity.

Nevertheless, allowing for a great deal of exaggeration and sensational addition, I could hardly deny the possibility of visualizing and animating a tulpa. Besides having had few opportunities of seeing thought-forms, my habitual incredulity led me to make experiments for myself, and my efforts were attended with some success. In order to avoid being influenced by the forms of the lamaist deities, which I saw daily around me in paintings and images, I chose for my experiment a most insignificant character: a Monk, short and fat, of an innocent and jolly type.

I shut myself in tsams and proceeded to perform the prescribed concentration of thought and other rites. After a few months the phantom Monk was formed. His form grew gradually fixed and lifelike looking. He became a kind of guest, living in my apartment. I then broke my seclusion and started for a tour, with my servants and tents.

The Monk included himself in the party. Though I lived in the open, riding on horseback for miles each day, the illusion persisted. I saw the fat trapa, now and then it was not necessary for me to think of him to make him appear. The phantom performed various actions of the kind that are natural to travelers and that I had not commanded. For instance, he walked, stopped, looked around him. The illusion was mostly visual, but sometimes I felt as if a robe was lightly rubbing against me and once a hand seemed to touch my shoulder.

The features which I had imagined, when building my phantom, gradually underwent a change. The fat, chubby-cheeked fellow grew leaner, his face assumed a vaguely mocking, sly, malignant look. He became more troublesome and bold. In brief, he escaped my control. Once, a herdsman who brought me a present of butter saw the tulpa in my tent and took it for a living lama.

I ought to have let the phenomenon follow its course, but the presence of that unwanted companion began to prove trying to my nerves; it turned into a "day-nightmare". Moreover, I was beginning to plan my journey to Lhasa and needed a quiet brain devoid of other preoccupations, so I decided to dissolve the phantom. I succeeded, but only after six months of hard struggle. My mind-creature was tenacious of life.

There is nothing strange in the fact that I may have created my own hallucination. The interesting point is that in these cases of materialization, others see the thought-forms that have been created....

In connection with these kinds of visualization or thought-form creation, I may relate a few phenomena which I have witnessed myself:

1. A young Tibetan who was in my service went to see his family. I had granted him three weeks' leave, after which he was to purchase a food supply, engage porters to carry the loads across the hills, and come back with the caravan.

Most likely the fellow had a good time with his people. Two months elapsed and still he did not return. I thought he had definitely left me. Then I saw him one night in a dream. He arrived at my place clad in a somewhat unusual fashion, wearing a sun hat of foreign shape. He had never worn such a hat. The next morning, one of my servants came to me in haste. "Wangdu has come back" he told me. "I have just seen him down the hill".

The coincidence was strange. I went out of my room to look at the traveler. The place where I stood dominated a valley. I distinctly saw Wang-du. He was dressed exactly as I had seen him in my dream. He was alone and walking slowly up the path that wound up the hill slope. I remarked that he had no luggage with him and the servant who was next me answered: "Wangdu has walked ahead, the load-carriers bust be following."

We both continued to observe the man. He reached a small chörten, walked behind it and did not reappear. The base of this chörten was a cube built in stone, less than three feet high, and from its needle-shaped top to the ground, the small monument was no more than seven feet high. There was no cavity in it. Moreover, the chörten was completely isolated: there were neither houses, nor trees, nor undulations, nor anything that could provide a hiding in the vicinity.

My servant and I believed that Wangdu was resting for a while under the shade of the chörten. But as the time went by without his reappearing, I inspected the ground round the monument with my field glasses, but discovered nobody. Very much puzzled I sent two of my servants to search for the boy. I followed their movements with the glasses but no trace was to be found of Wangdu nor of anybody else.

That same day a little before dusk the young man appeared in the valley with his caravan. He wore the very same dress and the foreign sun hat which I had seen in my dream, and in the morning vision. Without giving him or the load-carriers time to speak with my servants and bear about the phenomenon, I immediately questioned them. From their answers I learned that all of them had spent the previous night in a place too far distant from my dwelling for anyone to reach the latter in the morning. It was also clearly stated that Wangdu had continually walked with the party.

During the following weeks I was able to verify the accuracy of the men's declarations by inquiring about the time of the caravan's departure, at the few last stages where the porters were changed. It was proved that they had all spoken the truth and had left the last stage together with Wangdu, as they said.

2 A Tibetan painter, a fervent worshipper of the wrathful deities, who took a peculiar delight in drawing their terrible forms, came one afternoon to pay me a visit. I noticed behind him the somewhat nebulous shape of one of the fantastic beings which often appeared in his paintings.

I made a startled gesture and the astonished artist took a few steps towards me, asking what was the matter. I noticed that the phantom did not follow him, and quickly thrusting my visitor aside, I walked to the apparition with one arm stretched in front of me. My hand reached the foggy form. I felt as if touching a soft object whose substance gave way under the slight push, and the vision vanished.

The painter confessed in answer to my questions that he had been performing a dubthab rite during the last few weeks, calling on the deity whose form I had dimly perceived, and that very day he bad worked the whole morning on a painting of the same deity.

In fact, the Tibetan's thoughts were entirely concentrated on the deity whose help he wished to secure for a rather mischievous undertaking. He himself had not seen the phantom.

In these two cases, the Phenomenon was produced without the conscious co-operation of its author. Or, as a mystic lama remarked, Wangdu and the painter could hardly be termed the authors of the phenomena. They were but one cause - maybe the principal one - amongst the various causes which had brought them about.

3.The third strange occurrence I have to relate belongs to the category of phenomena which are voluntarily produced. The fact that the apparition appeared in the likeness of the lama who caused it, must not lead us to think that he projected a subtle double of himself. This is not the opinion of advanced adepts in Tibetan secret lore.

According to them such phantoms are tulpas, magic formations generated by a powerful concentration of thoughts. As it has been repeatedly stated in the preceding chapters, any forms may be visualized through that process.

At that time I was camping near Punag ritöd in Kham. One afternoon, I was with my cook in a hut which we used as a kitchen. The boy asked me for some provisions. I answered, 'Come with me to my tent, you can take what you need out of the boxes.'

We walked out and when nearing my tent, we both saw the hermit lama seated on a folding chair next my camp table. This did not surprise us because the lama often came to talk with me. The cook only said 'Rimpoche is there, I must go and make tea for him at once, I will take the provisions later on.'

I replied: 'All right. Make tea and bring it to us.'

The man turned back and I continued to walk straight toward the lama, looking at him all the time while he remained seated motionless. When I was only a few steps from the tent, a flimsy veil of mist seemed to open before it, like a curtain that is slowly pulled aside. And suddenly I did not see the lama any more. He had vanished.

A little later, the cook came, bringing tea. He was surprised to see me alone. As I did not like to frighten him I said: 'Rimpoche only wanted to give me a message. He had no time to stay to tea.' I related the vision to the lama, but he only laughed at me without answering my questions. Yet, upon another occasion he repeated the phenomenon. He utterly disappeared as I was speaking with him in the middle of a wide bare track of land, without tent or houses or any kind of shelter in the vicinity.

 

 

THE FULCANELLI PHENOMENON

Kenneth Rayner Johnson 1980

Page 263

"It will be as well to recall here what Fulcanelli's reply was when Bergier asked him what the real nature of alchemy consisted in. He said:

'The secret of alchemy is that there exists a means of manipulating matter and energy so as to create what modern science calls a force-field' This force field acts upon the observer and puts him in a privileged position in relation to the universe. From this privileged position he has access to realities that space and time matter and energy, normally conceal from us. This is what we call the Great Work.' "

 

 

DAILY MAIL

Jonathon Cainer 6 May 2006

YOUR WEEK AHEAD

Page 84 (number omitted)

Having trouble sleeping? Read this 'The sum of the square of the two sides of a right angled triangle is equal to the ssquare of the length of the hypotenuse.' Unless you're a mathematician, your probably snoring already. Pythagora's theorem can have that effect. Pythagoras was in fact, a vegetarian visionary who led a cult dedicated to the mystic meaning of numbers. Triangles, for him, contained 'divine messages'. For astrologers, they still do! This week, Jupiter, Mars and Uranus divide the zodiac into three perfect equilateral triangles. It's auspicious for anyone seeking a formula for success

 

 

THIS IS THE SCENE OF THE SCENE UNSEEN

THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE

 

 

Mysteries of the snowflake: The curious world of ... - The Independent

www.independent.co.uk › News › Environment › Nature?

5 Jan 2013 - Mysteries of the snowflake: The curious world of the ice-crystal experts ...

The ice crystals, nestling in the ice clouds as unborn snowflakes, ...

 

 

THE INDEPENDENT MAGAZINE

Wednesday 11 September 2013

Mysteries of the snowflake: The curious world of the ice-crystal experts.

Everybody loves snow, right? But not many of us are obsessed, like the scientists who study these icy enigmas. Nicola Gill enters the curious world of 'dendrites' and 'plates'

Dr Chris Westbrook works in deepest Hampshire at the Chilbolton Observatory, home to the world’s largest steerable radar dish, at a whopping 25 metres across. Inside his laboratory, lights blink and instruments receive continuous feedback from the giant dish pointed skywards and looming ever-present outside the window.

But even on the hottest summer day, while the other denizens of Chilbolton parish are enjoying Pimm’s on their sun-loungers, Dr Westbrook is buried deep in snowflakes. “The radar dish sends out microwave pulses into ice clouds high up in the atmosphere where the temperature is always well below freezing – whatever it is down here,” he says. The ice crystals, nestling in the ice clouds as unborn snowflakes, bounce those microwaves back and the echoes which return are pored over and analysed by Dr Westbrook and his team.

“"We have the most sensitive equipment for studying ice clouds in the world," he says. Westbrook is one of just a tiny handful of snowflake researchers in the world, a group of obsessives who live and breathe snow – fixated on chasing the perfect flake and understanding exactly which weather conditions will produce the many different formations. “It may seem slightly odd that I’ve devoted myself to studying snowflakes when the UK isn’t renowned as an especially snowy place,” he continues, “but, in fact, the vast majority of precipitation in this country starts as snow, which melts high above us and then falls as rain, which we certainly do have a lot of. So if you want to predict precipitation you need to study snow and how it forms.”

So far, so dispassionate; ask Dr Westbrook if he likes making snowmen and he rather frostily replies that he’s as keen as the next man (“but I have a degree in physics and electrical engineering and where others see a winter wonderland I see physics in action”). But ask him about the way snowflakes are formed and fall to earth and the amazed child inside emerges as he describes the physics-meets-fairytale element of his work.

“The aerodynamics of snowflakes have an inherently mysterious quality we’ve yet to crack,” he enthuses. “We classify their falling style in four unique ways: the ‘tumble’ is a sort of head-over-heels action, the ‘spin’ is a vertical downwards motion with a built-in rotation, the ‘pitch and glide’ is best described as a zig-zag and the ‘twirl’ is how we describe a snowflake that’s descending while spinning and rotating at an angle. Which they do depends on how fast they fall and their size, but it’s a puzzle that’s not solved and we don’t know why they behave as they do all of the time. As for the intricate formations of individual flakes, I defy anyone not to be amazed.”

Of course, it’s those spectacular shapes – some like icy fireworks caught mid-explosion, others frozen, fantastical many-armed sea creatures – that fascinate the rest of us non-scientists. Nearly all snowflakes (or snow crystals as scientists insist on calling them, as a large flake can actually be made up of several crystals that clump together on their drift earthwards) have six-sided symmetry, though three- or 12-sided crystals also fall. You will never see a snow crystal with four, five or eight sides. It was ancient Chinese scholars who first noted their sixfold symmetry and they made beautiful complex categories and charts detailing their infinite variety and grouping them into types; as no two snowflakes can ever be identical.

Broadly speaking (there are several competing classification systems), the classic, celebrated Christmas-card snowflake is categorised as a dendrite (meaning tree-like, with branches and side-branches). These are the iconic superstars of the snowflake world, hogging all the glory and most of the photo-opportunities. They can be sub-categorised as stellar, radiating or fern-like. As if winning the beauty contest weren’t enough, dendrites’ supermodel qualities (they can be extremely thin and light) also mean they make the best powder snow for skiing.

Next in line, the supporting cast, are the plates (stellar, sectored or split) with 12-sided flakes bringing up the rear. The ugly sisters, which in reality make up the vast majority of snowflakes, are the rather dull, hollow and capped columns, needles, simple prisms, bullet rosettes and asymmetrical specks, doomed forever to be the boring, bitty, non-showbiz flakes we brush off our sleeves with nary an “ooh” or an “aah”.

The categorisation of snowflakes has a long history. In 1655, Robert Hooke published a large volume called Micrographia, containing his sketches of snowflakes viewed for the first time under the new invention of the day, the microscope. American farmer, Wilson ‘Snowflake’ Bentley, devoted most of his life to capturing images of snow crystals and his famous book of that name is still in print to this day. Japanese physicist Ukichiro Nakaya created the first truly systemic classification scheme for snowflakes in 1934, in which he subdivided falling flakes into 41 individual types which meteorologists Magono and Lee almost doubled by producing a chart of 80 different types in 1966. Mathematician and philosopher René Descartes is one of many fine minds through the ages to be fascinated by snowflakes and to ponder how such perfection could be created.

While every flake really is a law unto itself, other supposed snow ‘facts’ are not quite so true. The oft-quoted idea that it’s ‘too cold to snow’ is nonsense (it snows at the South Pole where it’s rarely above -40C), and even the apparent truism that snow is white turns out to be slushy logic. Ice crystals are clear, like glass, but when they form a large pile, light is reflected off the surface, bounces around and eventually scatters back out. Since all colours are scattered roughly equally, snow only appears to be white.

These, and many other reasons, are why world-renowned snowflake obsessive, California-based Ken Libbrecht, has made it his life’s work to study, photograph and ‘grow’ snowflakes. The author of several beautiful books showcasing his favourite flakes out of the 7,000 he has photographed, he lives and breathes dendrites, rosettes and plates. “There is something magical about snowflakes,” he says from his laboratory in Pasadena. “You don’t often see such complex symmetry in nature and that makes them extraordinary. The whole intriguing structure of a snow crystal simply arises quite literally out of thin air, as it tumbles through the clouds. The way the crystal grows depends on the temperature it is shaped in – a simple enough idea to grasp – but the underlying physics is fiendishly complicated and has remained a puzzle. I spend a lot, and I mean a lot, of time thinking about this.”

As Libbrecht explains, the life of a snowflake is a hidden, epic, scientific journey in which it transforms through liquid, gas and solid states. “Snowflakes begin life as water vapour in the air – evaporated from oceans, plants, even your breath – and when air cools down at some point the water vapour will condense out. Near the ground it could, for example, be as dew, but higher up it condenses on to airborne dust particles into countless minute droplets. A cloud is just a huge collection of these water droplets suspended in the atmosphere.”

The next stage is where it gets exciting, say Libbrecht. Depending on conditions, these droplets could fall as dreary rain, sleet or hail, or descend as mist or fog. But when conditions are right, the alchemy occurs and these minute droplets metamorphise into something more impressive. “At around -10C, the droplets gradually freeze into minuscule particles of ice,” he says. “When humidity is high enough, water vapour condenses on to its surface, gradually building a snowflake. At first they are very small and mostly in the form of simple, hexagonal prisms – but as they grow, the branches sprout from the corners to make ever more complicated shapes.”

By growing crystals in his lab, Libbrecht has learnt how the multitudes of varying shapes depend almost entirely on the temperature and humidity. For example, thin plates and stars grow around -2C, while columns and slender needles appear near -5C. Plates and stars form around -15C and a combination of plates and columns are made at around -30C.

Libbrecht’s devotion to dendrites has led him halfway around the world and he thinks nothing of basing holidays with his wife and two children exclusively around snowflake sightseeing. On one trip, he took his young children to Japan, where snowflakes are virtually a national craze. “Snow-crystal tourist spots are popular with the Japanese and I flew my family over for a winter holiday to the northern island of Hokkaido, home to the Museum of Snow and Ice, where even the doorknobs are in the shape of snowflakes. Admittedly, it’s not your usual family getaway, but my children know all about capped columns and other snowflake forms. They’re both in college now, but my daughter definitely gets a kick out of telling friends her dad is a snowflake scientist.”

At dinner parties, when asked what he does, Libbrecht says, “I like to lead with the science,” but admits that people are really only interested in his photographs and the pretty patterns of individual flakes, and unlikely to want to hear about the convection chamber where he conjures snowflakes into existence. “Basically, it’s just a cold chamber about a metre tall, with two containers of heated water on the bottom. Convection mixes the water vapour into the cold air creating super-saturated conditions for growing snowflakes. We nucleate crystals by dropping a speck of dry ice in the chamber and the crystals float until they grow to about 10-100 microns in size, when they fall to the bottom of the chamber.”

Inevitably, though, the most common question is, how can Libbrecht be so sure no two snowflakes are ever identical? He likes to tell people that physics has a Zen-like answer, “which is that it depends largely on what you mean by the question. The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf, then the number of ways of making a complex snowflake is so staggeringly large that, over the history of our planet, I’m confident no two identical flakes have ever fallen. The long answer is more involved – depending on what you mean by ‘alike’ and ‘snowflake’. There could be some extremely small, simple-shaped crystals that looked so alike under a microscope as to be indistinguishable – and if you sifted through enough Arctic snow, where these simple crystals are common, you could probably find a few twins.”

If you thought snowflakes were the ultimate in nature’s micro-level majesty, ice crystals have one more trick up their sleeve, one that almost none of us will ever see, unless we find ourselves at the South Pole. Ice crystal halos are produced in the same way as rainbows, except that the sunlight (or moonlight) refracts from ice crystals instead of water. In other words, instead of being rainbows, they are ‘snowbows’, and, says Libbrecht, “simply exquisite”.

Does he ever wonder, staring for years on end at the so-far-impenetrable and wondrous beauty of his subjects, if only a higher hand could have made them? “No,” he says bluntly, the scientist firmly back at the helm. Of course there’s still one obvious question that always come up before pudding that he’s more than happy to elaborate on. Why does he do it?

“Humans usually make a thing by starting with a block of material and carving from it,” says Libbrecht. “Computers, for example, are made by patterning intricate circuits on silicon wafers, but in nature things simply assemble themselves. Cells grow and divide, forming complex organisms. Even extremely sophisticated computers like your brain arise from self-assembly. Your DNA does not contain nearly enough information to guide the placement of every cell in your body, most of that structure arises spontaneously as you grow.”

The snowflake is a very simple example of self-assembly. “There is no blueprint or genetic code that guides the growth of a snowflake, yet marvellously complex structures appear, quite literally out of thin air.” As the electronics industry pushes toward ever smaller devices, it is likely that self-assembly will play an increasingly important role in manufacturing, and Libbrecht’s work could contribute to that. But neither he nor Westbrook care much about that, they just revel in the joy of unravelling the tantalising mystery of snowflakes.

“Einstein didn’t worry about the practical applications of relativity, he just wanted to understand how nature worked. Snowflakes are remarkable structures that simply fall from the sky. With over six billion people on the planet, surely a few of us can be spared to ponder the subtle mysteries of snowflakes.”

 

 

THE INDEPENDENT MAGAZINE

Wednesday 11 September 2013

Mysteries of the snowflake: The curious world of the ice-crystal experts.

Inevitably, though, the most common question is, how can Libbrecht be so sure no two snowflakes are ever identical? He likes to tell people that physics has a Zen-like answer, “which is that it depends largely on what you mean by the question. The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf, then the number of ways of making a complex snowflake is so staggeringly large that, over the history of our planet, I’m confident no two identical flakes have ever fallen. The long answer is more involved – depending on what you mean by ‘alike’ and ‘snowflake’. There could be some extremely small, simple-shaped crystals that looked so alike under a microscope as to be indistinguishable – and if you sifted through enough Arctic snow, where these simple crystals are common, you could probably find a few twins.”

"The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf,"

 

 

T
=
2
-
3
THE
33
15
6
R
=
9
-
1
R
18
9
9
I
=
9
-
2
IN
23
14
5
E
=
5
-
9
EVOLUTION
133
43
7
-
-
29
-
15
Add to Reduce
207
81
27
-
-
2+9
-
1+5
Reduce to Deduce
2+0+7
8+1
2+7
-
-
11
-
6
Essence of Number
9
9
9

 

 

-
-
-
-
-
SEE E SEE
-
-
-
S
=
1
-
3
SEE
29
11
2
E
=
5
-
1
E
5
5
5
S
=
1
-
3
SEE
29
11
2
-
-
7
-
7
SEE E SEE
63
27
27
-
-
-
-
-
-
6+3
2+7
2+7
-
-
7
-
7
SEE E SEE
9
9
9

 

 

-
-
-
-
-
SEE E SEE
-
-
-
S
=
1
-
1
S
19
10
1
E
=
5
-
1
E
5
5
5
E
=
5
-
1
E
5
5
5
E
=
5
-
1
E
5
5
5
E
=
5
-
1
E
5
5
5
E
=
5
-
1
E
5
5
5
S
=
1
-
1
S
19
10
1
-
-
7
-
7
SEE E SEE
63
27
27
-
-
-
-
-
-
6+3
2+7
2+7
-
-
7
-
7
SEE E SEE
9
9
9

 

1234 5 6789

 

 

Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.

"Aedh Wishes for the Cloths of Heaven"
is a poem by William Butler Yeats. It was published in 1899 in his third volume of poetry, The Wind Among the Reeds.

 

BLACK B LACK OF LIGHT WHERE LIGHT IS NOT!

 

 

WHITE WITH E IS WHITE IS

 

 

A
=
1
1
1
A
1
1
1
M
=
4
2
4
MIND
40
22
4
O
=
6
3
2
OF
21
12
3
Y
=
7
4
4
YOUR
79
34
7
O
=
6
5
3
OWN
52
16
7
-
-
-
-
?
-
-
-
W
=
5
6
8
WHATEVER
102
39
3
G
=
7
7
4
GAVE
35
17
8
Y
=
7
8
3
YOU
61
16
7
T
=
2
9
4
THAT
49
13
4
I
=
9
10
4
IDEA
19
19
1
-
-
30
-
37
First Total
459
189
45
-
-
3+0
-
3+7
Add to Reduce
4+5+9
1+8+9
4+5
-
-
3
-
10
Second Total
18
18
9
-
-
-
-
1+0
Reduce to Deduce
1+8
1+8
-
-
-
3
-
1
Essence of Number
9
9
9

 

https://www.youtube.com/watch?v=VpdowHf_sGI

 

....

 

THE MAN WHO LOVED ONLY NUMBERS

Paul Hoffman

1

999

Page 217

"Mathematicians in India in the sixth century had developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after it, or 10, is a very different number from a 1 alone. Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero, but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).

In the seventh century, Hindu scholars introduced Islam to the Indian number scene, and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202, he wrote Liber abaci (Book of the Abacus), which, despite the title had little to do with the Abacus and a lot to do with liberating computations from the yoke of Roman numerals. The book seems quaint from the vantage point of the twentieth century, because it explains what we take for granted.

"The nine Indian figures are: 9 8 7 6 5 4 3 2 1, and with the sign Zero. . . any number can be written."

 

THE NINE INDIAN FIGURES ARE: 987654321, AND WITH THE SIGN ZERO. . . ANY NUMBER CAN BE WRITTEN

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
6
INDIAN
51
33
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
7
FIGURES
85
40
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
3
ARE
24
15
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
123456789
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
4
WITH
60
24
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
4
SIGN
49
22
4
-
-
-
-
4
-
-
-
-
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
3
ANY
40
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
6
NUMBER
73
28
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
3
CAN
18
9
9
-
-
-
-
-
-
-
-
-
9
B
=
2
-
2
BE
7
7
7
-
-
-
-
-
-
-
7
-
-
W
=
5
-
7
WRITTEN
109
37
1
-
1
-
-
-
-
-
-
-
-
-
-
56
-
62
First Total
707
320
68
-
4
2
3
12
5
36
7
8
9
-
-
5+6
-
6+2
Add to Reduce
7+0+7
3+2+0
6+8
-
-
-
-
1+2
-
3+6
-
-
-
-
-
11
-
8
Second Total
14
5
14
-
4
2
3
3
5
9
7
8
9
-
-
1+1
-
-
Reduce to Deduce
1+4
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
5
5
5
-
4
2
3
3
5
9
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
4
6
7
9
T
=
2
-
3
THE
33
15
6
-
-
-
6
-
-
N
=
5
-
4
NINE
42
24
6
-
-
-
6
-
-
I
=
9
-
6
INDIAN
51
33
6
-
-
-
6
-
-
F
=
6
-
7
FIGURES
85
40
4
-
-
4
-
-
-
A
=
1
-
3
ARE
24
15
6
-
-
-
6
-
-
-
-
-
-
-
123456789
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
W
=
5
-
4
WITH
60
24
6
-
-
-
6
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
6
-
-
S
=
1
-
4
SIGN
49
22
4
-
-
4
-
-
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
A
=
1
-
3
ANY
40
13
4
-
-
4
-
-
-
N
=
5
-
6
NUMBER
73
28
1
-
1
-
-
-
-
C
=
3
-
3
CAN
18
9
9
-
-
-
-
-
9
B
=
2
-
2
BE
7
7
7
-
-
-
-
7
-
W
=
5
-
7
WRITTEN
109
37
1
-
1
-
-
-
-
-
-
56
-
62
First Total
707
320
68
-
4
12
36
7
9
-
-
5+6
-
6+2
Add to Reduce
7+0+7
3+2+0
6+8
-
-
1+2
3+6
-
-
-
-
11
-
8
Second Total
14
5
14
-
4
3
9
7
9
-
-
1+1
-
-
Reduce to Deduce
1+4
-
1+4
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
5
5
5
-
4
3
9
7
9

 

 

1234 5 6789

CIRCLE 5 CIRCLE

 

4
FIVE
42
24
6

 

1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1

 

15
ONE TWO THREE FOUR
208
82
1
4
FIVE
42
24
6
17
NINE EIGHT SEVEN SIX
208
91
1

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
Z
=
8
1
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=
9
3
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
4
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
7
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
W
=
5
9
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
T
=
2
11
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
12
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
13
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
15
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
16
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
17
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
U
=
3
18
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
R
=
9
19
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
20
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
21
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
V
=
4
22
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
23
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
S
=
1
24
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
25
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
X
=
6
26
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
27
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
E
=
5
28
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
V
=
4
29
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
30
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
31
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
32
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
33
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
34
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
35
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
36
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
N
=
5
37
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
38
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
N
=
5
39
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
40
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
2
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
3
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
4
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
V
=
4
7
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
V
=
4
8
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
10
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
W
=
5
12
1
W
23
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
13
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
14
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
15
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
16
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
17
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
18
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
19
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
20
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
N
=
5
21
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
22
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
23
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
24
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
25
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
26
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
27
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
F
=
6
28
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
X
=
6
29
1
X
24
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
30
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
Z
=
8
31
1
Z
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
32
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
H
=
8
33
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=
9
34
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
35
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
R
=
9
36
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
37
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
38
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
39
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
40
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
45
-
40
First Total
522
243
225
-
2
6
3
8
70
42
7
24
63
-
-
4+5
-
4+0
Add to Reduce
5+2+2
2+4+3
2+2+5
-
-
-
-
-
7+0
4+2
-
2+4
6+3
-
-
9
-
4
Second Total
9
9
9
-
2
6
3
8
7
6
7
6
9
-
-
-
-
-
Reduce to Deduce
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
4
Essence of Number
9
9
9
-
2
6
3
8
7
6
7
6
9

 

 

ZERO ONE TWO THREE FOUR FIVE 1IX 1EVEN EIGHT NINE

ZERO ONE 2WO 2HREE FOUR FIVE SIX SEVEN EIGH2 NINE

ZERO ONE TWO THREE FO3R FIVE SIX SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FI4E SIX SE4EN EIGHT NINE

Z5RO O55 T5O THR55 FOUR FIV5 SIX S5V55 5IGHT 5I55

ZER6 6NE TW6 THREE 66UR 6IVE SI6 SEVEN EIGHT NINE

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EI7HT NINE

8ERO ONE TWO T8REE FOUR FIVE SIX SEVEN EIG8T NINE

ZE9O ONE TWO TH9EE FOU9 F9VE S9X SEVEN E9GHT N9NE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

8596 655 256 28955 6639 6945 196 15455 59782 5955

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

8596 655 256 28955 6639 6945 196 15455 59782 5955

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
3
-
T
=
2
2
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
7
-
S
=
1
3
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
1
-
O
=
6
4
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
5
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
8
-
E
=
5
6
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
4
-
F
=
6
7
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
8
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
9
-
N
=
5
9
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
10
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
4
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
3
-
T
=
2
2
5
THREE
56
29
2
-
-
2
-
-
-
7
-
S
=
1
3
5
SEVEN
65
20
2
-
-
2
-
-
-
1
-
O
=
6
4
3
ONE
34
16
7
-
-
-
-
-
7
2
-
T
=
2
5
3
TWO
58
13
4
-
-
-
4
-
-
8
-
E
=
5
6
5
EIGHT
49
31
4
-
-
-
4
-
-
4
-
F
=
6
7
4
FOUR
60
24
6
-
-
-
-
6
-
5
-
F
=
6
8
4
FIVE
42
24
6
-
-
-
-
6
-
9
-
N
=
5
9
4
NINE
42
24
6
-
-
-
-
6
-
6
-
S
=
1
10
3
SIX
52
16
7
-
-
-
-
-
7
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
8
18
14
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
1+8
1+4
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
8
9
5

 

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
1
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
2
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
3
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
4
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
5
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
6
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
7
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
8
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
9
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
10
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

T
=
2
-
3
THE
33
15
6
F
=
6
-
8
FULLNESS
108
27
9
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GODS
45
18
9
T
=
2
-
7
THOUGHT
99
63
27
S
-
23
4
24
Add to Reduce
306
135
54
-
-
2+3
-
2+4
Reduce to Deduce
3+0+6
1+3+5
5+4
-
-
5
-
6
Essence of Number
9
9
9

 

 

L
=
2
-
5
LIGHT
56
29
2
A
=
6
-
3
AND
19
10
1
L
=
6
-
4
LIFE
32
23
5
A
=
7
-
3
AND
19
10
1
L
=
2
-
4
LOVE
54
18
9
S
-
23
4
19
Add to Reduce
180
90
18
-
-
2+3
-
1+9
Reduce to Deduce
1+8+0
9+0
1+8
-
-
9
-
10
Essence of Number
9
9
9
-
-
-
-
1+0
Reduce to Deduce
-
-
-
-
-
9
-
1
Essence of Number
9
9
9

 

 

-
19
L
I
G
H
T
-
A
N
D
-
L
I
F
E
-
A
N
D
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
42
-
-
9
-
8
-
-
-
5
-
-
-
9
-
-
-
-
5
-
-
-
6
-
-
+
=
42
4+2
=
6
=
6
=
6
69
-
-
9
-
8
-
-
-
14
-
-
-
9
-
-
-
-
14
-
-
-
15
-
-
+
=
69
6+9
=
15
1+5
6
=
6
-
19
L
I
G
H
T
-
A
N
D
-
L
I
F
E
-
A
N
D
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
48
-
3
-
7
-
2
-
1
-
4
-
3
-
6
5
-
1
-
4
-
3
-
4
5
+
=
48
4+8
=
12
1+2
3
=
3
111
-
12
-
7
-
20
-
1
-
4
-
12
-
6
5
-
1
-
4
-
12
-
22
5
+
=
111
1+1+1
=
3
=
3
=
3
-
19
L
I
G
H
T
-
A
N
D
-
L
I
F
E
-
A
N
D
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
180
-
12
9
7
8
20
-
1
14
4
-
12
9
6
5
-
1
14
4
-
12
15
22
5
+
=
180
1+8+0
=
9
=
9
=
9
90
-
3
9
7
8
2
-
1
5
4
-
3
9
6
5
-
1
5
4
-
3
6
4
5
+
=
90
9+0
=
9
=
9
=
9
-
19
L
I
G
H
T
-
A
N
D
-
L
I
F
E
-
A
N
D
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
3
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
4
-
-
-
4
occurs
x
3
=
12
1+2
3
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
-
-
5
-
-
-
-
-
5
-
-
5
occurs
x
4
=
20
2+0
2
6
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
2
=
18
1+8
9
45
19
L
I
G
H
T
-
A
N
D
-
L
I
F
E
-
A
N
D
-
L
O
V
E
-
-
45
-
1
19
-
90
-
45
4+5
1+9
-
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
4+5
-
-
1+9
-
9+0
-
4+5
9
10
L
I
G
H
T
-
A
N
D
-
L
I
F
E
-
A
N
D
-
L
O
V
E
-
-
9
-
1
10
-
9
-
9
-
1+0
3
9
7
8
2
-
1
5
4
-
3
9
6
5
-
1
5
4
-
3
6
4
5
-
-
-
-
-
1+0
-
-
-
-
9
1
L
I
G
H
T
-
A
N
D
-
L
I
F
E
-
A
N
D
-
L
O
V
E
-
-
9
-
1
1
-
9
-
9

 

 

L
=
3
-
5
LIGHT
56
29
2
I
=
9
-
2
IS
19
10
1
L
=
3
-
4
LIFE
32
23
5
I
=
9
-
2
IS
19
10
1
L
=
3
-
4
LOVE
54
18
9
S
-
27
4
17
Add to Reduce
198
90
18
-
-
2+7
-
1+7
Reduce to Deduce
1+9+8
9+0
1+8
-
-
9
-
8
Essence of Number
18
9
9
-
-
-
-
1+0
Reduce to Deduce
1+8
-
-
-
-
9
-
8
Essence of Number
9
9
9

 

 

-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
42
-
-
9
-
8
-
-
9
1
-
-
9
-
-
-
9
1
-
-
6
-
-
+
=
52
5+2
=
7
=
7
=
7
69
-
-
9
-
8
-
-
9
19
-
-
9
-
-
-
9
19
-
-
15
-
-
+
=
97
9+7
=
16
1+6
7
=
7
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
48
-
3
-
7
-
2
-
-
-
-
3
-
6
5
-
-
-
-
3
-
4
5
+
=
38
3+8
=
11
1+1
2
=
2
111
-
12
-
7
-
20
-
-
-
-
12
-
6
5
-
-
-
-
12
-
22
5
+
=
101
1+0+1
=
2
=
2
=
2
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
180
-
12
9
7
8
20
-
9
19
-
12
9
6
5
-
9
19
-
12
15
22
5
+
=
198
1+9+8
=
9
=
9
=
9
90
-
3
9
7
8
2
-
9
1
-
3
9
6
5
-
9
1
-
3
6
4
5
+
=
90
9+0
=
9
=
9
=
9
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
occurs
x
2
=
2
=
2
2
-
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
3
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
3
-
-
-
-
-
3
occurs
x
3
=
9
=
9
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
=
4
5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
5
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
8
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
9
-
-
9
-
-
-
-
9
-
-
-
9
-
-
-
9
-
-
-
-
-
-
-
-
9
occurs
x
4
=
36
3+6
9
45
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
45
-
1
19
-
90
-
45
4+5
1+9
-
9
-
-
-
-
9
-
-
-
9
-
-
-
9
-
-
-
-
-
-
-
-
4+5
-
-
1+9
-
9+0
-
4+5
9
10
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
9
-
1
10
-
9
-
9
-
1+0
3
9
7
8
2
-
9
1
-
3
9
6
5
-
9
1
-
3
6
4
5
-
-
-
-
-
1+0
-
-
-
-
9
1
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
9
-
1
1
-
9
-
9

 

 

-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
42
-
-
9
-
8
-
-
9
1
-
-
9
-
-
-
9
1
-
-
6
-
-
+
=
52
5+2
=
7
=
7
=
7
69
-
-
9
-
8
-
-
9
19
-
-
9
-
-
-
9
19
-
-
15
-
-
+
=
97
9+7
=
16
1+6
7
=
7
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
48
-
3
-
7
-
2
-
-
-
-
3
-
6
5
-
-
-
-
3
-
4
5
+
=
38
3+8
=
11
1+1
2
=
2
111
-
12
-
7
-
20
-
-
-
-
12
-
6
5
-
-
-
-
12
-
22
5
+
=
101
1+0+1
=
2
=
2
=
2
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
180
-
12
9
7
8
20
-
9
19
-
12
9
6
5
-
9
19
-
12
15
22
5
+
=
198
1+9+8
=
9
=
9
=
9
90
-
3
9
7
8
2
-
9
1
-
3
9
6
5
-
9
1
-
3
6
4
5
+
=
90
9+0
=
9
=
9
=
9
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-

 

 

-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
180
-
12
9
7
8
20
-
9
19
-
12
9
6
5
-
9
19
-
12
15
22
5
+
=
198
1+9+8
=
9
=
9
=
9
90
-
3
9
7
8
2
-
9
1
-
3
9
6
5
-
9
1
-
3
6
4
5
+
=
90
9+0
=
9
=
9
=
9
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-

 

 

-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
180
-
12
9
7
8
20
-
9
19
-
12
9
6
5
-
9
19
-
12
15
22
5
+
=
198
1+9+8
=
9
=
9
=
9
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-

 

0 111111 222222 555 678 999999

 

 

-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-
90
-
3
9
7
8
2
-
9
1
-
3
9
6
5
-
9
1
-
3
6
4
5
+
=
90
9+0
=
9
=
9
=
9
-
19
L
I
G
H
T
-
I
S
-
L
I
F
E
-
I
S
-
L
O
V
E
-
-
-
-
-
-
-
-
-
-

 

11 2 333 4 55 66 78 9999

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIGHT IS LIFE IS LOVE
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIGHT
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
2
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
3
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
-
-
29
-
5
LIGHT
56
29
29
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
10
-
2
IS
28
19
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIFE
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
8
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
23
-
4
LIFE
32
23
23
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
IS
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
12
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
13
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
10
-
2
IS
28
19
10
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LOVE
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
14
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
15
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
V
=
4
16
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
17
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
18
-
4
LOVE
54
18
18
-
-
-
-
-
-
-
-
-
-
-
-
90
-
17
LIGHT IS LIFE IS LOVE
198
108
90
-
2
2
9
4
10
12
7
8
36
-
-
9+0
-
1+7
-
1+9+8
1+0+8
9+0
-
-
-
-
-
1+0
1+2
-
-
3+6
-
-
9
-
8
LIGHT IS LIFE IS LOVE
18
9
9
-
2
2
9
4
1
3
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
LIGHT IS LIFE IS LOVE
9
9
9
-
2
2
9
4
1
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIGHT IS LIFE IS LOVE
-
-
-
-
-
-
-
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
2
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
G
=
7
3
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
L
=
3
8
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
12
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
13
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
L
=
3
14
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
O
=
6
15
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
V
=
4
16
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
17
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
90
-
17
LIGHT IS LIFE IS LOVE
198
108
90
-
2
2
9
4
10
12
7
8
36
-
-
9+0
-
1+7
-
1+9+8
1+0+8
9+0
-
-
-
-
-
1+0
1+2
-
-
3+6
-
-
9
-
8
LIGHT IS LIFE IS LOVE
18
9
9
-
2
2
9
4
1
3
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
LIGHT IS LIFE IS LOVE
9
9
9
-
2
2
9
4
1
3
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
LIGHT IS LIFE IS LOVE
-
-
-
-
-
-
-
-
-
-
-
-
-
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
13
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
8
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
L
=
3
14
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
V
=
4
16
1
V
22
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
11
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
17
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
F
=
6
10
1
F
6
6
6
-
-
-
-
-
-
6
-
-
-
O
=
6
15
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
G
=
7
3
1
G
7
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
2
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
6
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
9
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
I
=
9
12
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
90
-
17
LIGHT IS LIFE IS LOVE
198
108
90
-
2
2
9
4
10
12
7
8
36
-
-
9+0
-
1+7
-
1+9+8
1+0+8
9+0
-
-
-
-
-
1+0
1+2
-
-
3+6
-
-
9
-
8
LIGHT IS LIFE IS LOVE
18
9
9
-
2
2
9
4
1
3
7
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
8
LIGHT IS LIFE IS LOVE
9
9
9
-
2
2
9
4
1
3
7
8
9

 

 

L
=
3
-
5
LIGHT
56
29
2
I
=
9
-
2
IS
19
10
1
L
=
3
-
4
LIFE
32
23
5
I
=
9
-
2
IS
19
10
1
L
=
3
-
4
LOVE
54
18
9
S
-
27
4
17
Add to Reduce
198
90
18
-
-
2+7
-
1+7
Reduce to Deduce
1+9+8
9+0
1+8
-
-
9
-
8
Essence of Number
18
9
9
-
-
-
-
1+0
Reduce to Deduce
1+8
-
-
-
-
9
-
8
Essence of Number
9
9
9

 

 

1
I
9
9
9
4
THAT
49
13
4
2
AM
14
5
5
11
TERRESTRIAL
145
55
1
16
EXTRATERRESTRIAL
213
78
6
3
AND
19
10
1
9
CELESTIAL
86
32
5
2
AM
14
5
5
1
I
9
9
9
49
First Total
558
216
45
4+9
Add to Reduce
5+5+8
2+1+6
4+5
13
Second Total
18
9
9
1+3
Reduce to Deduce
1+8
-
-
4
Essence of Number
9
9
9

 

 

-
THE RAINBOW LIGHT
-
-
-
3
THE
33
15
6
7
RAINBOW
82
37
1
5
LIGHT
56
29
2
15
THE RAINBOW LIGHT
171
81
9
1+5
-
1+7+1
8+1
-
6
THE RAINBOW LIGHT
9
9
9

 

 

15
THE RAINBOW LIGHT
-
-
-
-
THE
33
15
6
-
R
18
9
9
-
A
1
1
1
-
I
9
9
9
-
N+B+O+W
54
18
9
-
L
12
3
3
-
I
9
9
9
-
G+H+T
35
17
8
15
THE RAINBOW LIGHT
171
81
54
1+5
-
1+7+1
8+1
5+4
6
THE RAINBOW LIGHT
9
9
9

 

 

-
THE SOLAR SYSTEM
-
-
-
3
THE
33
15
6
5
SOLAR
65
29
2
6
SYSTEM
101
38
2
14
THE SOLAR SYSTEM
199
82
10
1+4
-
1+9+9
8+2
1+0
5
THE SOLAR SYSTEM
19
10
1
-
-
1+9
1+0
-
5
THE SOLAR SYSTEM
10
1
1
-
-
1+0
-
-
5
THE SOLAR SYSTEM
1
1
1

 

 

3
SUN
54
9
9
7
MERCURY
103
40
4
5
VENUS
81
18
9
5
EARTH
52
25
7
4
MOON
57
21
3
4
MARS
51
15
6
7
JUPITER
99
36
9
6
SATURN
93
21
3
6
URANUS
94
22
4
7
NEPTUNE
95
32
5
5
PLUTO
84
21
3
59
First Total
863
260
62
5+9
Add to Reduce
8+6+3
2+6
6+2
14
Second Total
17
8
8
1+4
Reduce to Deduce
1+7
-
-
5
Essence of Number
8
8
8

 

 

3
SUN
54
9
9
5
EARTH
52
25
7
4
MOON
57
21
3
12
First Total
163
55
19
1+2
Add to Reduce
1+6+3
5+5
1+9
3
Second Total
10
10
10
-
Reduce to Deduce
1+0
1+0
1+0
3
Essence of Number
1
1
1

 

 

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

 

 

-
-
-
-
-
A
-
-
-
-
-
-
-
-
-
-
B
-
-
-
-
-
-
-
-
-
-
R
-
-
-
-
-
-
-
-
-
-
A
-
-
-
-
-
-
-
-
-
-
C
-
-
-
-
-
A
B
R
A
C
A
D
A
B
R
A
-
-
-
-
-
D
-
-
-
-
-
-
-
-
-
-
A
-
-
-
-
-
-
-
-
-
-
B
-
-
-
-
-
-
-
-
-
-
R
-
-
-
-
-
-
-
-
-
-
A
-
-
-
-
-

 

 

A
-
-
-
A
-
-
-
-
A
-
B
-
-
-
B
-
-
-
R
-
-
R
-
-
R
-
-
B
-
-
-
-
A
-
A
-
A
-
-
-
-
-
-
C
C
D
-
-
-
-
A
B
R
A
C
A
D
A
B
R
A
-
-
-
C
D
D
-
-
-
-
-
-
A
-
A
-
A
-
-
-
-
R
-
-
B
-
-
B
-
-
-
B
-
-
-
R
-
-
-
R
-
A
-
-
-
A
-
-
-
-
A

 

 

4
ZERO
64
28
1

 

OUT OF ZERO COMETH ONE

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

PLANETS STARS AND LIFE

Page 24

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

 


" the number 1,836 would have the same connotations"
"A remarkable use of the number 3168 occurs"




1836
       1863
             1683
                   1638
                         1368
                               1386
                                     8613
                                            8631
                                                  8316
                                                        8361
                                                              8163
                                                                       8136
                                                                             6813
                                                                                   6831
                                                                                         6381
                                                                                               6318
                                                                                                      6138
                                                                                                             6183
                                                                                                                   3861
                                                                                                                         3816
                                                                                                                               3681
                                                                                                                                     3618
                                                                                                                                           3186
                                                                                                                                                 3168

 

 

4
HOLY
60
24
6
-
R
-
-
-
3
THE
33
15
6
6
COSMIC
62
26
8
3
WOW
61
16
7
7
SIGNALS
81
27
9
23
First Total
297
108
36
2+3
Add to Reduce
2+9+7
1+0+8
3+6
5
Second Total
18
9
9
-
Reduce to Deduce
1+8
-
-
5
Essence of Number
9
9
9

 

 

S
=
1
-
6
SEARCH
54
27
9
F
=
6
-
3
FOR
39
21
3
E
=
5
-
5
EXTRA
68
23
5
T
=
2
-
11
TERRESTRIAL
145
55
1
I
=
9
-
12
INTELLIGENCE
115
61
7
S
-
23
4
37
First Total
421
187
25
-
-
2+3
-
3+7
Add to Reduce
4+2+1
1+8+7
2+5
-
-
5
-
10
Second Total
7
16
7
-
-
-
-
1+0
Reduce to Deduce
-
1+6
-
-
-
5
-
1
Essence of Number
7
7
7

 

 

4
S.E.T.I.
53
17
8

 

 

-
3
S
E
T
I
-
-
-
-
-
--
-
-
-
-
1
-
-
9
+
=
10
1+0
-
1
=
1
`-
`-
19
-
-
9
+
=
28
2+8
=
10
1+0
1
-
3
S
E
T
I
-
-
-
-
-
--
-
-
-
-
-
5
2
-
+
=
7
-
=
7
=
7
`-
`-
-
5
20
-
+
=
25
2+5
=
7
=
7
-
3
S
E
T
I
-
-
-
-
-
--
-
-
`-
`-
19
5
20
9
+
=
53
5+3
=
8
=
8
-
-
1
5
2
9
+
=
17
1+7
=
8
1+0
8
-
3
S
E
T
I
T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
2
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
3
THREE
3
-
-
-
4
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
9
occurs
x
1
=
9
28
3
S
E
T
I
-
-
17
-
-
3
-
17
2+8
T
-
-
-
9
T
-
1+7
-
-
-
-
1+7
10
3
S
E
T
I
-
-
8
-
-
3
-
8
1+0
-
1
5
2
9
T
-
-
-
-
-
-
-
1
3
S
E
T
I
-
-
8
-
-
3
-
8

 

 

3
S
E
T
I
-
-
-
-
-
--
-
-
-
1
-
-
9
+
=
10
1+0
-
1
=
1
`-
19
-
-
9
+
=
28
2+8
=
10
1+0
1
3
S
E
T
I
-
-
-
-
-
--
-
-
-
-
5
2
-
+
=
7
-
=
7
=
7
`-
-
5
20
-
+
=
25
2+5
=
7
=
7
3
S
E
T
I
-
-
-
-
-
--
-
-
`-
19
5
20
9
+
=
53
5+3
=
8
=
8
-
1
5
2
9
+
=
17
1+7
=
8
1+0
8
3
S
E
T
I
T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
2
occurs
x
1
=
2
-
-
5
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
9
-
-
9
occurs
x
1
=
9
3
S
E
T
I
-
-
17
-
-
3
-
17
T
-
-
-
9
T
-
1+7
-
-
-
-
1+7
3
S
E
T
I
-
-
8
-
-
3
-
8
-
1
5
2
9
T
-
-
-
-
-
-
-
3
S
E
T
I
-
-
8
-
-
3
-
8

 

 

Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made

The Tempest Act 4, scene 1, William Shakespeare

Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and
our little life
Is rounded with a sleep.

 

William Shakespeare ( 26 April 1564 (baptised) – 23 April 1616)
was an English poet and playwright, widely regarded as the greatest writer in the English ...

 

 

W
=
5
-
2
WE
28
10
1
A
=
1
-
3
ARE
24
15
6
S
=
1
-
4
SUCH
51
15
6
S
=
1
-
5
STUFF
72
18
9
A
=
1
-
2
AS
20
2
2
D
=
4
-
6
DREAMS
60
24
6
A
=
1
-
3
ARE
24
15
6
M
=
4
-
4
MADE
23
14
5
O
=
6
-
2
ON
15
6
6
A
=
1
-
3
AND
19
10
1
O
=
6
-
3
OUR
54
18
9
L
=
3
-
6
LITTLE
78
24
6
L
=
3
-
4
LIFE
32
23
5
I
=
9
-
2
IS
28
10
1
R
=
9
-
7
ROUNDED
81
36
9
W
=
5
-
4
WITH
60
24
6
A
=
1
-
1
A
1
1
1
S
=
1
-
5
SLEEP
57
21
3
-
-
62
Q
66
First Total
741
291
84
-
-
6+2
-
6+6
Add to Reduce
7+4+1
2+9+1
8+4
-
-
8
-
12
Second Total
12
12
12
-
-
-
-
1+2
Reduce to Deduce
1+2
1+2
1+2
-
-
8
-
3
Essence of Number
3
3
3

 

 

Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ...
www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

 

7
BECAUSE
56
20
2
4
WE'RE
51
24
6
7
KEEPING
67
40
4
3
THE
33
15
6
5
DREAM
41
23
5
5
ALIVE
49
22
4
31
First Total
297
144
27
3+1
Add to Reduce
2+9+7
1+4+4
7+2
4
Second Total
18
9
9
-
Reduce to Deduce
2+9+7
-
-
4
Essence of Number
9
9
9

 

 

THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY

NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE

THE DAY WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE

 

 

Daily Mirror

Friday, March 6, 2009

By Martin Fricker

Front Page

"IS THIS IT ? THIS IS IT!"

 

 

I
=
9
-
2
IN
23
14
5
L
=
3
-
5
LIGHT
56
29
2
O
=
6
-
2
OF
21
12
3
T
=
2
-
3
THE
33
15
6
W
=
5
-
3
WOW
61
16
7
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
3
AND
19
10
1
S
=
1
-
4
SETI
53
17
8
L
=
3
-
2
LO
27
9
9
A
=
1
-
3
AND
19
10
1
B
=
2
-
6
BEHOLD
46
28
1
S
=
1
-
4
SUCH
51
15
6
A
=
1
-
1
A
1
1
1
S
=
1
-
6
SIGNAL
62
26
8
A
=
1
-
2
AS
20
2
2
T
=
2
-
4
THAT
49
13
4
-
-
40
4
56
First Total
603
243
72
-
-
4+0
-
5+6
Add to Reduce
6+0+3
2+4+3
7+2
-
-
4
-
11
Second Total
9
9
9
-
-
-
-
1+1
Reduce to Deduce
-
-
-
-
-
4
-
2
Essence of Number
9
9
9

 

 

 

 

...,

 

THE SCULPTURE OF VIBRATIONS 1971

 

 

 
Top
 
 
Evokation
 
Previous Page
Index
Next Page